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REVIEW: The Bishop’s Wife
Directed by: Henry Koster
Produced by: Samuel Goldwyn
Written by: Leonardo Bercovici, Robert E. Sherwood, Billy Wilder (uncredited), Charles Brackett (uncredited)
Edited by: Monica Collingwood
Cinematography by: Gregg Toland
Music by: Hugo Freidhofer
Starring: Cary Grant, Loretta Young, David Niven, Monty Woolley, James Gleason, Gladys Cooper, Elsa Lanchester, Sara Haden, Karolyn Grimes
Based on the novel by Robert Nathan
Year: 1947
[Some spoilers ahead!]
Cary Grant really could sell movies. Want proof? This film did not live up to expectations when it was first released in the U.S. under its normal title, as it was presumed to be too religious (Go figure, America – we weren’t all enamored with religious movies, even back then!), but when the studio had posters’ reflected title changed to Cary and the Bishop’s Wife, ticket sales reportedly jumped by 25%. The film would go on to be nominated for a few Oscars, including Best Sound, Best Director, Best Film Editing, Best Music Scoring of a Dramatic or Comedy Picture, and Best Picture. It only won in the Best Sound category, but the nominations are still quite impressive. And, when I did a Google search for “Best Christmas Films” this year and pretty much every year past, The Bishop’s Wife was always up there alongside some of the greatest and even some of my favorites. Having reviewed most of those, however, this year, I figured, was The Bishop’s Wife’s year, particularly since I’ve been meaning to review some older films, anyway. Into the Netflix DVD queue it went! Would it be worth it? Read more…
Christmas (and Other Associated Holidays) Movie Month 2015
Good grief, it’s Christmastime again, isn’t it? Geez, the year flew by! Alrighty then…
So… I will keep this introductory post brief, as I have already done this sort of thing four times previously, and I feel like any further explanation will be extraneous, and… yeah, you get the concept of a theme month, right? Right!
If you don’t know, I love the Christmas season, and so every year, I dedicate a majority of the month of December to reviewing Christmas movies. By this point, as I’ve pointed out before, I’ve reviewed most of the ones I love the most, quite honestly, and so there is a slight possibility of me being a bit of a Scrooge — or a Grinch, if you will. Then again, I’ve also discovered some really enjoyable films in the past, too — Joyeux Noël and Rare Exports: A Christmas Tale come to mind — so I’m not ruling anything out. I probably also maybe forgot a few more iconic films I’ve thought about in the past, even, so, yeah… Who knows?
I might also throw in a few other movies (and possibly even some non-movies) that are appropriate for this time of year, such as when I reviewed the only Hanukkah-appropriate movie almost anyone can ever think of, Adam Sandler’s Eight Crazy Nights or some New Year’s movies. As with this year’s Halloween Movie Month, I really have no firm plans this year, quite honestly, apart from one exception…
Yeah, I’m pretty much guaranteeing that I will be reviewing Star Wars: The Force Awakens, regardless of whether it’s actually a Christmas movie itself. Hey, we can all pretend it’s a gift to the masses if that makes you feel better!
So… yeah, it’s Christmastime, so get in the holiday spirit and, if you have trouble waiting for the next review, go ahead and peruse the films I’ve reviewed in the past below!
Disney’s A Christmas Carol (Part 1, Part 2)
National Lampoon’s Christmas Vacation
Adam Sandler’s Eight Crazy Nights
Home Alone 2: Lost in New York
Tyler Perry’s A Madea Christmas
The Muppet Christmas Carol (Part 1, Part 2)
The Nightmare Before Christmas
Rare Exports: A Christmas Tale
Rudolph the Red-Nosed Reindeer
Kirk Cameron’s Saving Christmas
REVIEW: Home Alone 3
Directed by: Raja Gosnell
Produced by: John Hughes, Hilton Green
Written by: John Hughes
Edited by: Bruce Green, Malcolm Campbell
Cinematography by: Julio Macat
Music by: Nick Glennie-Smith
Starring: Alex D. Linz, Olek Krupa, Haviland Morris, Rya Kihlstedt, Lenny Von Dohlen, David Thornton, Kevin Kilner, Marian Seldes, Seth Smith, Scarlett Johansson, Christopher Curry, Baxter Harris, Neil Flynn, Darren T. Knauss
Year: 1997
I wanted something simple to watch and review tonight, mostly because I was very tired this week, and I needed it. Skimming through the movies I had available to stream at my leisure, I saw Home Alone 3 and thought to myself, “Eh. Might as well complete the trilogy.” And, like that, this is why you are now getting a review of Home Alone 3 instead of at Christmastime.
So… yeah, enjoy! Read more…
2014 IN REVIEW: The Films I Didn’t See (September – December)
I’m not going to waste too much time this year on introductions. For this third and final part of my review of films I didn’t see, we’re going through the prestige Oscar-baiting season. You know — hammy acting, controversial subjects, beautiful cinematography, politics… It’s often a mixed bag, and for every stunning masterpiece, there’s often a lot of films that misstep and come off like a cheap cheeseburger dressed up to look like prime rib. … I’m hungry.
This is by far the biggest portion of films I didn’t see, largely due to a lot of them coming out so much more recently and not being available to rent, if I missed them in theatres.
Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.
Anyway, here are many of the films from September to December 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…
2014 IN REVIEW: The Films I Didn’t See (January – April)
I’m not going to waste too much time this year on introductions. We all pretty much know this is the dumping ground for lesser films prior to the summer blockbusters and awards season after that. Still, it’s worth mentioning that this was a slog to go through, and I didn’t even see these movies; I just charged myself with reviewing why I never got around to them.
Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.
Anyway, here are many of the films from January to April 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…
REVIEW: Arthur Christmas
Directed by: Sarah Smith
Produced by: Steve Pegram
Written by: Peter Baynham, Sarah Smith
Story by: Sarah Smith (uncredited)
Edited by: John Carnochan, James Cooper
Animation studio: Aardman Animations
Music by: Harry Gregson-Williams
Starring: James McAvoy, Hugh Laurie, Bill Nighy, Jim Broadbent, Ashley Jensen, Imelda Staunton, Marc Wootton, Laura Linney, Eva Longoria, Ramona Marquez, Michael Palin
Year: 2011
Every year, we hear that people are losing the true Christmas spirit, how everything’s become focused on material possessions rather than family togetherness. Horror stories from Black Friday sales frenzies flood the news, and having the most presents under the tree dominate our thoughts, so we’re told. But what if that attitude started spreading to one of the season’s most iconic figures, Santa Claus? That’s the basic start for the premise of Aardman’s contribution to the Christmas film pantheon, Arthur Christmas. Read more…












