Archive
Review: “Enchanted”
Directed by: Kevin Lima
Produced by: Barry Josephson, Barry Sonnenfeld
Written by: Bill Kelly
Cinematography by: Don Burgess
Editing by: Gregory Perler, Stephen A. Rotter
Music by: Alen Menken, Stephen Schwartz (lyrics)
Starring: Amy Adams, Patrick Dempsey, James Marsden, Timothy Spall, Idina Menzel Rachel Covey, Susan Sarandon, Julie Andrews (narration)
Year: 2007
Every now and then, you just want to escape the cynical world around you and delve into a little bit of celebratory saccharine sweetness to make you a bit happier to be alive. Enchanted is a great film to unwind with, as I quickly found out tonight after this movie arrived in the mail and I decided to put it on in the background of my household cleaning, only to find myself laying down on the couch and absorbing the infectiously fun fish-out-of-water fairy tale about a naive princess who is transported into our world after being pushed down a magical well by an evil queen, only to find out that true love isn’t always at first sight. Read more…
Theatrical Review: “Wreck-It Ralph” / Sub-Review: “Paperman”
Directed by: Rich Moore
Produced by: Clark Spencer
Written by: Phil Johnston, Jennifer Lee (screenplay); Rich Moore, Phil Johnston, Jim Reardon (story)
Music by: Henry Jackman
Starring: John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, Alan Tudyk, Adam Carolla, Horatio Sanz, Mindy Kaling
Year: 2012
Video games were probably my first passion. I’ve been a game player since my grandpa first introduced me to his Nintendo Entertainment System back when I was only 4, and while video games have largely become more of a rare hobby of mine since I left high school, I still love the medium and I try to find new favorites (the Uncharted series) while keeping up with my old ones (The Legend of Zelda primarily). So I was pretty excited to hear that Disney was making a film that many were calling the Who Framed Roger Rabbit of video games. Here was the world’s biggest animation studio finally acknowledging the mainstream popularity of video games by not only making a film centered around one, as they did with Tron, but actually making the film part of its prestigious “Disney Animation Canon,” placing it in the same ranks as the revolutionary Snow White and the Seven Dwarfs and the Best Picture Oscar-nominated Beauty and the Beast. Read more…
Theatrical Review: “Frankenweenie”
Directed by: Tim Burton
Produced by: Tim Burton, Allison Abbate
Written by: John August
Cinematography by: Peter Sorg
Music by: Danny Elfman
Starring: Charlie Tahan, Frank Welker, Winona Ryder, Cathernie O’Hara, Martin Short, martin Landau, Robert Capron, Atticus Shaffer
Based on the short Frankenweenie by Tim Burton
I’m going to say it, something that everyone’s been thinking and even saying for a while, but it bears mentioning again: Tim Burton has really lost his touch since the late 90s. Though he’s still since released some decent-to-genuinely-good films since then, none of them have been entirely original. His take on Alice in Wonderland was a garish bore, and while I truly enjoyed both Sweeney Todd and Charlie and the Chocolate Factory, they weren’t entirely his own material, now, were they? I think that the best thing that we can say about Frankenweenie at this point in Burton’s career is that it falls somewhere in this latter category of truly enjoyable though not entirely original material. Read more…
A Casual Update – or, What’s Going On in CJ’s Rather Boring Life?
Just a quick update today, as I’ve not been feeling too well. I figured I’d do a little bit of writing, however, and take some time out to discuss what’s been up in my own life for once — for a blog, I just don’t write that much about myself, it seems, so I think it’d be nice to do now that I’m feeling all tired and such.
Up until today, the most exciting thing that happened recently in my movie-watching life was my pre-ordered copies of The Aristocats, The Rescuers films, and Pocahontas arriving in the mail.
I sent this picture to my mom and sister that day just to brag. :)
I’m a huge fan of Disney animation, and with these films and the upcoming Cinderella, I will have 26 of the 52 Disney Animated Feature films, spanning DVD and Blu-Ray, a number that includes this year’s really fun-looking release, Wreck-it-Ralph:
[youtube:http://youtu.be/btB8tb8fLYM?hd=1%5D
A long time ago, when I first started this blog, I intended to start something going down every single Disney animated feature, as well as Pixar’s, but those kinda fell to the wayside. I’m still planning on it, however, and I’m just figuring out the logistics of how that’s going to work, exactly. Perhaps it’ll be along the lines of my Ultimate Evolving Superhero Films List, but I kind of wanted to go deeper into the films, too, so who knows? I’ll figure something out, though!
Speaking of that list, by the way, after all the superhero stuff I’ve been covering lately, part of me has been drifting towards older movies. In the past week or so, I’ve watched Sabrina, which features a very endearing performance by Audrey Hepburn and even a surprisingly sweet performance by Humphrey Bogart, whose only other movie I have seen, I am ashamed to say, was just Casablanca, which I also rented this past weekend, along with American Psycho, which isn’t exactly old and was certainly new for me. (I enjoyed it, if you’re wondering.)
The only love triangle guaranteed to make you not wish you were bashing your head into a wall.
Same goes for Glengarry Glen Ross, which showed up on Netflix streaming this week and was an amazing experience. All the actors in that movie are hamming it up in the most awesome way, with Al Pacino actually having to keep his head above his costars, including Jack Lemmon, Alan Arkin, and Ed Harris, who are also stellar. Not to overlook Kevin Spacey, that is, who puts in a comparatively understated performance as the office manager (or whatever his title was) whom nobody likes. Again, however, that’s not exactly an old movie so much as it is an older movie.
I also threw on The Shop Around the Corner one late night, which came with my copy of You’ve Got Mail, and I’ve got to be honest — it wasn’t exactly my cup of tea. I know it’s a beloved classic, and I’m not going to begrudge anyone who does love it, but I found it rather… droll. Perhaps it’s my unreasonable love for the snappier remake, but I did enjoy the lead performances in Shop, despite not being much of a fan of the film itself. Perhaps a second, non-late night viewing is in order.
But the oldest film I watched recently was 1933’s King Kong, which was prompted after my buying the masterful 2005 remake at my local Bookman’s for a steal. It was my first viewing, and I can honestly say that the spectacle, if not the special effects, holds up very well, even today, and I thought that the stop motion effects and camera tricks were fantastic. According to this Roger Ebert review, the projection screen they used for some of the background effects was pieced together from condoms! How hilarious is that? I must also note that I watched the ’76 remake, too, before watching the original, each for the first time. It was an interesting experience going back in time, almost like tracing back the history of the story, from 2005 back to 1933. I can honestly say that I consider the 1933 and 2005 versions to be brilliant, but the 1976 modernized version is pretty awful. I plan on doing a review of each of these films soon, once I finish up that Superhero Films List — part 3, the final initial increment of the list, is still coming!
Yup. They put a crown on him in this one, just to make the title more clear.
Another goal of mine is to commemorate director Tony Scott, whose work I have honestly not been the biggest fan of, but he was a director whose style I nonetheless admired, with his gritty . I enjoyed Top Gun far more than I expected, cheesiness and all, when I first watched it a while ago, and Unstoppable was great fun and illustrates that a good action film doesn’t necessarily have to have a central villain. I also happen to think that Man on Fire is an underrated thriller, so expect a review of that to come, as well. It’s truly sad when we lose great talents, and it’s even sadder when it likely could have been prevented. I send my condolences to his family and hope that they have the support that they need at this difficult time.
Shifting gears, I previously said that my Disney movies were the most exciting thing happening this week, up until today. That’s because I bought myself a new laptop, which I’d been meaning to do for quite some time, but had to save up for it. Here’s the super awesome deal that I got that was only a little more than I expected to pay: http://dealzon.com/deals/lenovo-ideapad-y570-coupon#lenovo-ideapad-y570-08626qu
How is this relevant? Well, basically, this is going to enable me to write more and get more active with my writing. I had a laptop last year that crapped out on me before I started The Viewer’s Commentary, and, honestly, I miss it dearly. I have a hard time keeping focus, and staying in one place is really hard. When my laptop died last year, I had to get a cheap computer, fast, as I had nothing else. The desktop I’m currently writing on, a Compaq bought off the shelf no less, was a used computer I got from my buddy for $200 and has done an admirable job in the past year and a half, but I miss the intimacy of a laptop and the ability to move around wherever and whenever I wanted without having to abandon my work.
This should rock!
This new machine, which I only found tonight, but have been saving up for unknowingly for the past several paychecks, has Blu-Ray built in, so I’ll finally be able to take more screenshots on my own, rather than searching for them on the web. Seriously, this is going to hopefully allow me to write more and be more mobile, rather than having to sit in my uncomfortable chair in my room, and even if I go visit my family 100 miles away, I can finally take a computer with me and update from there when everyone else has gone to bed. Now all I have to do is get in the habit!
So, that’s what’s going on in my life these days, at least as far as my movie viewing habits goes. I’m planning on seeing ParaNorman this weekend, as I’ve been given a Groupon movie pass from my boss to a local theatre, so, huzzah! Expect a theatrical review of that, too!
Theatrical Review: “Brave”
Directed by: Mark Andrews, Brenda Chapman
Produced by: Katherine Sarafian; Pete Docter, John Lasseter, Andrew Stanton (executive); Mary Alice Drumm (associate)
Written by: Mark Andrews, Steve Purcell, Brenda Chapman, Irene Mecchi (screenplay); Brenda Chapman (story)
Art Department: Emma Coats, Nick Sung (storyboard artists); Mark Cordell Holmes (graphic artist); Jason Merck (artist)
Music by: Patrick Doyle
Starring: Kelly Macdonald, Julie Walters, Billy Connolly, Emma Thompson, Kevin McKidd, Craig Ferguson, Robbie Coltrane, John Ratzenberger
Year: 2012
Many have worried, and even after seeing the film continue to assert, that Brave is a step backward for Pixar in terms of quality and storytelling. The film’s current score of 75% on Rotten Tomatoes, while nowhere near as low as last year’s 38%-scoring Cars 2, still puts the film just barely above the first Cars (74%), and just below the recent Madagascar 3 (76%), and though I haven’t seen the latter, I doubt these films would ever be considered in the same league as Pixar’s masterpieces like Up, The Incredibles, the Toy Story films, and Finding Nemo. Audiences and critics alike are seemingly seeing signs that this studio, once heralded as being home to the kings (and queens) of their craft, is taking its first steps towards the abyss of mediocrity — an assertion only further enforced by the fact that Brave had Pixar’s lowest grossing opening weekend of any of their films, despite taking the number one spot. But is Brave really the harbinger of a string of “just average” films to come? Has Pixar lost its edge, its brilliance, its originality? To be quite honest, I don’t see Brave in that light at all. Read more…
More or Less: 5 More of My Favorites
Since this blog’s inception, I’ve posted 85 times, and while that is not necessarily one of those significantly recognized numbers like, say 25, 50, or 75, I must say, I didn’t know whether or not that I would stick with this blog for as long as I have, and while I’ve at times wondered if I could continue writing for this, 85 seems like a good enough number to definitively say to myself, “Yes, this is what I’m meant to be doing, even if it’s not for a living.”
You see, even though I might not be getting paid for what I’m doing here, there’s still a significant part of me that absolutely loves the cinema, even the crap movies sometimes, and I love discussing them with people when I can. Writing this may be a somewhat of a one-way street, as I’m still not entirely certain how significant my readership is here, but the more I write about it, the more I know that my audience will grow, and even if I’m not getting quite the comments level that I probably naively expected/hoped, hopefullyThe Viewer’s Commentary has at least helped in elevating this art medium that I love so much, if even by a small amount.
Going forward, I hope to have more reviews and commentary up more often. Going through a few sites around the blogosphere, I’m inspired to stop caring so much about the scope of my posts as much as I am posting from both my gut and heart and only worry about the high concept stuff when the mood strikes me just right. This will enable me to not burn out after work in trying to do a ton of research only to decide to abandon all plans to write that night. Less pressure, more pleasure, I guess you could say.
And, so, with this, the 86th published post, I’m going to make good on that promise to myself and my readership with a follow up to my very first article on the site — Here are, in no particular order, five more films that I would consider to be, more or less, my favorites!
The smug face of evil
Inglourious Basterds — I initially fell asleep during this movie. There. I said it. I blame my friend, who was also present with me during our recent viewing of John Carter — another film I fell asleep during. (Though, with that film, it was likely the fact that it was a midnight showing after a tame hockey-game bachelor’s party — that and it was also kind of a boring flick in general.) That bad luck for me apparently rubbed off once he got married, as he was also present when we went to go see The Avengers, and I was glued for that. (Honestly, Inglourious Basterds was also a late night showing during a very hectic and busy school schedule for me, so it wasn’t great timing.) But I’m digressing. Read more…
2011 in Review: My 10 Favorite Films, 10 – 8
It’s hard for me to pick a favorite film of all time, but with a year like 2011, it wasn’t that hard to narrow down my choices for favorite films over the past year.
After making my selections and arranging them, I’ve realized a lot of my choices for 2011 involved some combination of whimsy, science fiction, or fantasy elements. While I love a good realistic film — and indeed, had this blog existed at the beginning of 2011, I would have likely been talking about how much I loved True Grit and The King’s Speech — I always seem to go back to the more whimsical ones the most, and 2011, for all its faults, was full of some wonderful films of this ilk.
I swear, I’ll never write off another Western again, I promise!
I had originally intended to place all ten of my favorite films here in this one article, but around the time I had completed the tenth place film and began writing the entry for the ninth (the rankings of which continued to evolve themselves, so that was its own dilemma for me as I love them all, some more equally than others), I began to realize just how much I had to say about the films I loved this past year. If you read my past articles on the films I didn’t see in 2011, the ones I liked, and the ones I hated, you can see that there wasn’t a huge number of films that I especially wanted to see that was new, so perhaps that is why I ended up feeling so compelled to write so much about these films.
Ultimately, I am my own editor, and I know I can be quite wordy, but it is my hope that, in writing these analyses on my favorite films of 2011, I can impress upon you what it is about these films that I love so much and maybe compel you to love them similarly and, if not, defend your position, retort with your own, and perhaps feel compelled to introduce others, including me, to something they had never considered seeing before. That being said, this is a perfect jumping off point for the first entry on my list, so here they are, Entries 10 – 8 of My 10 Favorite Films of 2011: Read more…
2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, May – September 2011
<< Part 1: January – April 2011
Ah, summer. A time of blockbusters. The time of year that everyone looks forward to, even people who don’t necessarily like seeing a whole lot of films. 2011’s summer season for me was weird. I quit my job at an ice skating rink in Scottsdale sometime in June and began working full time at the warehouse I had also been working at, where I got a promotion from being a warehouse clerk to, of all things, a bookkeeper — a position my boss really took a chance with me on since the last time I did anything math-related was the easiest math class I could sign up for and still get the required credits to graduate on time with two years prior.
As such, I lost my movie-discussion buddy at the ice skating rink, which would then lead to my ignorance of several major releases in 2011. The friendships I forged there, particularly with my friend Lesley, continue to resonate with me but have also become a sort of symbol of my relationship with movies over the past year, as well, as I have grown to have fewer and fewer new encounters with both, much to my dismay.
I’m grateful for my current job, of course, as it is the first major promotion I’ve ever received, and I’ve gone on to also help in customer service, but without someone I am able to chat with and have meaningful, deep conversations about film with on a regular basis, the more disconnected I’ve grown from what is being released these days, including films I would have otherwise never heard about. Ultimately, this disconnect from what was happening would become so intolerable that I would force myself to start this blog, an aspiration that had been gestating in my heart for well over a year by the time I actually published my first article.
As with part one of this 2011 retrospective of films I didn’t see in theatres or at home, this is not intended to be my final say on these films, but rather a reflection upon what my impression of them was and why, if for any reason, I did not or chose not to see them.
Also, before I move forward, I want to to also thank everyone for the great response I’ve gotten over the past couple days. I never could have imagined that I would get 3,333 views in one day, and the amount of comments I received on the first part by the first time I saw these figures was more than double the amount of people passing through on a daily basis without even leaving comments at all. To think that this has largely continued into the second day, as well, as I continued to be “Freshly Pressed” just floors me, and I’m more than touched and thrilled to have you all reading my site! Welcome to The Viewer’s Commentary, and I hope you’re enjoying your stay!
Now then, on to the article! Read more…
Grudge Match Review: “Scrooged” vs. “The Muppet Christmas Carol” vs. “Disney’s A Christmas Carol” – Rounds 6 – 10
<< Part I
Round 6: The Ghost of Christmas Yet to Come
- Robert Hammond (uncredited), Robert Tygner (performer), and, yes, Jim Carrey as The Ghost of Christmas Future
Easily the ghost most people remember, and also the one where almost nobody seems to deviate from the tradition — not even Scrooged. The cloaked figure known as the Ghost of Christmas Yet to Come (alternately, of Christmas Future) is often seen as the most dramatic of the spirits, revealing to Scrooge how the future could turn out if he doesn’t change his ways. There are differences in how each movie portrays the spirit, of course, but ultimately, the horrific aspect is the same, and it’s only a matter of how horrific and in what way.
Scrooged, for instance, keeps with the thematics, with the ghost having a heavy, ghoulish cloak with blue streaks and a TV screen for a face that flashes static and images from Frank’s life. Inside his cloak are hellish ghouls, moaning in agony. The visions of the future he shows Frank are abstract and look completely unlike anything else in the film, showing a bleak and sterile future, free from passion and compassion.
The Muppets keep it grim and faithful, but they are sure to make sure that families who show this to their children will not have tears by the end of the film. And, ultimately, that’s okay. It doesn’t break out into song, it doesn’t speak, and it certainly isn’t the most joyful spirit in the world, but we do need a Christmas Carol adaptation that is faithful without being both syrupy sweet and cheaply made. This spirit didn’t make that much of an impact on me as a viewer, but I get that I’m not necessarily the intended audience here.
Of course, it’s remarkably clear that Disney and Zemeckis were aiming for a much older audience with their collaboration on A Christmas Carol, as the ghost maintains his scary nature, multiplied by ten, with only Jim Carrey’s performance to keep things a bit lighter. Not nearly concerned with being grim and more concentrated with being terrifying, this ghost is seemingly the byproduct of merging the Ghost of Christmas Past and the Headless Horseman, with a hint of shrink ray. It seems as though the filmmakers were concerned that they didn’t have a big finale for the talky climax, and so the final spirit, who first appears as a living shadow, gains a red-eyed horse and a chariot of nightmares, shrinking Scrooge and chasing him the horrors of Christmas Yet to Come — and also the horrors of sewers and being the size of a rat. I guess that’s symbolism? Read more…
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