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2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, January – April 2011
A lot of people will say that 2011 was a dull year for film. Unlike previous years, there haven’t been very many huge Oscar-worthy films this year that I, personally can think of. Though The King’s Speech saw its wide release in 2011 (and I even saw it in theatres this past year), it was ultimately a film from 2010 and had, by this year’s Oscars, already won several Oscars and other accolades in the year prior, so it was no longer a contender for this spot.
Of course, 2011 had its share of noteworthy films, such as Moneyball and The Tree of Life, both fo which I still have yet to see but hear fantastic things about. And there’s Hugo, which is a wonderful family film from Martin Scorsese and my top pick for the year. But 2011 was largely a year of recycling. Sequels aplenty, some great, some good, and some completely awful, with plenty of expected and unexpected revivals of old franchises, many of which were completely unnecessary and, yes, unwanted. (Yes, I’m thinking of The Smurfs.)
2011 also saw the end of a few eras in film history, as well. The final Harry Potter released this year to high critical acclaim. For the time being, we’ve also gotten what is intended to be the final film in the Transformers trilogy (until Michael Bay decides he wants to have more money and toss in Jason Statham, who has been rumored to be taking over the lead human role for quite a while now). And we also saw Pixar release their first widely derided film ever in the admittedly-watchable-but-ultimately-thoroughly-mediocre Cars 2.
I went to the theaters plenty of times this year. Most of the films I did see were quite good, if at least enjoyable. A couple were quite bad. But there were still plenty of notable films that were released throughout the year that I didn’t see, neither in theatres nor in my own home. Before I tell you what were my least and most favorite of the year, I thought I’d go through the daunting task of a quick rundown of each notable film released in 2011 that I, for one reason or another, for better or for worse, did not see in theatres or get around to watching on home release. Read more…
Review: “National Lampoon’s Christmas Vacation”
Directed by: Jeremiah Chechik
Produced by: John Hughes, Matty Simmons
Written by: John Hughes
Starring: Chevy Chase, Beverly D’Angelo, Randy Quaid, Juliette Lewis, Johnny Galecki, John Randolph, Diane Ladd, E.G. Marshall, Doris Roberts, William Hickey, Mae Questel, Miriam Flynn, Nicholas Guest, Julia Louis-Dreyfus
Music by: Angelo Badalamenti
Year: 1989
My mom this year decided to put up the Christmas tree in the front of the house, right in the formal living room in front of the window. That might not sound like a big deal, but, really, how many households actually use the formal living room that often? I told my mom this. Families spend most of their time in front of the television. Whether you consider this a tragedy or fact of life, it’s true, and I’m used to the tree being right there next to it, for everyone to see. I normally don’t like distractions while watching movies, but, during Christmas? I’ll make an exception to be able to watch Christmas movies while the tree is nearby. It just feels so… Christmassy. But, I guess, not this year. When I go home for Christmas this year, I’ll see the tree in the window as I pull up, but I’ll have to go out of my way to see the tree once I get inside. Lazy? Maybe, but it just feels weird. Why did my mom put it there and break our tradition? Read more…
Review: “Elf”
Directed by: Jon Favreau
Produced by: Jon Berg, Todd Komarnicki, Shauna Robertson
Written by: David Berenbaum
Starring: Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel, Mary Steenburgen, Ed Asner, Daniel Tay, Amy Sedaris
Music by: John Debney
Year: 2003
The 21st century hasn’t been kind to the Christmas genre. The signs were there from the very near-beginning when in late 2000 (which is not the 21st century) Ron Howard delivered his misguided attempt to make a live action adaptation of Dr. Seuss’ How the Grinch Stole Christmas and Brett Ratner’s pale imitation of It’s a Wonderful Life, the Nicolas Cage-starring The Family Man, and on from there we got the endless barage of cynical actor cash-ins like Christmas with the Cranks, Deck the Halls, Fred Claus, and the terrible sequels to The Santa Clause. Perhaps the worst of these was Surviving Christmas, a miserable, annoying, and rage-inducing film starring Ben Affleck making a nuisance of himself to James Gandolfini. Read more…
Christmastime is here! Watch “Santa Clause Conquers the Martians”… MST3K Style!
It’s officially after Thanksgiving and, therefore, it is officially time to start thinking about Christmas movies here at The Viewer’s Commentary! As with Scary Movie Month in October, I will be making my primary focus this December on Christmas movies! And, even though I’m not Jewish, I’ll even try to find a few good Hanukkah films, too! (And I’ll try to make sure that the only Hanukkah film I find isn’t just Adam Sandler’s Eight Crazy Nights, which is all I could really find at the local Blockbuster, I promise!)
I broke a few promises with my Scary Movie Month line up due to time issues and a detour thanks to the response to my review of Nightmare on Elm Street, but I’ll try not to do that this time around. There are far more diverse movies in this category than the horror category, and I’m certain that everyone will find something to enjoy this month, including myself! Some reviews to look forward to are National Lampoon’s Christmas Vacation, The Polar Express, Elf, Meet Me in St. Louis, and, of course, the holiday classic… Die Hard!
Of course, I’ll try to make sure to throw in a few more surprises and classics, too! I’ll even try to throw in a few features here and there to keep you interested. My Top 10 Favorite Christmas Movies, anyone? I’m way more excited about this than I was Scary Movie Month, as Christmas is seriously my favorite holiday of the year. I’m like a freaking little kid when it comes to this holiday, and it’s not just the presents, either. (I get presents on Halloween, too, since it’s also my birthday, so I’m totally unbiased in that regard.) I love the sense of togetherness, family, and giving, and, of course, it’s also a time for us Christians to remember Christ’s birth, even though it totally wasn’t originally for that purpose, as we Christians just usurped a pagan holiday… but let’s not get into that now, eh?
In the meantime, as I make preparations to deliver my Christmas cheer, why don’t you celebrate Christmas the same way we kicked off Halloween by watching an embedded movie, right here on my site? This one’s a public domain classic! However, it’s all for unintentional reasons, as Santa Claus Conquers the Martians is about as bad as it sounds! Like fruitcake, it’s probably best to serve it up with a heavy side of libations, here taking on the form of the comedic commentary of Joel Hodgson, Tom Servo, Crow T. Robot, and the rest of the gang from Mystery Science Theater 3000! Hurry, though! I don’t know how long this video — not posted by me! — will actually be up!
Santa isn't afraid because he doesn't really believe in aliens.
Part I
Part II
Part III
Part IV
Part V
UPDATE: Turns out, Eight Crazy Nights might actually be the only Hanukkah film out there! Seriously, do a search for “Hanukkah movies” and this very post on The Viewer’s Commentary is on the first page as of right now, and this post is only a couple hours old! What gives, Hollywood? There are so many Jews involved in the entertainment business, you’d think a few more than just one Hanukkah movie would exist, right? Oh well… Looks like I’m already breaking promises. Guess I’ll be getting coal this year.
Review: “Hesher”
Directed by: Spencer Susser
Produced by: Natalie Portman, Spencer Susser, Morgan Susser, Lucy Cooper, Johnny Lin, Scott Prisand, Win Sheridan
Written by: Spencer Susser & David Michôd (screenplay), Brian Charles Frank (story)
Starring: Joseph Gordon-Levitt, Devin Brochu, Rainn Wilson, Natalie Portman, Piper Laurie
Music by: Francois Tetaz, Metallica & Motorhead (incidental music)
Year: 2010 (Sundance), 2011 (wide)
I’m going to admit to something: I really don’t know what this movie was going for. It’s as conflicted as its titular character is, and that’s not really a compliment. I admit that I went into Hesher not really knowing what to expect. I knew there was going to be a dark sense of humor throughout undercutting a surprising amount of drama, but what I didn’t expect was the strange, almost pointless reason for its being – again, kind of like Hesher himself. Read more…
Review: “Planes, Trains and Automobiles”
Director: John Hughes
Produced by: John Hughes
Written by: John Hughes
Starring: Steve Martin, John Candy, Laila Robins
Music by: Ira Newborn
Year: 1987
After bringing the world four renowned teenage-centric films, John Hughes, director, producer, and writer, changed course and aimed for the adult crowd with this rare Thanksgiving holiday movie.
Uniting Saturday Night Live alum Steve Martin and SCTV‘s (a.k.a., Canadian SNL) John Candy, Planes, Trains and Automobiles has joined the ranks of The Breakfast Club and Ferris Bueller’s Day Off in becoming another of Hughes’ all time ’80s classics and has become such a staple of the Thanksgiving holiday that I’m certain you’ve passed by it on some marathon airing on cable TV and possibly didn’t even know it! And if you didn’t know of it, then that’s a mild crime, as the film deserves that status. Read more…
Review: “Bridesmaids”
Director: Paul Feig
Produced by: Judd Apatow, Barry Mendel, & Clayton Townsend, Annie Mumolo & Kristen Wiig (co-roducers), Paul Feig (executive producer), Lisa Yadavaia (associate producer)
Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Ellie Kemper, Wendi McLendon-Covey, Chris O’Dowd, Jon Hamm
Written by: Kristen Wiig, Annie Mumolo
Music by: Michael Andrews
Year: 2011
After years of making “movies for guys” like Superbad, The 40-Year-Old Virgin, and Knocked-Up, Judd Apatow, famed producer and director, teams up with director Paul Feig, comedian Annie Mumolo, and, of course, Saturday Night Live star Kristen Wiig to finally make a movie aimed at the ladies. And, I have to say, it’s surprisingly high quality!
The hype for Bridesmaids, at least for me, seemed to come out of nowhere. Despite a strong cast and crew, calling a movie “The Hangover for women” isn’t exactly going to inspire confidence in me in the same way that saying that the decidedly non-diet Dr. Pepper Ten is “not for women.” It’s stereotyping in the worst possible way, and actually does its product a disservice, no matter the quality of the one it’s being compared to. I was actually put off by the push to compare the two movies. The Hangover was a good, entertaining movie, period. Bridesmaids, though I can see the comparison, is not The Hangover for women, but it is also a good, entertaining movie in its own right. Read more…
Review: “Shaun of the Dead”
Director: Edgar Wright
Produced by: Nira Park
Written by: Edgar Wright, Simon Pegg
Starring: Simon Pegg, Nick Frost, Kate Ashfield, Lucy Davis, Dylan Moran, Bill Nighy, Penelope Wilton, Peter Serafinowicz, Jessica Stevenson
Music by: Pete Woodhead, Daniel Mudford
Year: 2003
I’m not going to pretend like Shaun of the Dead is some masterpiece of cinema. The movie speaks for itself — it is a masterpiece of comedy, no pretending needed! There’s just something so fun, so delightfully silly about the concept of a romantic comedy set during a zombie outbreak. I mean, seriously, how could you resist?
Great Scenes: “Singin’ in the Rain” – Moses Supposes Tap Dance
Just a quick update today. I’ve been pretty tired with work and other related stuff, and today is my day off and I’m having a friend over whom I haven’t seen in a while, but I wanted to post something since it’s been a while!
So, today, I’m bringing you a video from a movie that made it to my favorites list, Singin’ in the Rain. Now, almost everybody knows the famous song and dance number to the song that gives the film its name, but how many modern movie audiences know some of the other, just as amazing musical numbers in the film?
Today’s video, which I sadly cannot find in an embeddable format, so please follow the deceptive link, shows just how this movie mixes humor, story, and musical numbers all in one. The background of the scene involves silent film star Don Lockwood (Gene Kelly) taking elocution lessons. Thanks to the release of The Jazz Singer, talkies are now all the rage, and the film Don was starring in has suddenly been put on hold to be reworked into a talkie itself. Don’s colleague and best friend Cosmo Brown (Donald O’Connor) comes in to speak to Don mid-lesson, and overhears the ridiculous tongue twisters Don’s being put through. It isn’t long before the two begin goofing off and teasing the instructor. It all culminates into a fantastic tap dance number that basically puts all other methods of procrastination to shame.
I loved this scene as a kid, primarily because of living Looney Tune Donald O’Connor’s hilarious faces, and as an adult, it’s still pretty frickin’ hilarious, with excellent timing on O’Connor’s part (ruined a bit by a bad editing gaffe causing the instructor to react twice to the same face, unfortunately). Then the musical number begins, and while it’s not the best song in the film, it suits the scene just fine. The real highlight is the dancing, however, with Kelly and O’Connor perfectly in tune with each other and really putting out a lot of energy. There’s a mixture of singing, dancing, and goofing around as they begin using every surface and prop in the room, including the poor instructor, who doesn’t quite know what to do with the two clowns.
You also have to appreciate a movie that basically acknowledges, “Yeah, we’re doing a musical.” This is one of the many songs that the characters sing that builds up into their decision to yet again convert their film, The Dancing Cavalier, into a musical called The Dancing Cavalier, and this scene is essentially just foreshadowing on the obvious — when you have actors this talented in song and dance, why not use those talents!?
If you haven’t seen this movie, go do so… NOW!
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