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REVIEW: Bad Santa (Director’s Cut)
Directed by: Terry Zwigoff
Produced by: John Cameron, Sarah Aubrey, Bob Weinstein; The Coen Brothers (executive producers)
Written by: Glenn Ficarra, John Requa
Edited by: Robert Hoffman
Cinematography by: Jamie Anderson
Music by: David Kitay
Starring: Billy Bob Thornton, Tony Cox, Lauren Graham, Bernie Mac, Brett Kelly, Lauren Tom, Cloris Leachman, John Ritter
Year: 2003
Perhaps the movie that was on my radar the longest, as far as holiday movies go, was Bad Santa, which was originally released all the way back when I was in high school, which also meant that I was absolutely unable to get a hold of a copy at the time, seeing as how I still lived at home, and I am not certain that the kind of comedy there within would have held up well should anyone even hear what was being uttered on screen, and it’s also not exactly the kind of film that, as I got older, would have been viewed in a family setting. It was in my queue for a while in all past Christmas Movie Months, never reaching me thanks to the stupid freaking “Long Wait” with Netflix and, may they rest in peace, Blockbuster. This year, however, I finally got my hands on a copy! Finally, I would gaze the apparent treasure that everyone else was raving about all that time ago (and even today)! I popped in the disc, and… there were two cuts: Bad(der) Santa, the unrated cut, and Bad Santa the director’s cut – but no theatrical cut. Read more…
THEATRICAL REVIEW: Tyler Perry’s A Madea Christmas
Directed by: Tyler Perry
Produced by: Tyler Perry, Ozzie Areu, Matt Moore
Written by: Tyler Perry
Edited by: Maysie Hoy
Cinematography by: Alexander Gruszynski
Music by: Christopher Young
Starring: Tyler Perry, Anna Maria Horsford, Larry the Cable Guy, Tika Sumpter, Kathy Najimy, Chad Michael Murray, Eric Lively, Alicia Witt, Lisa Whelchel, Noah Urrea, JR Lemon, Jonathan Chase
Adapted from the musical play by Tyler Perry
Year: 2013
I used to think that this would be a sign of the apocalypse – Tyler Perry teaming up with Larry the Cable Guy to make a movie together. When I joked about such a thing happening all the way back in January when I was reviewing the films of 2012, I mentioned that if such a thing were going to happen, I would be among the first to see such an event take place, and it would be my first Tyler Perry film that I would spend good money on to see in theatres. Then, a few days later, God showed that He had a smug sense of humor with me when He deemed that such a thing would happen. And that it would not be released during the apocalypse, but rather during the celebration of His Son’s birth, and yet also on the official release date of December 13, 2013 – which, if you’re reading this far from now, you may not immediately know is also Friday the 13th. Very funny. You win again, God. Also, would you look at that? We’re all still here. I guess I should’ve known that not even Satan himself wouldn’t want his big finale to be upstaged by such a massive bomb as this. Read more…
REVIEW: I’ll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Produced by: Robin French, Justis Greene, David Hoberman, Tracey Trench
Written by: Michael Allin, Tom Nursall, Harris Goldberg
Edited by: Anita Brandt-Burgoyne
Cinematography by: Hiro Narita
Music by: John Debney
Starring: Jonathan Taylor Thomas, Jessica Biel, Adam LaVorgna, Gary Cole, Eve Gordon, Lauren Maltby, Andrew Lauer, Sean O’Bryan, Lesley Boone
Inspired by the song by Bing Crosby
Year: 1998
Remember how big Jonathan Taylor Thomas was? Thanks to his role in the TV show Home Improvement as the wisecracking middle child Randy, “JTT” as he was popularly known, even managed to snag himself a role in one of Disney’s most enduring and popular films from the 90s (and, indeed, probably of all time), The Lion King. Many of the girls I knew loved him, as did apparently all the rest of the world. Luckily, unlike a lot of the childstars we see, Thomas at least had knack for comedic timing and managed to actually earn his right to being the funny one on the TV series that made him popular. At the end of the 20th century, however (Doesn’t that sound so apocalyptic still?), JTT left Home Improvement and began his journey into not just academics, but also to that corner of fame where people suddenly remembered you existed and ask aloud, “Where is he now?” Read more…
REVIEW: Love Actually
Directed by: Richard Curtis
Produced by: Duncan Kenworthy, Tim Bevan, Eric Fellner, Debra Hayward, Liza Chasin
Written by: Richard Curtis
Edited by: Nick Moore
Cinematography by: Michael Coulter
Music by: Craig Armstrong
Starring: Hugh Grant, Martine McCutcheon, Liam Neeson, Thomas Sangster, Colin Firth, Lúcia Moniz, Laura Linney, Emma Thompson, Alan Rickman, Heike Makatsch, Bill Nighy, Gregor Fisher, Keira Knightley, Andrew Lincoln, Chiwetel Ejiofor, Kris Marshall, Abdul Salis, Martin Freeman, Joanna Page, Billy Bob Thornton, Olivia Olson, Claudia Schiffer, Rowan Atkinson
Year: 2003
It wasn’t too long ago that director Garry Marshall was trying to suffocate us with an onslaught of celebrity-packed rom-coms that crammed in as many storylines and cameos as possible. I managed to avoid these movies up until the lead up to New Year’s Eve 2012, when I promised my stepsister I would review Marshall’s film named after the holiday. It was as bad as I was expecting, but my expectations were even lower at that time because I had also realized that the movie was an unabashed knock off of Love Actually, a British film that pretty much follows the same concept as Marshall’s later films, including the concept of centering it around a major holiday (Christmas) – only, in this case, the movie actually does some justice to the fluffy, audience-ensnaring concept. Read more…
REVIEW: Rudolph the Red-Nosed Reindeer
Directed by: Larry Roemer
Produced by: Arthur Rankin, Jr. (producer), Jules Bass (co-producer)
Written by: Romeo Muller, Robert L. May
Animation supervised by: Tadahito Mochinaga
Music by: Johnny Marks
Starring: Burl Ives, Billie Mae Richards, Paul Soles, Larry D. Mann, Stan Francis, Paul Kligman, Janis Orenstein, Alfie Scopp, Carl Banas, Corinne Conley, Peg Dixon
Based on the story and song written by Robert L. May
Year: 1964
I’m going to allow for my first 2013 Christmas movie review to make me out to be a Scrooge.
A 1964 TV special done in the medium of stop motion capture, Rudolph the Red-Nosed Reindeer has become one of the most beloved and influential examples of the medium – if someone doesn’t know what the term “stop motion” means, you could undoubtedly point to Rudolph or one of its other Rankin/Bass Christmastime siblings as an example that nearly everyone will then immediately understand. It’s arguable that even the likes of The Nightmare Before Christmas owes its aesthetic style to these holiday productions, albeit with the obligatory Tim Burton-esque macabre twist, not to mention the countless spoofs, knockoffs, and affectionate references that followed across TV and film. Beyond the aesthetics and styling, however, this short TV movie also stands as one of the longest running TV traditions, airing annually each Christmas season since it was first shown. Read more…
Christmas Movie Month 2013 Is Here!
So, I kinda skipped last week, since it was both Thanksgiving (speaking of which, you should’ve really watched Planes, Trains and Automobiles), as well as my mom’s birthday, and I figured that was a good time to take a break (and stock up on lots of cheap movies from Black Friday, etc). November updates were pretty sparse, for sure, but that’s soon about to end, now that it’s December, ’cause Christmastime is here!
As always, I’ll be reviewing strictly Christmas movies up until December 25th (with exception to maybe a couple theatrical releases and maybe a Hanukkah movie, too, though that’s all doubtful, beyond one promise I made earlier this year that I fully intend on keeping, despite how much it’ll pain me to keep).
To recap, here’s a list of previous Christmas and Christmas-appropriate movies I’ve reviewed in the past:
- Batman Returns (It’s set during Christmas, so it counts!)
- Disney’s A Christmas Carol
- A Christmas Story
- National Lampoon’s Christmas Vacation
- Die Hard
- Elf
- Home Alone / Home Alone 2: Lost in New York
- It’s a Wonderful Life
- Jingle All the Way
- Joyeux Noël
- Meet Me in St. Louis
- Miracle on 34th Street (1947)
- The Muppet Christmas Carol
- The Nightmare Before Christmas
- The Polar Express
- Rise of the Guardians
- Scrooged
- White Christmas
And, for good measure, just ’cause it’s one day of the year rather than a whole season, let’s not forget about New Year’s, as well, as I reviewed the dreadful New Year’s Eve, too.
It’s my favorite time of the year, and the cold weather, of course, provides the perfect excuse to stay inside and watch a few movies, even here in Arizona (as if I needed one), so I hope you enjoy the movies just as much as the holidays!
For now, as always, I leave you with a Christmas-appropriate video. I haven’t watched this myself, and it’s likely to get removed from YouTube at some point, but until then, enjoy Mickey’s Once Upon a Christmas. (It’s currently available for streaming on Netflix, too, so consider that a viable option if you have it!)
2012 IN REVIEW – The Films I Didn’t See: September – December
My apologies for the slightly longer delay in getting this part out. I kinda got stricken with the flu for a few days, and didn’t exactly feel like writing. But, here it is, the final third of the films I didn’t see in the year 2012. This is the period of time where the summer movies begin to trickle out before coming to a complete stop and where film studios begin their flood of Oscar-baiting dramas and such.
That’s not to say that there are never any good action films released during this time. That also isn’t to say that none of these Oscar-baiting films are any good, too. Far from it. 2012 saw the release of Oscar-worthy greats as Argo, Lincoln, and Zero Dark Thirty releasing in the same time period as cash-grabbing features like the final Twilight film, The Hobbit, and Wreck-it Ralph, all with varying degrees of success. It’s actually a fairly ripe time to watch all sorts of movies, come to think of it. Possibly better than even summer!
Still, it’s not like I’m going to see every film released during this time. If anything, I ran out of time and risked going out of budget for all the films that I did want to see, but didn’t always have time to. Then there were also films that, quite frankly, I could just do without seeing. But, for the purposes of this article, I’ve gone through and examined all these, both enticing and repugnant, some being granted my attention possibly for the last time ever, and have collected my thoughts and impressions below. As mentioned previously in parts 1 and 2, this isn’t my final say on these films, and some of the commentary below is based pretty much on plot synopses, other reviews, skimmings, and a heavy use of Wikipedia and Rotten Tomatoes. I watched the trailers where I could and didn’t for those films that I just basically didn’t care. Which ones are those? Read, and you may just find out! Read more…
Tyler Perry & Larry The Cable Guy: Together at last…
Umm… Remember how I said the following of Tyler Perry and Larry the Cable Guy just last week?:
He’s like the black, sophisticated and moralizing counterpart to Larry the Cable Guy’s white trash dumbass, and both of them manage to be equally insufferable while also remaining bankable, despite being so superficially different from one another. If they were to ever join forces and produce a film together, this would likely be the only reason I would go willingly to either one of their productions, if only for the fact that it would very likely be one of the worst things of anything ever and would thus likely never see the light of day again…
Um… Yeah, that’s happening… Guess I might have something to look forward to already this holiday season… X'(
Review: “A Christmas Story”
Directed by: Bob Clark
Produced by: Bob Clark, René Dupont, Gary Goth
Written by: Jean Shepherd, Leigh Brown, Bob Clark
Edited by: Stan Cole
Cinematography by: Reginald H. Morris
Music by: Carl Zittrer, Paul Zaza
Starring: Peter Billingsley, Jean Shepherd, Darren McGavin, Melinda Dillon, Ian Petrella, Scott Schwartz, R.D. Robb, Zack Ward, Tedde Moore
Based on In God We Trust, All Others Pay Cash by Jean Shepherd
Year: 1983
It’s easy to forget how good a movie is when certain cable networks play it non-stop for 24 hours. There was a point where I simply had no desire to watch this movie. I was even sick of seeing the ads on TV for the “24-Hours of A Christmas Story” marathon. Luckily, we got rid of cable and, after a couple years, I oddly kind of forgot that the film even existed. It wasn’t long before the film came back up, however, when, one Christmas, my stepdad admitted that he had never seen it before. Somehow, here was someone who somehow had cable all this time but who had managed to avoid a holiday classic his entire life, despite this annual onslaught. I suddenly felt like I was prepared to revisit what was once the scourge of our Christmas season festivities, if only for the fact that here was someone who had yet to be touched by Ted Turner’s cynical yet depressingly successful grab for viewership. So, of course, none of us could let this stand any longer. We had to secure a copy of the film right then and there. Read more…
Dual Review: “Home Alone” and “Home Alone 2: Lost in New York”
Home Alone
Directed by: Chris Columbus
Produced by: John Hughes
Written by: John Hughes
Edited by: Raja Gosnell
Cinematography by: Julio Macat
Music by: John Williams
Starring: Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O’Hara, John Heard, John Candy, Roberts Blossom, Gerry Bamman
Year: 1990
Home Alone 2: Lost in New York
Directed by: Chris Columbus
Produced by: John Hughes
Written by: John Hughes
Edited by: Raja Gosnell
Cinematography by: Julio Macat
Music by: John Williams
Starring: Macaulay Culkin, Joe Pesci, Daniel Stern, Tim Curry, Rob Schneider, Dana Ivey, Brenda Fricker, Catherine O’Hara, Eddie Bracken, John Heard, Gerry Bamman
Year: 1992
It had been a long time since I had seen any of the Home Alone films when I bought the Blu-Ray set of the first two films that went on sale earlier this month for the lovely price of about $12. Being in a spend-y mood, I bought it happily, having wanted but never owned the first two films since I was a little kid. (Oddly, I did own a VHS of the third film.) And, I gotta say, while I still mostly enjoyed the films, even at age 26, I didn’t find myself laughing at them nearly as much as I had as a little kid. It’s not that I’m above the whole slapstick thing — I just watched Ted for the first time tonight, and one of the funniest parts of that movie was the ridiculously violent beat down the teddy bear gives Mark Wahlberg — but I certainly felt a lot more cynical about it than I had expected.
Perhaps it was the fact that I watched them back-to-back in one night. Perhaps it was because I watched them while cooking a turkey that inadvertently filled my apartment with large plumes of smoke (the turkey turned out fine, but I’m still unsure what caused all that). Or perhaps it’s because I realized that 2 is basically just a remake of 1 with extra ridiculous and a hefty dollop of moralizing. Maybe it was a combination of those factors.
So, rather than review these films separately, as I would with any other franchise, I decided to review them at the same time. Unlike with last year’s Grudge Match Review of adaptations of A Christmas Carol, however, this isn’t really a competition, but rather an efficient way of killing two birds with one stone. After all, take a look at those credits up there. The films are identical in cast and crew, with the second one doing the typical sequel thing by throwing in a few new faces for good measure, and, for the most part, they are the same in story structure, too. Read more…
The Viewer's Commentary 