Archive
Special Review: “Miracle on 34th Street” (1947) – A Gradual Epiphany
Directed by: George Seaton
Produced by: William Perlberg
Written by: George Seaton (screenplay)
Cinematography by: Lloyd Ahem, Charles G. Clarke
Editing by: Robert L. Simpson
Music by: Cyril Mockridge
Starring: Maureen O’Hara, John Payne, Natalie Wood, Edmund Gwenn, Porter Hall, Gene Lockhart
Year: 1947
I have never believed in Santa Claus. My parents were pretty much of the same opinion regarding Santa as Maureen O’Hara’s character, Doris Walker, is in this film: Why lie? My younger sister, too, never believed, though it was more through my own efforts to “ruin” things for her as the older brother than any discouragement on my parents’ part. (I also ruined the Easter Bunny and Toothfairy for her, which makes her interest in the film Rise of the Guardians somewhat ironic, if not a result of some deep-seated resentment for having never believed in fairy tales — though I may be over-analyzing here.) So we basically grew up only understanding these figures as mythical characters, understanding that many other kids believed in these myths and that we shouldn’t ruin it for them, but never comprehending exactly how someone could. Read more…
Review: “It Happened One Night”
Directed by: Frank Capra
Produced by: Frank Capra, Harry Cohn
Written by: Robert Riskin (screenplay); Samuel Hopkins Adams (story)
Cinematography by: Joseph Walker
Editing by: Gene Havlick
Music by: Howard Jackson, Louis Silvers
Starring: Clark Cable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jamesson Thomas, Alan Hale, Arthur Hoyt, Blanche Friderici, Charles C. Wilson
Based on the short story Night Bus by Samuel Hopkins Adams
Year: 1934
The romantic comedy genre has a bad reputation these days, primarily because most modern romantic comedies are insipid, grating experiences that rely primarily (often solely) on star power and easy jokes to fill 90+ minutes. Yet so many of them make such big money, it’s easy to see why studios continue to make them — a sad fact that infuriates those with, in my humble opinion, objectively better taste than those who pretty much throw their money away. Read more…
Review: “Seeking a Friend for the End of the World”
Directed by: Lorene Scafaria
Produced by: Steve Golin, Joy Gorman, Mark Roybal, Steven M. Rales
Written by: Lorene Scafaria
Cinematography by: Tim Orr
Editing by: Zene Baker
Music by: Jonathan Sadoff, Rob Simonsen
Starring: Steve Carell, Keira Knightley, Adam Brody, Martin Sheen, Mark Moses
Year: 2012
Even though the chances of the 2012 apocalypse actually playing out the doomsday scenario so many are still claiming it will are infinitesimally small, the very thought about life as we know it ending forever does get one thinking about what matters most to them and to mankind in general. Seeking a Friend for the End of the World is a romantic comedy that attempts to examine this profound question by following in the life of a middle aged insurance salesman and his ditzy Manic Pixie archetype neighbor with whom he inevitably falls in love with as they head out on a road trip, facing an end of the world scenario thanks to the giant asteroid heading in Earth’s direction. Read more…
Review: “Enchanted”
Directed by: Kevin Lima
Produced by: Barry Josephson, Barry Sonnenfeld
Written by: Bill Kelly
Cinematography by: Don Burgess
Editing by: Gregory Perler, Stephen A. Rotter
Music by: Alen Menken, Stephen Schwartz (lyrics)
Starring: Amy Adams, Patrick Dempsey, James Marsden, Timothy Spall, Idina Menzel Rachel Covey, Susan Sarandon, Julie Andrews (narration)
Year: 2007
Every now and then, you just want to escape the cynical world around you and delve into a little bit of celebratory saccharine sweetness to make you a bit happier to be alive. Enchanted is a great film to unwind with, as I quickly found out tonight after this movie arrived in the mail and I decided to put it on in the background of my household cleaning, only to find myself laying down on the couch and absorbing the infectiously fun fish-out-of-water fairy tale about a naive princess who is transported into our world after being pushed down a magical well by an evil queen, only to find out that true love isn’t always at first sight. Read more…
Theatrical Review: “Skyfall”
Directed by: Sam Mendes
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade, John Logan
Cinematography by: Roger Deakins
Music by: Thomas Newman (score), Adele (title song)
Editing by: Stuard Baird, Kate Baird
Starring: Daniel Craig, Judi Dench, Javier Bardem, Ralph Fiennes, Naomie Harris, Rory Kinnear, Bérénice Lim Marlohe, Ben Whishaw, Albert Finney
Based on the characters created by Ian Fleming
Year: 2012
One of the best things about Skyfall, Bond movie #23, is that, being released on the 50th anniversary of the film franchise means that it gets a bit of leeway for being a bit reverential towards its series legacy. Fans of the series from any era will find a few bits here and there to point at and go, “Hey, look!” A lot of franchises do this on their anniversaries, and the Bond franchise even went and did this ten years ago, when Die Another Day was released as not only the 20th Bond movie, but also on the somewhat less glamorous 40th anniversary of the film franchise.
Whereas that film felt more like an exploitation of the series history through a poorly assembled “Greatest Hits” compilation, however, Skyfall feels more like a reverential tribute that smartly takes these well known and celebrated elements (ridiculous stunts, expensive gadgetry, eccentric villains, and sweeping theme songs) and reworks them to fit into the new tone set in place by the reboot films, Casino Royale and Quantum of Solace. From the opening gambit onward, director Sam Mendes establishes this tone with a great mix of the old and new, as Bond is faced with not just physical struggles, but also emotional and personal struggles.
(Very mild spoilers ahead.) Read more…
Review: “Quantum of Solace”
Directed by: Marc Forster
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Paul Haggis, Neal Purvis, Robert Wade
Cinematography by: Roberto Schaefer
Music by: David Arnold (score), Jack White and Alicia Keys (title song)
Starring: Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench, Giancarlo Giannini, Jeffrey Wright, Gemma Arterton, Anatole Taubman, David Harbour, Joaquín Cosío, Rory Kinnear
Based on the character created by Ian Fleming
Year: 2008
After the considerable critical enthusiasm over the James Bond reboot, Casino Royale, it was probably inevitable that disappointment would have surrounded the followup. Consider the fact that the film’s production was affected by the 2007 – 2008 Writer’s Guild strike (with writer Paul Haggis reportedly completing the final touches just two hours prior to the beginning of the strike) and the fact that the film’s director, Marc Forster, was making his action movie debut. So, yes, the odds were stacked up against this already unusually named Bond entry (which is named after but not an adaptation of a collection of Bond short stories — in case you didn’t know). Read more…
Review: “Casino Royale” (2006)
Directed by: Martin Campbell
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade, Paul Haggis (screenplay)
Cinematography by: Phil Meheux
Music by: David Arnold (score), Chris Cornell (title song)
Starring: Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright, Giancarlo Giannini, Simon Abkarian, Caterina Murino, Ivana Miličević
Based on the novel by Ian Fleming
Year: 2006
There are always going to be arguments about who did Bond best. I grew up watching the films but can honestly say that I don’t remember much of the 60s – 80s thanks to the films largely feeling quite… samey. As a kid, however, I did love the character and his world, and, for a while, Pierce Brosnan was my Bond — cocky, suave, witty, and boy did he have a lot of gadgets. Brosnan’s still just fine in my book, but there’s no hiding the fact that his Bond was saddled with the task of carrying a series of films that increasingly got more and more ridiculous and bland.
It was like the Batman film series all over again — a strong start (Batman / GoldenEye), a strong but bloated sequel (Batman Returns / Tomorrow Never Dies), a right turn into camp (Batman Forever/ The World is Not Enough), and then an ultimate downfall into a ridiculously gauche, almost satirical world that didn’t even resemble the first two (Batman & Robin / Die Another Day). Like with Batman, a fifth film to carry on the series was in the works, but, ultimately, the series was put on a brief hiatus for a restructuring. Luckily, Bond continued in the footsteps of Batman and went for a reboot for the “fifth” film, taking a more serious, thoughtful, and realistic approach to the character and his world and ridding the series of the excesses, and doing so by, for the first time ever, exploring the events that made Bond the hero that we know him to be today. Read more…
Theatrical Review: “Wreck-It Ralph” / Sub-Review: “Paperman”
Directed by: Rich Moore
Produced by: Clark Spencer
Written by: Phil Johnston, Jennifer Lee (screenplay); Rich Moore, Phil Johnston, Jim Reardon (story)
Music by: Henry Jackman
Starring: John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, Alan Tudyk, Adam Carolla, Horatio Sanz, Mindy Kaling
Year: 2012
Video games were probably my first passion. I’ve been a game player since my grandpa first introduced me to his Nintendo Entertainment System back when I was only 4, and while video games have largely become more of a rare hobby of mine since I left high school, I still love the medium and I try to find new favorites (the Uncharted series) while keeping up with my old ones (The Legend of Zelda primarily). So I was pretty excited to hear that Disney was making a film that many were calling the Who Framed Roger Rabbit of video games. Here was the world’s biggest animation studio finally acknowledging the mainstream popularity of video games by not only making a film centered around one, as they did with Tron, but actually making the film part of its prestigious “Disney Animation Canon,” placing it in the same ranks as the revolutionary Snow White and the Seven Dwarfs and the Best Picture Oscar-nominated Beauty and the Beast. Read more…
Review: “Scream”
Directed by: Wes Craven
Produced by: Cathy Konrad, Cary Woods
Written by: Kevin Williamson
Cinematography by: Mark Irwin
Music by: Marco Beltrami
Starring: Neve Campbell, David Arquette, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Jamie Kennedy, Drew Barrymore, Roger L. Jackson
Year: 1996
If there’s any one series of films that have possibly helped to turn me around on my disinterest in the horror genre, it would be the Scream series. Having first seen Scream 3 some time after its release to home video, I became unusually preoccupied by the concept of this meta-heavy horror series. Neither pure satire nor straight up scary movie, Scream appeals to both fans and non-fans of the genre by covering all the tropes, calling out, subverting, and embracing all their idiosyncrasies while referencing past works and still adhering to the genre by becoming a relentless horror film in its own right. Read more…
Review: “Juan of the Dead” (“Juan de los Muertos”)
Directed by: Alejandro Brugués
Produced by: Gervasio Iglesias, Inti Herrera
Written by: Alejandro Brugués
Cinematography by: Carles Gusi
Music by: Sergio Valdés
Starring: Alexis Díaz de Villegas, Jorge Molina, Andrea Duro, Andros Perugorría, Jazz Vilá, Eliecer Ramírez, Antonio Dechent, Blanca Rosa Blanco
Year: 2011
I first heard about this movie through a Facebook ad. As you may already know, Shaun of the Dead is one of my favorite movies, and, so, naturally, I have it listed as such on my Facebook page. Released in the US under the same studio, Focus Features, I was naturally notified in my feed of what can essentially be considered that film’s Cuban cousin, Juan of the Dead. Intrigued at the prospect of what could’ve possibly been an international effort to portray the same outbreak, but wary of the film’s potential to just essentially be a remake, I naturally put the film in my movie queue. My expectations weren’t too high for this film, nor was I expecting utter crap. Luckily, the movie wasn’t. And it makes smart usage of the zombie-infested setting to say some poignant things about life as a family in Cuba. (However, it’s unfortunately not the beginning of some international project to depict a global outbreak. Darn.) Read more…
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