Archive
Review: “New Year’s Eve”
Directed by: Garry Marshall
Produced by: Mike Karz, Wayne Allan Rice, Garry Marshall
Written by: Katherine Fugate
Edited by: Michael Tronick
Cinematography by: Charles Minsky
Music by: John Debney
Starring (in alphabetical order, by first name): Abigail Breslin, Alyssa Milano, Ashton Kutcher, Carla Gugino, Cary Elwes, Halle Berry, Héctor Elizondo, Hilary Swank, Jake T. Austin, James Belushi, Jessica Biel, Joey McIntyre, John Lithgow, Jon Bon Jovi, Josh Duhamel, Katherine Heigl, Lea Michele, Ludacris, Matthew Broderick, Michelle Pfeiffer, Penny Marshall, Robert De Niro, Russell Peters, Ryan Seacrest, Sarah Jessica Parker, Sarah Paulson, Seth Meyers, Sofía Vergara, Til Schweiger, Yeardley Smith, Zac Efron
Year: 2011
The reason why I ordered the cast in such an order is, quite frankly, because I couldn’t figure out what the main starring role for this film was. Wikipedia had Halle Berry listed first, but I don’t really think her role as a nurse who simply stays put while a man is on his deathbed until it’s revealed in the final couple minutes that she’s also been longing this whole time for her man-in-combat really puts her at the forefront of this film’s ridiculously massive cast. The alphabetizing brings a little sanity to the madness of what amounts to a celebrity hodgepodge of A, B, and C-listers. At the very least, if that list doesn’t get me a bump in the site hits, I don’t know what will. (Possibly a review of Garry Marshall’s previous ensemble casserole, Valentine’s Day….) Read more…
Review: “It Happened One Night”
Directed by: Frank Capra
Produced by: Frank Capra, Harry Cohn
Written by: Robert Riskin (screenplay); Samuel Hopkins Adams (story)
Cinematography by: Joseph Walker
Editing by: Gene Havlick
Music by: Howard Jackson, Louis Silvers
Starring: Clark Cable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jamesson Thomas, Alan Hale, Arthur Hoyt, Blanche Friderici, Charles C. Wilson
Based on the short story Night Bus by Samuel Hopkins Adams
Year: 1934
The romantic comedy genre has a bad reputation these days, primarily because most modern romantic comedies are insipid, grating experiences that rely primarily (often solely) on star power and easy jokes to fill 90+ minutes. Yet so many of them make such big money, it’s easy to see why studios continue to make them — a sad fact that infuriates those with, in my humble opinion, objectively better taste than those who pretty much throw their money away. Read more…
Review: “Seeking a Friend for the End of the World”
Directed by: Lorene Scafaria
Produced by: Steve Golin, Joy Gorman, Mark Roybal, Steven M. Rales
Written by: Lorene Scafaria
Cinematography by: Tim Orr
Editing by: Zene Baker
Music by: Jonathan Sadoff, Rob Simonsen
Starring: Steve Carell, Keira Knightley, Adam Brody, Martin Sheen, Mark Moses
Year: 2012
Even though the chances of the 2012 apocalypse actually playing out the doomsday scenario so many are still claiming it will are infinitesimally small, the very thought about life as we know it ending forever does get one thinking about what matters most to them and to mankind in general. Seeking a Friend for the End of the World is a romantic comedy that attempts to examine this profound question by following in the life of a middle aged insurance salesman and his ditzy Manic Pixie archetype neighbor with whom he inevitably falls in love with as they head out on a road trip, facing an end of the world scenario thanks to the giant asteroid heading in Earth’s direction. Read more…
Special Review: “You’ve Got Mail”, My Favorite Nora Ephron Film
Directed by: Nora Ephron
Produced by: Nora Ephron, Lauren Shuler Donner
Written by: Nora Ephron, Delia Ephron
Cinematography by: John Lindley
Music by: George Fenton
Starring: Tom Hanks, Meg Ryan, Parker Posey, Jean Stapleton, Greg Kinnear, Steve Zahn, Heather Burns, Dave Chappelle
Based on the play Illatszertár (trans. “Parfumerie”) by Miklós László
Year: 1998
When I had heard that Nora Ephron passed away not too long ago on June 26, I knew that I had to do a tribute review for her. It’s not that I was a huge fan of her, her films, her plays, or even her widely acclaimed various writings. From my earliest memories of becoming a fan of films, Nora Ephron was among one of the earliest names in film credits that I recognized consistently outside the much more widely recognizable names like Spielberg and Robert Zemeckis. This was largely thanks in part to my mom, who was a fan of many of the films she did make, especially Sleepless in Seattle.
I originally planned on reviewing Sleepless in Seattle, in fact, which was Ephron’s second film as director and first widely acclaimed film. It also happened to be the only film of hers that I had in my library, and only then due to the fact that my mom had somehow managed to have two copies and so, you know, why not? But, though it is not at all a bad film, I must confess that my already limited affection for it has waned over the years, primarily thanks to the Meg Ryan character going completely unrecognized as an insane woman who seriously needs help. Needless to say, after re-watching it for the purposes of a review after not seeing it for several years, I felt as though I wasn’t doing the director justice in writing up a review of a film that I began to see as, well, enjoyable but quite mediocre.
Luckily, I found justification in buying up one of her other films — one that I genuinely love. At $9.99 on Amazon and featuring a DVD copy of the older film, The Shop Around the Corner, which also borrows its story from the same Miklós László’s stage play, You’ve Got Mail was a steal, and its purchase a cathartic experience for me. You see, as a guy, it was hard to admit it for a while but, yes, I genuinely have the whole guilty pleasure thing going on with this movie. Read more…
More or Less: 5 More of My Favorites
Since this blog’s inception, I’ve posted 85 times, and while that is not necessarily one of those significantly recognized numbers like, say 25, 50, or 75, I must say, I didn’t know whether or not that I would stick with this blog for as long as I have, and while I’ve at times wondered if I could continue writing for this, 85 seems like a good enough number to definitively say to myself, “Yes, this is what I’m meant to be doing, even if it’s not for a living.”
You see, even though I might not be getting paid for what I’m doing here, there’s still a significant part of me that absolutely loves the cinema, even the crap movies sometimes, and I love discussing them with people when I can. Writing this may be a somewhat of a one-way street, as I’m still not entirely certain how significant my readership is here, but the more I write about it, the more I know that my audience will grow, and even if I’m not getting quite the comments level that I probably naively expected/hoped, hopefullyThe Viewer’s Commentary has at least helped in elevating this art medium that I love so much, if even by a small amount.
Going forward, I hope to have more reviews and commentary up more often. Going through a few sites around the blogosphere, I’m inspired to stop caring so much about the scope of my posts as much as I am posting from both my gut and heart and only worry about the high concept stuff when the mood strikes me just right. This will enable me to not burn out after work in trying to do a ton of research only to decide to abandon all plans to write that night. Less pressure, more pleasure, I guess you could say.
And, so, with this, the 86th published post, I’m going to make good on that promise to myself and my readership with a follow up to my very first article on the site — Here are, in no particular order, five more films that I would consider to be, more or less, my favorites!
The smug face of evil
Inglourious Basterds — I initially fell asleep during this movie. There. I said it. I blame my friend, who was also present with me during our recent viewing of John Carter — another film I fell asleep during. (Though, with that film, it was likely the fact that it was a midnight showing after a tame hockey-game bachelor’s party — that and it was also kind of a boring flick in general.) That bad luck for me apparently rubbed off once he got married, as he was also present when we went to go see The Avengers, and I was glued for that. (Honestly, Inglourious Basterds was also a late night showing during a very hectic and busy school schedule for me, so it wasn’t great timing.) But I’m digressing. Read more…
Awful Movie Review: “Larry Crowne”
Directed by: Tom Hanks
Produced by: Gary Goetzman, Tom Hanks
Written by: Tom Hanks, Nia Vardalos
Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Bryan Cranston, Pam Grier, George Takei
Music by: James Newton Howard
Year: 2011
There was nothing drawing me into this movie. Any affection I may have had towards the film’s star, Tom Hanks, was weighed unfavorably against the fact that the film was co-written by his My Big Fat Greek Wedding muse Nia Vardalos. But I dove in headfirst and nearly blind to Larry Crowne, thanks in large part to the fact that a good friend of mine recommended the film as being “not so bad.” By the time I reached the halfway point, however, I was already checking out and asking her, “Why did you recommend this?” Her answer? She was jet-lagged, awake for 24-hours, and on Vicodin. And suddenly it all came into focus, ’cause no sober, well-rested person would ever recommend Larry Crowne for entertainment purposes.
Review: Groundhog Day
Director: Harold Ramis
Produced by: Trevor Albert, Harold Ramis
Written by: Danny Rubin (also story), Harold Ramis
Starring: Bill Murray, Andie MacDowell, Chris Elliott
Music by: George Fenton
Year: 1993
Terrible romantic comedies are a dime a few dozen, and it’s a shame that some rather wonderful love stories get thrown out with the rest of the trash just because they happen to be humorous movies that also are about love. But there is one standout that I have to say transcends even some of the best romantic comedies out there – one particular movie that just so happens to take place on a particular February holiday that people across the nation pay way more attention to than it really, quite honestly, deserves… I am, of course, talking about Groundhog Day. Read more…
2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
The Viewer's Commentary 