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REVIEW – Wonder Woman
Directed by: Patty Jenkins
Produced by: Charles Roven, Deborah Snyder, Zack Snyder, Richard Suckle
Screenplay by: Allan Heinberg
Story by: Zack Snyder, Allan Heinberg, Jason Fuchs
Edited by: Martin Walsh
Cinematography by: Matthew Jensen
Music by: Rupert Gregson-Williams
Starring: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Saïd Taghmaoui, Ewen Bremner, Eugene Brave Rock, Connie Nielsen, Elena Anaya, Lucy Davis
Based on DC Comics characters created by William Moulton Marston
Year: 2017
Seventy-five and a half years. That’s how long it has taken for Wonder Woman to finally get herself a film of her own. Twelve years. That’s how long it’s been since the release of Elektra, the last major superhero film starring just a major female superhero in the lead role and not as part of a team of predominantly male heroes. Five. That’s the number of films I count from Wikipedia’s list of superhero films since 1920 that have starred solely a female lead: Supergirl (1981), Tank Girl (1995), Barb Wire (1996), Catwoman (2004), and Elektra (2005). It’s six only if you count the TV movie Witchblade (2000), which acted more like an extended pilot episode. While comic books have always had their own struggles with female representation, film adaptations (and even some original works) have always seemingly struggled more, largely because a lot more is riding on them ($$$). For some reason, executives just never really saw these properties as being as marketable (i.e., profitable) as their male counterparts, and it seems as though the aforementioned films have stood as evidence of why that is the case, both in the execs’ eyes and, sadly, in the eyes of many in the general audience. Read more…
Review: “Dirty Dancing”
Directed by: Emile Ardolino
Produced by: Linda Gottlieb
Written by: Eleanor Bergstein
Edited by: Peter C. Frank
Cinematography by: Jeffrey Jur
Music by: John Morris, Erich Bulling
Starring: Patrick Swayze, Jennifer Grey, Jerry Orbach, Cynthia Rhodes, Kelly Bishop, Jane Brucker, Jack Weston, Max Cantor, Lonny Price
Year: 1987
It speaks to a film’s popularity when a single song can instantly remind you of the film, even if you haven’t seen it. For this movie, the song that most people think of is the Bill Medley and Jennifer Warnes duet “(I’ve Had) The Time of My Life,” the declaration of love in the form of a cheesy 80s pop ballad that inexplicably serves as the catalyst for the film’s final dance number, despite the film being set in the early 1960s. Oddly enough, this wasn’t the song that reminded me of this film’s existence and necessitated its inclusion into Girly Movie Month. The credit for that goes to yet another 80s pop song, “Hungry Eyes,” which similarly finds its way into the film as one of many anachronisms that likely served to make the film more palatable to the 80s teen audience the film was aiming for at the time of its release. Read more…
