Archive
REVIEW: Adam Sandler’s Eight Crazy Nights
Directed by: Seth Kearsley
Produced by: Adam Sandler, Allen Covert, Jack Giarraputo, Brooks Arthur
Written by: Adam Sandler, Allen Covert, Brooks Arhtur, Brad Isaacs
Edited by: Amy Budden
Music by: Teddy Castellucci, Marc Ellis, Ray Ellis
Starring: Adam Sandler, Jackie Titone, Austin Stout, Rob Schneider, Kevin Nealon, Norm Crosby, Jon Lovitz, Dylan Sprouse, Cole Sprouse, Tyra Banks, Blake Clark, Peter Dante, Ellen Albertini Dow, Kevin Farley, Lari Friedman, Tom Kenny, Carl Weathers, Allison Krauss
Year: 2002
Christmas overshadows most other holidays that take place during this time of year. This is particularly because it’s unofficially considered to be a “season” rather than just a specific day. Christmas is also less of a cultural thing, as it’s essentially a global holiday that is celebrated by people who aren’t even Christian. More specifically cultural holidays, like Hanukkah, Kwanzaa, or, uh… Boxing Day… are thus given less attention. This despite the fact that Hanukkah is actually a longer celebration. That being said, it’s not like it’s completely hidden in the shadows in obscurity – we’ve all heard about it, even if we’re not Jewish ourselves – so it’s always been kind of puzzling why we haven’t seen very many films centered around the holiday. Perhaps it’s because studio executives think that the subject matter would isolate too many people from the potential audience? That really must be it since, you know, money. It’s not like there haven’t been films about Jewish people, but their holidays? Not so much. Cultural sensitivity be damned, I guess? … Of course, there are always ways of getting around such things. Like, for instance, cashing in on a big name star. Someone like… Adam Sandler. Read more…
THEATRICAL REVIEW: Kirk Cameron’s Saving Christmas
Directed by: Darren Doane
Produced by: Raphi Henly, David Shannon, Darren Doane, Amanda Rosser
Written by: Darren Doane, Cheston Hervey
Edited by: Postmill Factory
Cinematography by: Andy Patch
Music by: Brian Popkin
Starring: Kirk Cameron, Darren Doane, Bridgette Ridenour, David Shannon, Raphi Henly, Ben Kientz
Year: 2014
The so-called “War on Christmas” has long been the butt of many jokes, particularly because a select number of Christians have taken issue with stores switching from having their employees say “Merry Christmas” to the more generic and all-inclusive “Happy Holidays!” and they have made their voices heard by shouting about it on network news over the years (yes, especially on one in particular). These days, that war still seems to be ravaging on in the minds of many, as indicated by some of the Facebook posts I continue to see every year. I saw my first in early October, actually. “Man, the War on Christmas seems to get started earlier and earlier each year!” I joked in the comments section. The humor and irony was seemingly lost on all but one person, who merely Liked the post. I am unappreciated in my time, it would seem.
Seriously, though, you gotta find some humor in the concept of a group of people who claim that “Jesus is the reason for the season” getting so upset about people not “Keep[ing] the Christ in CHRISTmas!” while binging on material possessions. I concede, however, that it’s equally annoying that anyone would get offended by someone wishing them a “Merry Christmas!” just because they don’t share that belief. In my eyes, yes, Christ should be at the center of Christmas, but when we complain about the rest of the world not sharing in our beliefs, it becomes more about us rather than Him. This whole concept of a “War on Christmas,” as a result, really puts a damper on my Christmas spirit – it even makes me a bit embarrassed as a Christian, to be honest. So when I heard that Kirk Cameron was featuring in a feature length movie about “Saving Christmas,” I couldn’t help but burry my head in my arms and beat the back of it with my fist in frustration. Read more…
REVIEW: Free Birds
Directed by: Jimmy Hayward
Produced by: Scott Mosier
Screenplay by: Jimmy Hayward, Scott Mosier
Story by: David I. Stern, Scott Mosier
Edited by: Chris Cartagena
Music by: Dominic Lewis
Starring: Owen Wilson, Woody Harrelson, Amy Poehler, Dan Fogler, Colm Meaney, Keith David, George Takei
Year: 2013
I felt like I should do something for this Thanksgiving, but, to be honest, I have already pretty much exhausted my Thanksgiving movie options after Planes, Trains and Automobiles and, to an extent, Miracle on 34th Street (unless I wanted to review the remake, too…). Luckily, last year brought us a brand new Thanksgiving film to watch just before Turkey Day: Free Birds, a film that will have you shouting at the person who announces they’re about to put it on, “Play ‘Free Bird’!” because you’ll undoubtedly rather hear a great but very long Lynyrd Skynyrd song than see the movie that apparently didn’t even have the sense to license the song for the obvious reference I just made. (It instead plays a cover of CCR’s “Up Around the Bend” as played by Social Distortion over the credits. I guess it is a much more upbeat song, but I’m not too certain lyrical context really matters to a movie like this.) When I told people what I was reviewing out of desperation for another film, they strongly advised that I instead review the Charlie Brown TV special, which… yeah, that probably would’ve been more tolerable, but I felt like I should at least exhaust all theatrical film options, and at least this film was on Netflix streaming, so I wouldn’t have to take up a slot in my DVD queue, either. So, yeah, I watched Free Birds. … Here’s the review. Read more…
REVIEW: Joe Versus the Volcano
Directed by: John Patrick Shanley
Produced by: Teri Schwartz
Written by: John Patrick Shanley
Edited by: Richard Halsey, Kenneth Wannberg
Cinematography by: Stephen Goldblatt
Music by: Georges Delerue
Starring: Tom Hanks, Meg Ryan, Lloyd Bridges, Robert Stack, Ossie Davis, Abe Vigoda, Dan Hedaya, Barry McGovern, Amanda Plummer, Nathan Lane, Carol Kane
Year: 1990
I’d always been curious about Joe Versus the Volcano, mostly because it was the first pairing of Tom Hanks and Meg Ryan – and you know from a past review that I actually quite like the pairing – but my mom basically shaped my understanding of the movie to the point of making me mostly be ambivalent about it by hammering it into my mind that the movie was stupid. That curiosity was obviously not enough to cause me to seek it out, as I had basically not seen it up until this past week, but, whenever I did remember it existed, there was a moment where I would think to myself, “Huh. I should see that someday,” before quickly forgetting about it. This time, though, I finally saw it, mostly because a friend/coworker/fellow cinephile recommended the movie as being his favorite bad movie. Me being who I am, I took it as a sign that, yes, I should finally see this movie, so it instantly went onto the top of my Netflix DVD queue.
So… yeah, I saw this movie. Finally. Was it worth it?… Read more…
REVIEW: Hocus Pocus
Directed by: Kenny Ortega
Produced by: David Kirschner, Steven Haft
Written by: Mick Garris, Neil Cuthbert (screenplay), David Kirschner, Mick Garris (story)
Edited by: Peter E. Berger
Cinematography by: Hiro Narita
Music by: John Debney
Starring: Bette Midler, Sarah Jessica Parker, Kathy Najimy, Omri Katz, Thora Birch, Vinessa Shaw, Jason Marsden, Doug Jones, Sean Murray, Charles Rocket, Stephanie Faracy, Larry Bagby, Tobias Jelinek, Jodie Rivera
Year: 1993
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Despite my love for this film as a kid, it’d been quite some time since I ever actually saw this movie from beginning to end. A few scenes here and there on ABC Family, sure, but the viewing was always interrupted by something else. Perhaps it’s just because the end of September is the beginning of a very busy month for my family – a close family friend’s birthday is at the end of September, and then there’s my stepdad’s and then my own birthday, and then you get into the “holiday season” along with two more birthdays thrown in for good measure, and it’s just rare that you sit down to watch anything you either have seen before, that is, unless it’s mandatory viewing – kinda like Shaun of the Dead or the Scream films are for me. However, for many, I do know that this is the movie they look forward to seeing every time this year, and, you know, I can’t really blame them. It’s a really fun flick. Read more…
REVIEW: (500) Days of Summer
Directed by: Marc Webb
Produced by: Mason Novick, Jessica Tuchinsky, Mark Waters, Steven J. Wolfe, Scott G. Hyman
Written by: Scott Neustadter, Michael H. Weber
Edited by: Alan Edward Bell
Cinematography by: Eric Steelberg
Music by: Mychael Danna, Rob Simonsen
Starring: Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloe Moretz, Matthew Gray Gubler, Clark Gregg, Patricia Belcher, Rachel Boston, Minka Kelly, Maile Flanagan, Yvette Nicole Brown, Richard McGonagle
Year: 2009
“The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Except you Jenny Beckman. Bitch.”
The opening lines to the movie – unspoken, but probably the loudest statement this film makes – sets the tone for the remainder of this quasi-romantic comedy. Reportedly inspired by a real relationship experienced by screenwriter Scott Neustadter, (500) Days of Summer is clear right from the start (heck, even from its title) that this is not a story about everlasting love, but rather a season in passing. In fact, as if that point weren’t clear enough, yes, the girl at the center of the film is, in fact, named Summer. She’s a pretty girl who floats into the life of Tom, our film’s leading man, who is immediately smitten by Summer when she is introduced to everyone at work as the boss’ new assistant at the greeting card company Tom works for (another canny element playing with the theme of cheap, temporary sentiments). Summer is, as I said before, very pretty, seems quite nice, and she shares the same taste in music as Tom, even going so far as to make the first move when she notices this coincidence. Naturally, the two decide to hang out together. And, also naturally, there’s a big misunderstanding about what all this means. Where have you heard that before?
(Minor spoilers ahead.) Read more…
REVIEW: Napoleon Dynamite – Ten Years Later…
Directed by: Jared Hess
Produced by: Jeremy Coon, Chris Wyatt, Sean C. Covel, Jory Weitz
Written by: Jared Hess, Jerusha Hess (screenplay)
Edited by: Jeremy Coon
Cinematography by: Munn Powell
Music by: John Swihart
Starring: Jon Heder, Jon Gries, Efren Ramirez, Tina Majorino, Aaron Ruell, Diedrich Bader, Haylie Duff, Emily Kennard, Shondrella Avery, Sandy Martin, Trevor Snarr
Based on the short film Peluca by Jared Hess
Year: 2004
Released in the summer between my junior and senior years of high school, Napoleon Dynamite would pretty much become one of the defining films of that year for my class (and a lot of other people, too, but this is my blog). Along with the first Anchorman and Garden State, seemingly nobody was able to shut up about these three films, all released that same year. Of those three, though, Napoleon Dynamite was the only one that I took to along with everyone else – I didn’t see Anchorman until well after it was released on DVD (and even then, I didn’t care for it much – I was a bit of a prude at the time), and I didn’t see Garden State until after college, when I gave myself the graduation gift of Netflix, because I had gotten quite sick of hearing about how wonderful it was over the next few years (it was… alright). Read more…
REVIEW: 3 Ninjas
Directed by: Jon Turteltaub
Produced by: Martha Chang, Shunji Hirano, James King, Jason Ing, Yuriko Matsubara
Written by: Edward Emanuel (screenplay), Kenny Kim (story)
Edited by: David Rennie
Cinematography by: Richard Michalak
Music by: Richard Marvin
Starring: Victor Wong, Michael Treanor, Max Elliott Slade, Chad Power, Rand Kingsley, Alan McRae, Margarita Franco, Patrick Labyorteaux, D.J. Harder, Race Nelson, Kate Sargeant, Joel Swetow, Professor Toru Tanaka, Clifton Powell
Year: 1992
“Hey, you know how The Karate Kid was a huge hit back in the 80s?” said one film exec.
“Yes. That was only a few years ago. Of course I remember,” the other said, caustically.
“What if we did that movie again?” pondered the first.
“We already did three of those, and critics hated the last one. We’re not going to repeat that success again. Let’s move on.”
“Fine, sure, but what if we didn’t call it The Karate Kid? What if we, like, did ninjas? Kids like those turtles that are ninjas. Let’s do that!”
“You know, that’s not a bad idea, but I was thinking we do something along the lines of Home Alone.”
“Say, now! Why not both? We’ll have the kids use their ninja skills to take down burglars!”
“Yes! Exactly! My God, you are brilliant!”
“And you doubted me.” Read more…
REVIEW: Space Jam
Directed by: Joe Pytka
Produced by: Ivan Reitman, Joe Medjuck, Daniel Goldberg
Written by: Leo Benvenuti, Steve Rudnick, Timothy Harris, Herschel Weingrod
Edited by: Sheldon Kahn
Cinematography by: Michael Chapman
Music by: James Newton Howard; Soundtrack produced by R. Kelly
Starring: Michael Jordan, Billy West, Dee Bradley Baker, Danny Devito, Wayne Knight, Bill Murray, Kath Soucie, Larry Bird, Charles Barkley, Patrick Ewing, Shawn Bradley, Larry Johnson, Muggsy Bogues, Theresa Randle, Bob Bergen, Bill Farmer, June Foray, Maurice LaMarche, Colleen Wainwright, Frank Welker
Year: 1996
Space Jam, that wonderful marketing ploy that fooled audiences into handing over $230 million to a studio for an overlong concoction of advertisements and which made us all love R. Kelly in an innocent time where that was still an acceptable thing to do. Seriously, the film is a commercial for itself – the marketing synergy between the two entities who merged two completely unrelated but massively successful franchises together to resemble something like a movie, and yet that is honestly also the film’s main draw. It asked us a question nobody outside of a corporate think tank would have ever asked in their right mind – “Who doesn’t want to see Bugs Bunny and Michael Jordan play basketball together?” – and convinced us that this was, come to think of it, actually something that would be pretty entertaining to watch! Read more…
REVIEW: An American Tail
Directed by: Don Bluth
Produced by: Don Bluth, Gary Goldman, John Pomeroy; Steven Spielberg (executive producer)
Written by: Judy Freudberg, Tony Geiss (screenplay), David Kirschner, Judy Freudberg, Tony Geiss (story)
Edited by: Dan Molina
Production Design by: Don Bluth
Music by: James Horner
Starring: Phillip Glasser, John Finnegan, Pat Musick, Cathianne Blore, Nehemiah Persoff, Amy Green, Dom DeLuise, Christopher Plummer, Neil Ross, Madeline Kahn, Erica Yohn
Year: 1986
I got pretty excited recently when I discovered that this movie was coming out on Blu-Ray. This was a childhood favorite of mine, and I grew up pretty much singing a few the songs featured in the film along with Disney songs that have since proven to be far more enduring and are likely far more recognizable today – even if Community did that awesome reference to “Somewhere Out There” in that one episode. However, I only ever owned the movie on VHS, never upgrading to the DVD, and it got to the point where I decided I’d hold out for a hopeful Blu-Ray release. The patience paid off. Sure, it was a barebones disc, containing a sing-along and a theatrical trailer and little else, beyond an almost superfluous digital copy, but I finally owned An American Tail, once again, now in glorious HD!
It’d been a while since I’d seen the film when it finally arrived in my mailbox. I believe it was once part of the Netflix streaming catalog, as I had actually watched it once a few years ago, but even before that, it’d also been an even longer amount of time since I had seen this Don Bluth-directed classic, so I still had my nostalgia goggles on when I popped the disc in to my PlayStation and settled in. Read more…
The Viewer's Commentary 