Archive
THEATRICAL REVIEW: Fantastic Four (2015)
Directed by: Josh Trank
Produced by: Gregory Goodman, Simon Kinberg, Robert Kulzar, Hutch Parker, Matthew Vaughn
Screenplay by: Simon Kinberg, Jeremy Slater, Josh Trank
Edited by: Elliot Greenberg, Stephen E. Rivkin
Cinematography by: Matthew Jensen
Music by: Marco Beltrami, Philip Glass
Starring: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Reg E. Cathey, Tim Blake Nelson, Dan Castellaneta
Based Marvel Comics characters created by Stan Lee and Jack Kirby
Year: 2015
This review contains spoilers.
So this must be how it feels to be one of the Man of Steel haters… Read more…
REVIEW: Batman: The Movie
Directed by: Leslie H. Martinson
Produced by: William Dozier
Written by: Lorenzo Semple, Jr.
Edited by: Harry Gerstad
Cinematography by: Howard Schwarts
Music by: Nelson Riddle, Neal Hefti (theme)
Starring: Adam West, Burt Ward, Lee Meriwether, Cesar Romero, Burgess Meredith, Frank Gorshin, Alan Napier, Neil Hamilton, Stafford Repp, Madge Blake, Reginald Denny, Milton Frome, Gil Perkins, Dick Crockett, George Sawaya, Van Williams
Based on the DC Comics character created by Bob Kane and Bill Finger and the TV series created by William Dozier
Year: 1966
Confession time: Though it is one of my earliest memories of being at a theatrical showing, Batman Returns was not my first exposure to Batman. There was already a lot of love for Batman instilled in me by that point. Part of that was likely due to Tim Burton’s first film, but, honestly, it was far more likely that I was introduced to the Dark Knight in the form of the campy Caped Crusader portrayed in in the 1960s TV series starring Adam West. As a little kid, I didn’t quite understand that the series was essentially a satire of the comics and serials rather than a serious attempt to adapt the character to television. When I was finally exposed to the darker, grittier stuff, I pretty much thought it was silly because it was old, and older stuff was always sillier! Why else would they release all those ridiculous musicals back then that my mom enjoyed so much, right? With age, of course, I did catch on, and after getting over an initial feeling of betrayal that came with the understanding that the show was poking fun at my favorite superhero (and, by association, me), I also came to embrace the series for what it was. Read more…
SPECIAL REVIEW: Wristcutters: A Love Story
Directed by: Goran Dukić
Produced by: Chris Coen, Tatiana Kelly, Mikal P. Lazarev, Adam Sherman
Screenplay by: Goran Dukić
Story by: Etgar Keret
Edited by: Jonathan Alberts
Cinematography by: Vanja Cernjul
Music by: Bobby Johnston, Gogol Bordello
Starring: Patrick Fugit, Shannyn Sossamon, Shea Whigham, Leslie Bibb, Mikal P. Lazarev, Mark Boone, Jr., Abraham Benrubi, Mary Pat Gleason, Anthony Azizi, Azura Skye, Nick Offerman, Sarah Roemer, John Hawkes, Tom Waits, Anatol Rezmeritza, Cameron Bowen, Jake Busey
Based on the short story Kneller’s Happy Campers by Etgar Keret
Year: 2006
This review contains some mild spoilers.
Lying in bed, placing a needle on a record, and then, to the tune of Tom Waits’ “Dead and Lovely,” we watch Zia, the lead character, at various stages of tidying up his mess of an apartment. Zia picks up every bit of trash and misplaced piece of dirty clothing, then wipes down every surface and piece of furniture from the dust and filth that has built up. He waters his plants, as well, then looks around to ensure he’s finished. He then looks at himself, directly into the camera, fixes his hair, takes a peek outside his window, mindlessly, and then around his room once more to ensure that he’s done everything he possibly could. He then walks into the bathroom. This time, the camera doesn’t follow until several moments pass. Uneasily, it begins to creep in. Zia’s looking into a mirror, working at something just off screen. His expression barely changes as he collapses to the tile floor. There’s a pool of bloody water in the sink, a razor beside it. In his last few moments, he notices a single, large dust bunny in the corner of the room. It’s barely moved by his last few breaths… Read more…
GRUDGE MATCH REVIEW: Fifty Shades of Grey vs. Old Fashioned
FIFTY SHADES OF GREY (Unrated)
Directed by: Sam Taylor-Johnson
Produced by: Michael De Luca, Dana Brunetti, E.L. James
Screenplay by: Kelly Marcel
Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cinematography by: Seamus McGarvey
Music by: Danny Elfman
Starring: Dakota Johnson, Jamie Dornan, Eloise Mumford, Jennifer Ehle, Marcia Gay Harden, Victor Rasuk, Luke Grimes, Rita Ora, Max Martini, Callum Keith Rennie, Andrew Airlie, Dylan Neal, Anthony Konechny, Emily Fonda, Rachel Skarsten
Based on the book Fifty Shades of Grey by E.L. James
Year: 2015
OLD FASHIONED
Directed by: Rik Swartzwelder
Produced by: Nathan Nazario, Dave DeBorde, Nini Hadjis, Rik Swartzwelder
Written by: Rik Swartzwelder
Edited by: Jonathan Olive, Phillips Sherwood, Robin Katz
Cinematography by: David George
Music by: Kazimir Boyle
Starring: Elizabeth Ann Roberts, Rik Swartzwelder, LeJon Woods, Tyler Hollinger, Nini Hadjis, Maryann Nagel, Lindsay Heath, Joseph Bonamico, Dorothy Silver, Ange’le Perez, Anne Marie Nestor
Year: 2015
This review contains spoilers, including the movies’ endings.
Alright, everyone, listen up! Things are about to get ugly in here! I’m going to be fanning the flames of a culture war, and it’s bound to make some people kind of angry!
In one corner, we have the inexplicably popular, smutty to a fault movie adaptation of a book that was itself originally an online Twilight fan fiction, written by someone who didn’t seem to catch on to that franchise’s coded abstinence message: Fifty Shades of Grey! In the other corner, we have that film’s chaste, Christian-targeting, message-laden morality tale counterpart, meant to provide a more wholesome alternative for anyone who proudly proclaims that they’ve kissed dating goodbye: Old Fashioned!
… Okay, I can’t keep up that boxing announcer façade. …
Anyway, I’m reviving a very old (and once-used) feature on this blog that I really didn’t enjoy doing the first time around but recently figured would be kind of interesting to try again. (It’s something I’d been meaning to try for a while, anyway, back when I thought about doing it for the original King Kong and its remakes.) The concept behind this grudge match review works pretty much like you’d expect. There will be a series of rounds in which I compare the two movies to one another, and there will be a winner for each round based on which movie succeeds more in that area. What will make this a bit more interesting, however, is the fact these two films aren’t remakes or adaptations of the same source material, but rather polar opposites! The marketing for Old Fashioned proclaimed “Chivalry makes a comeback,” while the BDSM-themed, sex-and-nudity laden Fifty Shades demanded audiences “Lose Control.” As if its obvious opposition weren’t enough, the films were only released one week apart, with Old Fashioned beating Fifty Shades to the punch in an effort to overtake it and likely to encourage people to not give in to the smut.
I’m of the opinion, however, that too often Christian films try to take on too much of a counterculture stance, to the point where they’re not even willing to study the very thing they’re opposed to or portray it in a fair light. As I’ve pointed out countless times before, I am a Christian, and yet I am more often than not finding myself at odds with the image the Christian pop culture industry and the people who consume it propagate for themselves, and flaunting it in non-Christians’ faces (and even the faces of Christians they disagree with), prideful in their willful ignorance. So, I am trying to do something different and see it from all sides in comparing the two movies. It’s actually kind of funny how they actually have some things in common! To be quite honest, though, I’m also trying to have a bit of fun at their expense, too. I mean… neither one of these movies is really any good, so I’m really not going to take this too seriously. I’m also just here to let you know which one is better than the other, too – or, in this case, which one is the least bad.
THEATRICAL REVIEW: Jurassic World
Directed by: Colin Trevorrow
Produced by: Frank Marshall, Patrick Crowley; Steven Spielberg, Thomas Tull (executive producers)
Screenplay by: Rick Jaffa, Amanda Silver, Derek Connolly, Colin Trevorrow
Story by: Rick Jaffa, Amanda Silver
Edited by: Kevin Stitt
Cinematography by: John Schwartzman
Music by: Michael Giacchino, John Williams (themes)
Starring: Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Omar Sy, B.D. Wong, Irrfan Khan, Katie McGrath, Jake Johnson, Lauren Lapkus, Judy Greer, Andy Buckley
Year: 2015
By now, you probably don’t need for me to review this film, as it seems like the whole world has thrown their money at it. However, I went bonkers a couple years ago when the original film was re-released in theatres in 3D, prompting me to do a complete run through of the entire then-trilogy. As a result, I kind of feel obligated to review the latest one. Besides, some of you might be insane or too “hip” to buy into this dinosaur spectacle “nonsense” but might be thinking of giving it a go on DVD or something in what is, for me, the future, so, yeah, I’m here to help. Read more…
REVIEW: Stormy Weather
Directed by: Andrew L. Stone
Produced by: William LeBaron
Screenplay by: H.S. Kraft
Story by: Jerry Horwin, Seymore B. Robinson
Edited by: James B. Clark
Cinematography by: Leon Shamroy
Music by: Harold Arlen
Starring: Lena Horne, Bill Robinson, Cab Calloway, Katherine Dunham, Fats Waller, Fayard Nicholas, Harold Nicholas, Ada Brown, Dooley Wilson
Year: 1943
I’d largely forgotten this film’s existence until I saw that Screen Archives had done a limited release of the film on Blu-Ray (Thanks, Blu-Ray.com!). The name immediately stuck out, and so I alerted my mom, an avid fan of old musicals, to the film, knowing about its historical significance as one of the earliest major studio films to feature an all-black cast, but having admittedly very little knowledge of what it was actually about – apart from the fact that it was a musical, and I had seen Lena Horne’s performance of the title song somewhere, probably in one of those musical documentaries that always aired on TCM or AMC. After purchasing it (and accidentally shipping it to myself instead of my mom), I did watch it, though, and realized something fairly interesting about the film, divorced from the racial significance: It’s actually kind of boring if you’re not that invested in the characters or their story, and I wasn’t. Read more…
REVIEW: The Brady Bunch in the White House
Directed by: Neal Israel
Produced by: Armand Leo, Lloyd J. Schwartz
Written by: Lloyd J. Schwartz, Hope Juber
Edited by: Terry Stokes
Cinematography by: Robert Seaman
Music by: Laurence Juber
Starring: Shelley Long, Gary Cole, Chad Doreck, Autumn Reeser, Blake Foster, Ashley Eckstein, Max Morrow, Sofia Vassilieva, Tannis Burnett, Saul Rubinek, Reagan Pasternak, Dave Nichols, Joshua Peace, Noah Danby, Jef Mallory
Based on the TV series The Brady Bunch
Year: 2002
The following review was originally conceived as an impromptu Facebook rant after I decided to watch this movie out of boredom while browsing Netflix, so if this review seems kind of random, it was. It wasn’t long before I realized, however, that I’d essentially written an impromptu movie review instead, so I took it and punched it up a bit and decided to publish it officially instead.
I think I just watched one of the most bafflingly horrendous movies I’ve ever seen – The Brady Bunch in the White House. The first two movies that took the characters and placed them in the 90s weren’t exactly comedy masterpieces, but they were pretty witty and smartly put together satires of the original show’s absurdity by mostly having the wholesome characters be unchanged and defiantly unfazed by the explicit realities of the then-modern world (save for Alice, who, as an honorary Brady, was given a bit more of an edge). It was a fairly clever concept, dodging the pitfalls that most other TV-to-movie adaptations succumb to, and even on an artistic level, those movies got everything just right: a near perfect cast, the musical cues, the sitcom style camera angles, the kitschy costumes and sets, and just enough heightened reality to let you know the people making it were doing it all in good fun while making it tolerable and enjoyable for all people, regardless of whether or not they actually liked the original show. (I hated it.) This third film, though… Read more…
REVIEW: Paul Blart: Mall Cop
Directed by: Steve Carr
Produced by: Adam Sandler, Kevin James, Barry Bernardi
Written by: Kevin James, Nick Bakay
Edited by: Jeff Freeman
Cinematography by: Russ T. Alsobrook
Music by: Waddy Wachtel
Starring: Kevin James, Jayma Mays, Keir O’Donnell, Bobby Cannavale, Adam Ferrara, Peter Gerety, Stephen Rannazzisi, Jamal Mixon, Adhir Kalyan, Erick Avari, Raini Rodriguez, Shirley Knight, Allen Covert, Jason Ellis, Natascha Hopkins, Mike Escamilla, Rick Thorne, Mike Vallely
Year: 2009
You know what the nice thing about Redbox is? They know that when a sequel to a film releases, a lot of people might want to see the original film, too. So they’ll distribute copies of the original film for rental again, no matter how old. Paul Blart: Mall Cop 2, as you may know, has been recently and inexplicably unleashed upon moviegoers this year after a six year gap since the last incident occurred, and Redbox was kind enough to still stock up on the original to remind us all why we should not feed into the box office of this completely unnecessary and, from all accounts I’ve heard, thoroughly putrid film. Thank you, Redbox. Surely those who gave the film the $88 million it’s accumulated so far at the box office were simply ignoring your warnings.
THEATRICAL REVIEW: Avengers: Age of Ultron
Directed by: Joss Whedon
Produced by: Kevin Feige
Written by: Joss Whedon
Edited by: Jeffrey Ford, Lisa Lassek
Cinematography by: Ben Davis
Music by: Brian Tyler, Danny Elfman
Starring: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johasson, Jeremy Renner, James Spader, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Linda Cardellini, Claudia Kim, Don Cheadle, Samuel L. Jackson, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Stellan Skarsgård, Andy Serkis, Julie Delpy, Kerry Condon
Based on the Marvel Comics
Year: 2015
I don’t think anything will compare to the anticipation that led up to the release of Marvel’s first Avengers movie. When Samuel L. Jackson showed up at the end of the first Iron Man back in 2008 and basically announced Marvel’s intentions to create a cinematic universe in which pretty much all of their characters would coexist in one massive multimedia project, each subsequent addition to this universe has basically been made with the goal of getting people excited for the next while being fairly to immensely entertaining in its own right. This is something that could have easily imploded on itself, particularly if Marvel screwed it up by either playing it too safe and mucking their characters up in order to cater to audiences who might not be willing to accept them or by getting caught up in their own hype and letting the films coast on brand recognition and not paying attention to quality control. Read more…
SPECIAL REVIEW: Son of Rambow
Directed by: Garth Jennings
Produced by: Nick Goldsmith
Written by: Garth Jennings
Edited by: Dominic Leung
Cinematography by: Jess Hall
Music by: Joby Talbot
Starring: Bill Milner, Will Poulter, Jules Sitruk, Jessica Hynes, Neil Dudgeon, Anna Wing, Ed Westwick, Eric Sykes
Year: 2008
NOTE: I’ve been a bit hard pressed for time and energy lately, but I’m actually working on a new review at this moment for a certain big summer blockbuster superhero film that just released, so it’s coming but not quite ready yet. Looking back through my old notes on Facebook, however, I discovered that I’d written a couple of reviews there that I’d completely forgotten about, so I’m dusting one of them off and, apart from the images and my now standardized credits, I’m presenting it to you unedited. This review is being titled a “Special Review” as it was written quite a while ago, back in 2010, a few months after I graduated from college and almost exactly a year before I created this blog but was seriously considering it. This is a seemingly forgotten gem of a film that was among the first that I’d rented when I first got Netflix. The review here may not reflect my current opinion (though I have admittedly not seen it since), however, and I reserve the right to re-review it if I see it again and choose to do so. ‘Cause, you know, it’s my blog… That being said, I still have fond memories of this film and hope you’ll check it out, too! Read more…
The Viewer's Commentary 