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REVIEW – The Final Girls
Directed by: Todd Strauss-Schulson
Produced by: Michael London, Janice Williams
Written by: M.A. Fortin, Joshua John Miller
Edited by: Debbie Berman
Cinematography by: Elie Smolkin
Music by: Gregory James Jenkins
Starring: Taissa Farmiga, Malin Åkerman, Adam DeVine, Alia Shawkat, Thomas Middleditch, Nina Dobrev, Alexander Ludwig, Angela Trimbur, Tory N. Thompson, Chloe Bridges, Daniel Norris
Year: 2015
It’s almost a cliché by now that horror films will inevitably mock themselves, if not outright be more mock than shock. (That was terribly trite, I know, as is mocking your own writing, but, whatever – I’m keeping it.) Thanks in large part to Scream (and, yes, to a lesser extent, fellow Wes Craven film predecessor New Nightmare), the genre, more than almost any other, has become somewhat replete with meta-commentary about horror film structure and clichés, and so it takes something pretty special to make that whole shtick interesting again. The Final Girls, with its meta-to-the-nth-degree title, is one of those special films that rises above the pack because it brings something new to the table: sincerity. Where most other films seem content to take the cerebral route, horror comedy The Final Girls takes the emotional route and presents a story with a surprising amount of heart and emotion – one that’s also, more importantly, surprisingly effective. Read more…
REVIEW – Audition (オーディション)
Directed by: Takashi Miike
Produced by: Satoshi Fukushima, Akemi Suyama
Screenplay by: Daisuke Tengan
Edited by: Yasushi Shimamura
Cinematography by: Hideo Yamamoto
Music by: Koji Endo
Starring: Ryo Ishibashi, Eihi Shiina, Jun Kunimura, Renji Ishibashi, Tetsu Sawaki, Miyuki Matsuda, Toshie Negishi, Shigeru Saiki, Ken Mitsuishi, Ren Ohsugi
Year: 1999
“Kiri, kiri, kiri…”
For years, this movie remained a source of almost profound morbid curiosity for me. When it was available on Netflix’s streaming service, I put it there almost immediately, and yet it sat in my queue for what seems like years (and probably was). The woman with an ominous syringe in her black-gloved hand in the artwork seemingly looked down upon me for my cowardice for being far too frightened to just hit “Play” and see what she intends to do with it. I’d heard about the film and even read some vague commentary on its premise, but I’d managed to avoid spoilers for the most part, and I never really had the full picture as a result. Most of what I’d heard surrounded the film’s sudden shift in tone and allusions to the shocking and disturbing imagery that awaited viewers who worked up the courage to follow through in their own viewing experience. Read more…
Halloween Movie Month 2016
Six. This year marks the sixth time I have done a Halloween movie theme month. Not only that, it also signals that I have now been running this blog since I was 25. This year marks my 30th birthday, which also just so happens fall on Halloween. To say that Halloween 2016 is a scary one for me is an understatement. But, the reviews must go on! (Well, not really, but I enjoy writing them, even if I’m fairly certain not many people are actually reading these.) As a result, though, you would think that I might have big plans for this year. Well… I don’t. But one idea did just occur to me, and it’s actually something I intended on reviewing last year, but it completely escaped my mind: How about I review a film starring one of my former high school classmates that also just so happens to be on Netflix?
The film is called “Darkroom” and stars aforementioned classmate Kaylee DeFer, whom I went to school with until she moved. I’m not going to pretend I knew her well or anything – she was perfectly nice, but we just didn’t have the same social circles – but it’s still kinda surreal to have a former classmate who has now had roles in films shows like Gossip Girl and was even a crucial character in the string of events that led to Ted Mosby meeting his wife on How I Met Your Mother. I think the most interaction I ever had with her was our freshman year during our school’s Shakespeare week, and we were assigned to reenact the gravedigger scene from Romeo & Juliet. I sliced my hand open on the metal pole I was using as a prop and started bleeding, resulting in the scene – and my own burgeoning acting career – being cut considerably short. So… yeah, I’ll get around to doing that one, unless it’s no longer available on Netflix or some other service. (And, really, why wouldn’t it be? I only discovered it because I noticed her on the cover while browsing, and that’s probably the only way anyone has watched it.)
I do intend on reviewing some other horror classics I haven’t gotten around to, though, perhaps the original Amityville Horror, as well as perhaps some newer ones, like a certain computer-based film I actually put on my Favorite Films of 2015 list that I admittedly only saw once. (I’m curious whether it holds up, particularly by just watching it on a laptop this time.) I do think this year will be considerably more horror-heavy than previous years, if only because I’ve actually been really in the mood for them, rather than the more lighthearted stuff like It’s the Great Pumpkin, Charlie Brown and Ghostbusters (take your pick which, just don’t troll my site). Perhaps it’s just the bleak impending doom of turning 30, though? [shudder] I guess, if the mood strikes, I could end up doing something more cheerful.
Regardless of what goes on though, just know that I’ve been looking forward to this month and watching some suitable movies for it. Until then, consider reading some of my previous seasonally appropriate reviews, linked below.
Happy Halloween!
Dawn of the Dead (Unrated Director’s Cut, 2004)
Don’t Breathe (2016)
Friday the 13th (1980)
Ghostbusters (1984)
Ghostbusters (2016)
Halloween (1978)
Halloween (Unrated Director’s Cut, 2007)
It’s the Great Pumpkin, Charlie Brown
The Last House on the Left (1972)
The Last House on the Left (2009)
Let the Right One In (Låt den rätte komma in)
The Nightmare Before Christmas
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street 2: Freddy’s Revenge
A Nightmare on Elm Street 3: Dream Warriors
Poltergeist (1982)
Psycho (1960)
Rare Exports: A Christmas Tale
Slither (2006)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
The Thing (1982)
Under the Skin (2013)
REVIEW: Ghostbusters (1984)
Directed by: Ivan Reitman
Produced by: Ivan Reitman
Written by: Dan Aykroyd, Harold Ramis
Edited by: David E. Blewitt, Sheldno Kahn
Cinematography by: László Kovács
Music by: Elmer Bernstein, Ray Parker, Jr. (theme)
Starring: Bill Murray, Dan Aykroyd, Harold Ramis, Sigourney Weaver, Ernie Hudson, Rick Moranis, Annie Potts, William Atherton, David Margulies, Slavita Jovan, Paddi Edwards (voice)
Year: 1984
Ghostbusters is yet another one of those cultural milestone films that I managed to somehow deprive myself from seeing for an unreasonable amount of time, particularly as someone who is really into movies. In my defense, this was largely due to the fact that I grew up in an unreasonably fundamentalist Christian environment for the early part of my life, and so films like Ghostbusters, which dealt with the supernatural without clearly making it so that everything that was happening was demonic and didn’t remind you how much you needed Jesus to save you from hell were more often than not declared to be welcoming mats for demons to enter your life. No, I’m not kidding. Luckily, we got out of that environment and are (a bit) more sane now, but I continued to avoid the film because… well, mostly it was because I just never got around to it. Eventually this became a bit more like resentment, though. At some point, it seemed like everyone was obsessed with Ghostbusters again, even from those who weren’t kids or even born yet at the time this movie came out, and you couldn’t talk about movies or reference ghosts without someone throwing out some kind of Ghostbusters reference and then talking about how brilliant the movie was. It was very annoying. This became another one of those movies that I was sick of before I even saw it. Read more…
REVIEW: Let the Right One In (Låt den rätte komma in)
Directed by: Tomas Alfredson
Produced by: Carl Molinder, John Nordling
Screenplay by: John Ajvide Lindqvist
Edited by: Tomas Alfredson, Daniel Jonsäter
Cinematography by: Hoyte van Hoytema
Music by: Johan Söderqvist
Starring: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Ika Nord, Peter Carlberg, Karin Bergquist, Mikael Rahm, Henrik Dahl, Patrik Rydmark, Rasmus Luthander, Mikael Erhardsson, Johan Sömnes, Elif Ceylan (voice)
Based on the novel by John Ajvide Lindqvist
Year: 2008
Movies about troubled youths and movies about vampires are pretty easy to come by, but mix the two together, and you’re more often than not going to end up with something that draws more comparisons to Twilight than an actual horror film. Back in 2008, however, Swedish director Tomas Alfredson partnered up with author John Ajvide Lindqvist to adapt Lindqvist’s acclaimed novel Låt den rätte komma in into a film that managed to shed any pretenses of sexy romanticism and juicy interpersonal drama and maintained a level of maturity and somber, dreadful sorrow that’s far more appropriate to both subgenres of storytelling – this, despite the fact that the film’s protagonists were far younger than either one of Twilight’s glittering nitwits. Read more…
REVIEW: Tucker & Dale vs. Evil
Directed by: Eli Craig
Produced by: Morgan Jurgenson, Albert Klychak, Rosanne Milliken, Deepak Nayar
Screenplay by: Eli Craig, Morgan Jurgenson
Story by: Eli Craig
Edited by: Bridget Durnford
Cinematography by: David Geddes
Music by: Michael Shields, Andrew Kaiser
Starring: Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Chelan Simmons, Brandon Jay McLaren, Christie Laing, Travis Nelson, Alex Arsenault, Adam Beauchesne, Joseph Allan Sutherland, Karen Reigh, Tye Evans, Philip Granger
Year: 2010
You know, hillbillies, rednecks, and hicks don’t get a lot of respect. Jokes about incest, ignorance, ugliness, and prejudices are pretty common fodder when it comes to discussing people we assign these labels, and when they’re not made out to be the butt of jokes, they’re often made out to be psychotics to be feared and villainized. You would think, though, in these days of understanding and tolerance that we’d attempt to be not so quick to return judgment on those we deem to be judgmental. Sure, sometimes the criticism is justified, but obviously not everyone is the same, and sometimes these portrayals aren’t exactly fair. So what if someone were to make a film that told the story about a hillbilly massacre from the hillbillies’ perspective? No, I’m not talking about the Texas Chain Saw Massacre prequel movie they’re making, Leatherface. I’m talking about a film where it turns out that the hillbillies were the ones being terrorized by the perceived victims, a group of attractive, entitled young people! That’s pretty much the concept behind Tucker & Dale vs. Evil. Read more…
REVIEW: The Exorcist
Directed by: William Friedkin
Produced by: William Peter Blatty
Screenplay by: William Peter Blatty
Edited by: Jordan Leondopoulos, Evan Lottman, Norman Gay
Cinematography by: Owen Roizman
Music by: Various; Theme by Mike Oldfield
Starring: Ellen Burstyn, Jason Miller, Max von Sydow, Linda Blair, Lee J. Cobb, Mercedes McCambridge, Kitty Winn, Jack MacGowran, Father William O’Malley, Vasiliki Maliaros
Based on the novel by William Peter Blatty
Year: 1973
The Exorcist is yet another movie on my list of movies that I don’t know how I managed to not watch until recently. Unlike, say, The Godfather (put your pitchforks down, I saw them all years ago, but still after a while) or Braveheart, however, the reasons for not seeing it wasn’t simply because I was tired of hearing people talk about how great it was, but rather due to the fact that the subject matter and reputation The Exorcist had for being one of the most terrifying horror films of all time really freaked me out. As some of you may know, I was never really a horror film fan in the first place until I started writing this blog and forced myself to watch films from the genre for the month of October, and while this was partly because I thought less of the genre than I should have, I’d be lying if there was some part of me that was genuinely terrified of certain movies – and chief among them was The Exorcist.
Halloween Movie Month 2015
It’s that time of year again — October 2015 kicks off the fifth annual Halloween Movie Month (formerly known as “Scary Movie Month” but changed because I just didn’t want to review only scary movies)!
You might think that for such an auspicious occasion, I will have something special planned. Well… you’d be wrong. I don’t. I’m planning on winging it, quite honestly. Why? Because life. Lately, I’ve been pretty busy, and this has led to me being very tired, and so I basically have been writing reviews based on what I feel like, and I plan on continuing that for the month of October in regards to season-appropriate movie choices.
That being said, though, I am definitely looking forward to reviewing movies for this year, and I do at least have some things in mind that I want to get to. The first movie I plan on reviewing is a pretty big one, too, and is one that I’ve been meaning to watch for years but have, quite honestly, been a bit too intimidated by to really feel like I could give it its due. However, with the movie exiting Netflix streaming services at the beginning of the month, I felt like it was a sign for me to just do it before it’s too late. Which movie is it, you ask? Well, fine then, I’ll tell you: it’s The Exorcist!
So yeah, no formal plans for this milestone month, but, as with every subsequent year I do this, I increasingly look forward to expanding my exposure to the horror genre and other Halloween-related movies. Seriously, I’ve really grown in my appreciation for these things, and I always find myself holding back on reviewing certain movies until I can do it for this time of year. As always, though, I’m going to start the month off by leaving you with a convenient list of previous Halloween-appropriate reviews for you to peruse.
Happy Halloween!
Dawn of the Dead: Director’s Cut (2004)
Halloween (2007, Unrated Director’s Cut)
It’s the Great Pumpkin, Charlie Brown
The Last House on the Left (1972)
The Last House on the Left (2009)
The Nightmare Before Christmas
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street 2: Freddy’s Revenge
A Nightmare on Elm Street 3: Dream Warriors
Rare Exports: A Christmas Tale
REVIEW: Poltergeist (1982)
Directed by: Tobe Hooper
Produced by: Steven Spielberg, Frank Marshall
Written by: Steven Spielberg (screenplay & story), Michael Grais, Mark Victor (screenplay)
Edited by: Steven Spielberg, Michael Kahn
Cinematography by: Matthew F. Leonetti
Music by: Jerry Goldsmith
Starring: Craig T. Nelson, JoBeth Williams, Beatrice Straight, Heather O’Rourke, Oliver Robins, Dominique Dunne, Richard Lawson, Zelda Rubinstein, Martin Casella, James Karen
Year: 1982
Poltergeist and the films that followed it have become some of the most fabled films in Hollywood history. Seemingly everyone knows about “Poltergeist curse” that was often been attributed to the ironic fact that the first film used real human skeletons as props in one pivotal scene and was rumored to have afflicted many people who worked on the films throughout the trilogy, ranging from small incidents on the set to the deaths of many of the films’ stars during that time. Producer Steven Spielberg was also the subject of much Hollywood scrutiny over his role in the first film’s creation, as he had a contract with Universal to not direct another film while he worked on E.T.: The Extra-Terrestrial for them, but many who worked on the film claim that Spielberg had, in fact, taken over a lot of the directing duties on the set from its credited director, Tobe Hooper, likely in order to avoid any legal ramifications. Content wise, the film was also one of the most controversial films of its time, initially being issued an R-rating from the MPAA before Spielberg and Hooper talked them down to a PG, thus making it perfectly acceptable for younger audiences to see this scary movie without adult supervision if they so wished. Though it wouldn’t be the final straw that broke the camel’s back, it would be just one of the many that would convince the MPAA that a rating between the two was needed and eventually lead to the creation of the now ubiquitous PG-13 rating. Read more…
REVIEW: Grave Encounters
Directed by: The Vicious Brothers (Collin Minihan, Stuart Ortiz)
Produced by: Twin Engine Films, Digital Interference Productions, Shawn Angelski, Michael Karlin
Written by: The Vicious Brothers
Edited by: The Vicious Brothers
Cinematography by: Tony Mirza
Music by: Quynne Craddock
Starring: Sean Rogerson, Ashleigh Gryzko, Mackenzie Gray, Juan Riedinger, Merwin Mondesir, Matthew K. McBride, Ben Wilkinson
Year: 2011
I didn’t really count on doing a found footage film this year, but my friend offered this up as a solid horror film the other day, and, in return I said I’d do a review of it. For the record, this is the same guy who suggested I watch the 1991 Sylvester Stallone movie Oscar, the also horrific Thomas and the Magical Railroad (which was his joke suggestion last year for a horror movie review), and the unexpected suggestion of Albert Nobbs. If anything, though I haven’t very much always enjoyed his suggestions, they have definitely given my reviews more variety, and so I think I’ll give him a pass on this cliché subgenre recommendation – and if he takes issue with my condescending tone here regarding his movie suggestions and taste, then he totally knows it’s intentional… and totally sincere. t(-.-t) to you and your suggestions, dude. I had heard of the film before, but it was only in passing on various websites’ comments sections and such. It also popped up recently on Netflix’s streaming service recommendations for me, so when he watched it and then made the recommendation himself, I figured it was just meant to be. Read more…
The Viewer's Commentary 