Archive
Theatrical Review: “The Dark Knight Rises”
Directed by: Christopher Nolan
Produced by: Christopher Nolan, Charles Roven, Emma Thomas
Written by: Christopher Nolan, Jonathan Nolan (screenplay), David S. Goyer, Christopher Nolan (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer
Starring: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman
Year: 2012
Foreword
In the wake of the tragedy in Aurora, Colorado, I felt a bit odd about writing my previous review and preparing for my next, as I was writing it in the late night hours as the events were unfolding, unknown to me until the next morning. Much of what I wrote about The Dark Knight reflected a lot of what was happening there, none of it necessarily original or new information, but it was stirring, all the same.
I had no common connection to any of the victims there beyond our similar interest in seeing this new Batman film, all of us anxious in seeing how this trilogy would end, and, unfortunately, many of them never got to see this film, and many more will forever see this film and be reminded of the horrible things they saw that night. What was supposed to be night of fun and entertainment turned into a nightmare, and it affected me, and still does a great deal the more I hear about the events, much more than I thought it would — not because I thought of myself as some tough, emotionless, apathetic person but because it made me realize how even the most mundane things we take for granted can connect strangers based on a mundane commonality.
This just happened to revolve around a movie theatre, a highly anticipated film, and audiences across the world who waited, maybe not in the same proximity, but with the same spirit that united us all in excitement and, unfortunately, also in an unexpected tragedy. In that spirit, if there is anyone out there who is reading this and was affected in some way to those events, I hope you know that, even if I don’t know you, I send my prayers and condolences to you and your families.
Review
Let me just say this now: Christopher Nolan is destined to go down in history as, if not one of the most influential or important filmmakers in blockbuster history, at the very least one of the most revered and respected. The man hasn’t made a bad movie in… well pretty much ever! Some have varied in quality and appeal, of course, but none have been able to cross the general consensus threshold of being considered anything less than a quality film: Following. Memento. Batman Begins. The Prestige. The Dark Knight. Inception. All masterful works of not only high art, but high entertainment. No other filmmaker since maybe Spielberg has managed to pull this synthesis of style, spectacle, and skill as well as Nolan has. And now, with The Dark Knight Rises, we have been given this amazing film that not only provides plenty of thrilling action, but is also an intelligent and thought-provoking conclusion to what will undoubtedly go down in history as one of the greatest film series of all time, The Dark Knight Trilogy. Read more…
Review: “Batman Begins”
Directed by: Christopher Nolan
Produced by: Emma Thomas, Larry J. Franco, Charles Roven
Written by: Christopher Nolan, David S. Goyer (screenplay), David S. Goyer (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer, James Newton Howard
Starring: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, Morgan Freeman, Tom Wilkinson, Rutger Hauer, Mark Boone Junior, Ken Watanabe, Colin McFarlane, Linus Roache, Sara Stewart
Year: 2005
I was planning on going through the whole story about how much the Batman franchise was in dire need of a reboot, but I quickly found that I was going on about so many things that didn’t need repeating. The basic and short version of the story is that, after two rather strong films (Batman and Batman Returns), Warner Bros. and DC Comics shot themselves in the foot by allowing, nay demanding, for the rather awful Batman Forever and Batman & Robin to be unleashed upon the tortured fans in the name of making more money off of merchandising, only for critical reaction to slam the films and tickets sales to drop. Instead of going forward with what was in hindsight the rather ironically named fifth film, Batman Triumphant, both companies decided to take a break from the superhero films business and think about where they’d gone wrong.
Of course, in that time, their rivals over at Marvel were apparently seeing this as a window of opportunity, and they began production on and even released several rather strong films over the following years, namely the two first films in each of the Blade, X-Men, and Spider-Man trilogies, each with increasingly better reception from audiences and critics. At that point, it was clear that after years of being in the shadows, it was time for Batman to emerge once again. Read more…
The Dark Knight Rises – Trailer #3
I kinda missed updating last week. I promise to you and myself that I will have a new review up this week, but I kinda needed a mental break and had a lot going on. To ease back into things, how about a new trailer for The Dark Knight Rises, eh?
So, what do you think? Like the new Batwing (or whatever its equivalent is in this film)? Like the eerie No Man’s Land vibe of the trailer? This its definitely more of a larger scale movie than the first two films, that’s for sure!
The new glimpses of Catwoman are pretty interesting. I’d previously thought that they had possibly made her it to be a reluctant(?) henchwoman for Bane, but it looks like they’re going with the antihero after all, though she definitely still has tires to Bane in some way, since you hear Bruce asking her questions about him.
Bane looks pretty fierce himself and is also notably more intelligible than previous audio from him showed. Dare I say it, but it does sound a bit… off, but we all hour through The Dark Knight despite Christian Bale’s apparently chronic throat condition and it was still a brilliant film.
Notably, we also get way more footage of Joseph Gordon-Levitt’s cop character, albeit in silent clips of his reactions to the happenings in Gotham. He’s still fairly shrouded in mystery, and, to be honest, I’m kinda glad since I’ve pretty much a given that so many other spoilers are likely to reveal themselves as truth. It’s nice having one original character who can be dealt with in so many ways and who brings up so many questions, isn’t it? Like, why do we see him kneeling as if in the presence of… something? I don’t know if it’s malevolent or not, and that is probably going to help bring a great deal of tension to the role.
I’m obviously a Batman fan, as the past few weeks have proven (I promise my next review will be of a very different type of film), so to say that I’m extremely excited for this film is an understatement…
Special Review: “Batman & Robin” – Joel Schumacher and the Inevitable Taco Bell Analogy
Directed by: Joel Schumacher
Produced by: Peter MacGregor-Scott
Written by: Akiva Goldsman
Starring: Arnold Schwarzenegger, George Clooney, Chris O’Donnell, Uma Therman, Alicia Silverstone, Michael Gough, Jeep Swensen, Pat Hingle, Elle Macpherson
Music by: Elliot Goldenthal
Year: 1997
Let’s get one thing out of the way, right off the bat (so to speak): There was no way that Joel Schumacher was aiming to be anywhere near a serious tone for Batman & Robin. If you’re one of those people who constantly complains that Batman & Robin wasn’t serious enough, then, well, I’m just going to have to roll my eyes at you and unleash a really loud “Duuuuuh!” straight into your face.
With Batman Forever, Schumacher seemed to be experimenting with placing style over substance, something he did the opposite of with the absolutely mind-numbing A Time to Kill, but he achieved less than admirable results. With Batman & Robin, however, Schumacher didn’t even have a chance, as he found himself at the mercy of the studio, and he was clearly aiming to act out in his lack of say in the film’s production. Read more…
Special Review: “Batman Returns” – Villainy of Biblical Proportion
Directed by: Tim Burton
Produced by: Tim Burton, Denise Di Novi, Benjamin Melniker, Michael Uslan, Peter Guber, John Peters
Written by: Daniel Waters (screenplay), Sam Hamm, Daniel Waters (story)
Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Pat Hingle, Michael Murphy, Cristi Conaway
Music by: Danny Elfman
Year: 1992
Introduction
Continuing down my recent penchant for Batman media, I come to what is, in fact, the film that forms the basis of my earliest memories of going to the theatre, Batman Returns. In rewatching the film for this review, I can honestly say… I don’t know what my mom was thinking when she took me to see this when I was just six, but I’m so glad she did, as I’m thrilled that my earliest cinematic experience that I have vivid memories of is a Batman film! I remember that she had me wait and hold our seats as she went and got our snacks, coming back, and giving me an awesome color-changing Batman Returns cup that I had for quite some time — the kind of cup that was one color when warm and then revealed more colors and details when cold items were put inside it. It was like magic! And of course, as for the film itself, Batman Returns didn’t traumatize me one bit. At least, I think it didn’t. Read more…
Review: “Batman” (1989)
Directed by: Tim Burton
Produced by: Peter Guber, Jon Peters, Benjamin Melniker, Michael Uslan
Written by: Sam Hamm (screenplay, story), Warren Skarren (screenplay)
Starring: Michael Keaton, Jack Nicholson, Kim Basinger, Michael Gough, Robert Wuhl, Pat Hingle, Billy Dee Williams, Tracey Walter, Jack Palance
Music by: Danny Elfman, Prince (songs)
Year: 1989
Many may be aware of the fact that Batman hasn’t always been the Dark Knight we know and love today. The Adam West portrayal of the character is quite well known to even younger fans who may not have even seen an episode of the show. But what many may not know about this incarnation of the character was just how pervasive it was in the public’s eye well into the 1980s, and unless you were a fan of comic books, the general public didn’t catch on to the character’s grimmer revamps that started in the 70s thanks to the show’s continuation in TV syndication. Read more…
2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
Trailer & Speculation: “The Dark Knight Rises”
Merry Christmas, everyone! Santa’s come early, and he’s brought a pretty exciting gift: the first theatrical trailer for The Dark Knight Rises!
You may have already seen the teaser trailer: , but this new trailer, somehow bleaker than all the previous films’ trailers, gives us an actual glimpse at all the new characters and actors (Marion Cotillard and Joseph Gordon-Levitt, for instance) who have joined the third and, yes, final entry in the Christopher Nolan Batman film series! The most prominent, of course, are Anne Hathaway and a masked Tom Hardy. Read more…




