Archive
REVIEW: I’ll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Produced by: Robin French, Justis Greene, David Hoberman, Tracey Trench
Written by: Michael Allin, Tom Nursall, Harris Goldberg
Edited by: Anita Brandt-Burgoyne
Cinematography by: Hiro Narita
Music by: John Debney
Starring: Jonathan Taylor Thomas, Jessica Biel, Adam LaVorgna, Gary Cole, Eve Gordon, Lauren Maltby, Andrew Lauer, Sean O’Bryan, Lesley Boone
Inspired by the song by Bing Crosby
Year: 1998
Remember how big Jonathan Taylor Thomas was? Thanks to his role in the TV show Home Improvement as the wisecracking middle child Randy, “JTT” as he was popularly known, even managed to snag himself a role in one of Disney’s most enduring and popular films from the 90s (and, indeed, probably of all time), The Lion King. Many of the girls I knew loved him, as did apparently all the rest of the world. Luckily, unlike a lot of the childstars we see, Thomas at least had knack for comedic timing and managed to actually earn his right to being the funny one on the TV series that made him popular. At the end of the 20th century, however (Doesn’t that sound so apocalyptic still?), JTT left Home Improvement and began his journey into not just academics, but also to that corner of fame where people suddenly remembered you existed and ask aloud, “Where is he now?” Read more…
REVIEW: Love Actually
Directed by: Richard Curtis
Produced by: Duncan Kenworthy, Tim Bevan, Eric Fellner, Debra Hayward, Liza Chasin
Written by: Richard Curtis
Edited by: Nick Moore
Cinematography by: Michael Coulter
Music by: Craig Armstrong
Starring: Hugh Grant, Martine McCutcheon, Liam Neeson, Thomas Sangster, Colin Firth, Lúcia Moniz, Laura Linney, Emma Thompson, Alan Rickman, Heike Makatsch, Bill Nighy, Gregor Fisher, Keira Knightley, Andrew Lincoln, Chiwetel Ejiofor, Kris Marshall, Abdul Salis, Martin Freeman, Joanna Page, Billy Bob Thornton, Olivia Olson, Claudia Schiffer, Rowan Atkinson
Year: 2003
It wasn’t too long ago that director Garry Marshall was trying to suffocate us with an onslaught of celebrity-packed rom-coms that crammed in as many storylines and cameos as possible. I managed to avoid these movies up until the lead up to New Year’s Eve 2012, when I promised my stepsister I would review Marshall’s film named after the holiday. It was as bad as I was expecting, but my expectations were even lower at that time because I had also realized that the movie was an unabashed knock off of Love Actually, a British film that pretty much follows the same concept as Marshall’s later films, including the concept of centering it around a major holiday (Christmas) – only, in this case, the movie actually does some justice to the fluffy, audience-ensnaring concept. Read more…
REVIEW: Rudolph the Red-Nosed Reindeer
Directed by: Larry Roemer
Produced by: Arthur Rankin, Jr. (producer), Jules Bass (co-producer)
Written by: Romeo Muller, Robert L. May
Animation supervised by: Tadahito Mochinaga
Music by: Johnny Marks
Starring: Burl Ives, Billie Mae Richards, Paul Soles, Larry D. Mann, Stan Francis, Paul Kligman, Janis Orenstein, Alfie Scopp, Carl Banas, Corinne Conley, Peg Dixon
Based on the story and song written by Robert L. May
Year: 1964
I’m going to allow for my first 2013 Christmas movie review to make me out to be a Scrooge.
A 1964 TV special done in the medium of stop motion capture, Rudolph the Red-Nosed Reindeer has become one of the most beloved and influential examples of the medium – if someone doesn’t know what the term “stop motion” means, you could undoubtedly point to Rudolph or one of its other Rankin/Bass Christmastime siblings as an example that nearly everyone will then immediately understand. It’s arguable that even the likes of The Nightmare Before Christmas owes its aesthetic style to these holiday productions, albeit with the obligatory Tim Burton-esque macabre twist, not to mention the countless spoofs, knockoffs, and affectionate references that followed across TV and film. Beyond the aesthetics and styling, however, this short TV movie also stands as one of the longest running TV traditions, airing annually each Christmas season since it was first shown. Read more…
THEATRICAL REVIEW: Gravity
Directed by: Alfonso Cuarón
Produced by: Alfonso Cuarón, David Heyman
Written by: Alfonso Cuarón, Jonás Cuarón
Edited by: Alfonso Cuarón, Mark Sanger
Cinematography by: Emmanuel Lubezki
Music by: Steven Price
Starring: Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen, Paul Sharma, Amy Warren, Basher Savage
Year: 2013
I actually got around to seeing this on its opening weekend, but due to the film releasing in October, I never got around to reviewing it because I was so focused on doing Halloween-themed movies. Just this past weekend, however, I decided to go see it again while I still had the chance to see it on the big screen, thanks to some free passes I had received from my birthday – this time in 3D. It also presented the perfect opportunity to reflect on the film again and write a review with a more “fresh from the theatres” perspective, especially now that I had also now seen it in two different formats (once on a massive screen with Dolby Atmos sound system, and then on a smaller screen in 3D). Read more…
REVIEW: From Up on Poppy Hill (コクリコ坂から)
Directed by: Goro Miyazaki
Produced by: Toshio Suzuki
Written by: Hayao Miyazaki, Keiko Niwa (screenplay)
Edited by: Takeshi Seyama
Cinematography by: Atsuhi Okui
Music by: Satoshi Takebe
Starring: Masami Nagasawa, Sarah Bolger, Junichi Okada, Anton Yelchin, Keiko Takeshita, Christina Hendricks, Jun Fubuki, Jamie Lee Curtis, Yuriko Ishida, Gillian Anderson, Takashi Naito, Bruce Dern, Shunsuke Kazama, Charlie Saxton, Teruyuki Kagawa, Beau Bridges, Rumi HIiragi, Aubrey Plaza, Emily Osment, Goro Miyazaki, Ronan Farrow, Ron Howard
Based on the manga by Tetsuro Sayama and Chiziru Takahasi
Year: 2011 (Japan), 2013 (US)
A friend of mine pointed out soon after he read this review that it’s important that I specify that I watched the English dub — not due to the dub’s inherent inferiority (it is very good), but due to a stylistic choice in the English dub’s voice casting of a character during a pivotal dream sequence. I will not spoil it here, but after having this brought to light, I feel it is necessary that I point this out. I actually really like the thematic depth the English dub adds, whereas he did not. Either way, my rating stands.
I’m normally an admirer of his reviews, but I must say that it’s a shame that Roger Ebert regarded From Up on Poppy Hill as a disappointment, especially as he was such a notable fan of Studio Ghibli’s, and this would, sadly, be the last film of theirs that he would ever review. While it may not reach the same sort of visual spectacle of the studio’s more fantastic and popular films – Spirited Away, My Neighbor Totoro, and Nausicaä of the Valley of the Wind among the studio’s most notable – From Up on Poppy Hill is no less a visual masterpiece and is one of the more touching, quieter films that have come out of the studio. It may not go on to be their most memorable or most favorited film among the studio’s throngs of fans, but as director Goro Miyazaki’s second film after the disappointing Tales from Earthsea, which actually was more like what you would expect from an anime studio, to criticize this dramatically superior but more intimate film for being something that it never aspired to be in the first place feels like doing the film a disservice. Read more…
REVIEW: Thomas and the Magic Railroad
Directed by: Britt Allcroft
Produced by: Britt Allcroft, Phil Fehrle
Written by: Britt Allcroft
Edited by: Ron Wiseman
Cinematography by: Paul Ryan
Music by: Hummie Mann, Mike O’Donnell
Starring: Alec Baldwin, Peter Fonda, Mara Wilson, Cody McMains, Michael E. Rodgers, Eddie Glen, Neil Crone, Didi Conn, Russell Means, Kevin Frank, Susan Roman, Colm Feore, Britt Allcroft
Based on the TV series Shining Time Station and the books by Reverend Wilbert Awdry
Year: 2000
Pardon me, as I have been absent from writing for over a week. Much of that was because I had had a pretty busy and/or stressful few weeks, and, on Halloween, I celebrated my 27th birthday, which meant that, on top of working, I was churning out a final Halloween 2013 review of Alien and then also getting my apartment in presentable condition for my family to come celebrate, so I took it upon myself to take a week off and enjoy a couple days of no obligations other than work. I did decide to work on this review sooner, but then my birthday present to myself arrived – a shiny new Nexus 7 – and I got a bit carried away with playing around with it. But, I’m back and writing again, and I figured what better way to pick up again than with a completely offbeat, unexpected, and completely unrelated-to-Halloween movie?
Funny enough, though, was that, when I was soliciting some suggestions for Halloween movies, one of my friends – the one who had suggested Oscar – jokingly suggested Thomas and the Magic Railroad. Apparently, while the world had almost immediately forgotten that this movie existed, his little brother would go on Magic Railroad binges on a regular basis, so I can kind of understand why such a suggestion would creep up on him with my request, even in jest. I agreed that, while I wouldn’t actually do it for Halloween, however, I’d be more than happy to review his oddball suggestion afterward. Read more…
REVIEW: Alien
Directed by: Ridley Scott
Produced by: Gordon Carroll, David Giler, Walter Hill
Written by: Dan O’Bannon (screenplay); Dan O’Bannon, Ronald Shusett (story); David Giler, Walter Hill (uncredited)
Edited by: Terry Rawlings, Peter Weatherley
Cinematography by: Derek Vanlint
Music by: Jerry Goldsmith
Starring: Sigourney Weaver, Tom Skerritt, Ian Holm, Veronica Cartwright, Yaphet Kotto, Harry Dean Stanton, John Hurt, Bolaji Badejo
Year: 1979
I’ve been wanting to write this review for quite some time, but somehow never went forward with actually doing it. Don’t really know why it’s taken this long, but I figured that using it as the finale of the 3rd Annual Halloween/Scary Movie Month was appropriate enough! Read more…
REVIEW: The Blair Witch Project
Directed by: Eduardo Sánchez, Daniel Myrick
Produced by: Robin Cowie, Gregg Hale
Written by: Daniel Myrick, Eduardo Sánchez
Edited by: Daniel Myrick, Eduardo Sánchez
Cinematography by: Neal Fredericks
Starring: Heather Donahue, Michael C. Williams, Joshua Leonard
Year: 1999
Found footage -style movies are a dime a dozen these days. Though mostly used in the horror genre (notably the Paranormal Activity films), the technique has also found its way into giant monster/kaiju films (Cloverfield), superhero films (Chronicle), and even loathsome teen “comedies” (Project X). The Blair Witch Project certainly wasn’t the first film to use the format (the controversial Italian film Cannibal Holocaust from 1980 is largely credited as the earliest), but it was, without question, the film that resulted in the technique’s popularization – with studios arguably bringing it to the point of exhaustion by now – Does anyone remember Apollo 18? Read more…
REVIEW: The Mist
Directed by: Frank Darabont
Produced by: Frank Darabont, Martin Shafer, Liz Glotzer
Written by: Frank Darabont
Edited by: Hunter M. Via
Cinematography by: Rohn Schmidt
Music by: Mark Isham
Starring: Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, Nathan Gamble, Jeffrey DeMunn, William Sadler, Frances Sternhagen, Samuel Witwer, Alexa Davalos
Based on the novella by Stephen King
Year: 2007
Frank Darabont’s third adaptation of a Stephen King novel was, surprisingly, only the first horror film the director tackled from the famed author. Having apparently wanted to adapt the 1980 novella for quite some time, the director instead first tackled The Shawshank Redemption and then The Green Mile before finally getting a chance to direct the smalltown monster movie he had been dreaming of, making small adjustments to the story as he went along – most notably altering the original story’s ending to one that even Stephen King has acknowledged to be superior to the original work. Read more…
REVIEW: It’s the Great Pumpkin, Charlie Brown
Directed by: Bill Melendez
Produced by: Bill Melendez; Lee Mendelson (executive producer)
Written by: Charles M. Schulz
Edited by: Robert T. Gillis
Camera by: Nick Vasu
Music by: Vince Guaraldi
Starring: Christopher Shea, Peter Robbins, Sally Dryer, Kathy Steinberg, Gail Defaria, Ann Altieri, Lisa DeFaria, Bill Melendez, Glenn Mendelson
Based on the comic strip Peanuts by Charles M. Schulz
Year: 1966
I was originally going to write a review of The Mist next (and it’s still coming), but, given a recent bout of some emotional issues I had this week, I decided instead to do something out of left field and pick something a little more optimistic and positive – something a little more lighthearted (which The Mist is absolutely not). So, yeah, this is totally not an actual movie so much as a TV special. I don’t normally do TV shows – the closest I’ve come so far are TV movies, Batman Beyond: Return of the Joker and Ballet Shoes – but I’m making an exception for this one. It’s not so much a TV show, anyway. Let’s just call it a short film and let that be that, eh? Besides, if you were feeling as down as I was this week, you’d probably be thankful for something a little more spirited than the standard horror fair, now wouldn’t you? Read more…
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