Archive
THEATRICAL REVIEW: Suicide Squad
Directed by: David Ayer
Produced by: Charles Roven, Richard Suckle
Written by: David Ayer
Edited by: John Gilroy
Cinematography by: Roman Vasyanov
Music by: Steven Price
Starring: Will Smith, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Cara Delevingne, Karen Fukuhara, Ike Barinholtz, Scott Eastwood, Adam Beach, Jared Leto, Ben Affleck
Based on characters from DC Comics
Year: 2016
Well, DC, at least you’re making money off this one (so far…?).
Don’t get me wrong – Suicide Squad is nowhere near the overlong, overstuffed disaster that Batman v Superman was. That movie was crammed with events, aggressively downbeat, and was edited to the point of absolutely no breathing room in its theatrical cut. (I still haven’t seen the extended cut.) Suicide Squad, by comparison, is lean, surprisingly fun, and – most importantly – its story is coherent. Why, then, the disappointment? Read more…
REVIEW: Captain America: The First Avenger
Directed by: Joe Johnston
Produced by: Kevin Feige
Screenplay by: Christopher Markus, Stephen McFeely
Edited by: Jeffrey Ford, Robert Dalva
Cinematography by: Shelly Johnson
Music by: Alan Silvestri
Starring: Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell, Sebastian Stan, Dominic Cooper, Neal McDonough, Derek Luke, Kenneth Choi, JJ Field, Toby Jones, Stanley Tucci, Leander Deeny
Based on the Marvel comics by Joe Simon and Jack Kirby
Year: 2011
Believe it or not, at one time, this was the movie I was most worried about during the first phase of Marvel’s Cinematic Universe. The director, Joe Johnston, didn’t have the best track record as a director, and the main star of the movie, Chris Evans, was someone who had already played a superhero in a movie series that was pretty garbage, Fox’s pre-reboot Fantastic Four movies. Rumors of the film also having a random musical number was also cause for concern, and Hugo Weaving was also revealed to be playing yet another intense villain role. Also, this was a film set before all the other films, being set during World War II. Period films were fine, but a period superhero film? C’mon, Marvel! Surely you must be crazy! No way could this live up to Iron Man and Thor, which at least had respected actor and filmmaker Kenneth Branagh at the helm, right!?
Oh, please. You know I was wrong on this on all accounts. Read more…
REVIEW: Alien
Directed by: Ridley Scott
Produced by: Gordon Carroll, David Giler, Walter Hill
Written by: Dan O’Bannon (screenplay); Dan O’Bannon, Ronald Shusett (story); David Giler, Walter Hill (uncredited)
Edited by: Terry Rawlings, Peter Weatherley
Cinematography by: Derek Vanlint
Music by: Jerry Goldsmith
Starring: Sigourney Weaver, Tom Skerritt, Ian Holm, Veronica Cartwright, Yaphet Kotto, Harry Dean Stanton, John Hurt, Bolaji Badejo
Year: 1979
I’ve been wanting to write this review for quite some time, but somehow never went forward with actually doing it. Don’t really know why it’s taken this long, but I figured that using it as the finale of the 3rd Annual Halloween/Scary Movie Month was appropriate enough! Read more…
Review: “The Thief and the Cobbler” (Miramax Version – a.k.a. “Arabian Knight”)
Directed by: Richard Williams
Produced by: Richard Williams, Imogen Sutton
Written by: Richard Williams and Margaret French (screenplay)
Art Direction by: Roy Naisbitt
Music by: Robert Folk, Jack Maeby (songs)
Starring: Vincent Price, Matthew Broderick, Jennifer Beals, Jonathan Winters, Clive Revill, Toni Collette, Eric Bogosian
Year: 1995
Now here’s an animated film that deserves the Blade Runner treatment. With a production spanning three decades, the film widely and originally known as The Thief and the Cobbler found its way to audiences in multiple versions and distributions: there’s the unofficial workprint version, the Majestic Films cut known as The Princess and the Cobbler, the Miramax version released in theatres as Arabian Knight, and, finally, the Garrett Gilchrist-led restoration project known as The Thief and the Cobbler: The Recobbled Cut, which can be found on your local internet bittorrent site and YouTube. The funny thing about all these different versions is that none of them are actually the completed project. “How could that be?” you might ask. The simplest way to explain why boils down to one word: hubris. Read more…
The Viewer's Commentary 