Archive
REVIEW: I’ll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Produced by: Robin French, Justis Greene, David Hoberman, Tracey Trench
Written by: Michael Allin, Tom Nursall, Harris Goldberg
Edited by: Anita Brandt-Burgoyne
Cinematography by: Hiro Narita
Music by: John Debney
Starring: Jonathan Taylor Thomas, Jessica Biel, Adam LaVorgna, Gary Cole, Eve Gordon, Lauren Maltby, Andrew Lauer, Sean O’Bryan, Lesley Boone
Inspired by the song by Bing Crosby
Year: 1998
Remember how big Jonathan Taylor Thomas was? Thanks to his role in the TV show Home Improvement as the wisecracking middle child Randy, “JTT” as he was popularly known, even managed to snag himself a role in one of Disney’s most enduring and popular films from the 90s (and, indeed, probably of all time), The Lion King. Many of the girls I knew loved him, as did apparently all the rest of the world. Luckily, unlike a lot of the childstars we see, Thomas at least had knack for comedic timing and managed to actually earn his right to being the funny one on the TV series that made him popular. At the end of the 20th century, however (Doesn’t that sound so apocalyptic still?), JTT left Home Improvement and began his journey into not just academics, but also to that corner of fame where people suddenly remembered you existed and ask aloud, “Where is he now?” Read more…
REVIEW: Love Actually
Directed by: Richard Curtis
Produced by: Duncan Kenworthy, Tim Bevan, Eric Fellner, Debra Hayward, Liza Chasin
Written by: Richard Curtis
Edited by: Nick Moore
Cinematography by: Michael Coulter
Music by: Craig Armstrong
Starring: Hugh Grant, Martine McCutcheon, Liam Neeson, Thomas Sangster, Colin Firth, Lúcia Moniz, Laura Linney, Emma Thompson, Alan Rickman, Heike Makatsch, Bill Nighy, Gregor Fisher, Keira Knightley, Andrew Lincoln, Chiwetel Ejiofor, Kris Marshall, Abdul Salis, Martin Freeman, Joanna Page, Billy Bob Thornton, Olivia Olson, Claudia Schiffer, Rowan Atkinson
Year: 2003
It wasn’t too long ago that director Garry Marshall was trying to suffocate us with an onslaught of celebrity-packed rom-coms that crammed in as many storylines and cameos as possible. I managed to avoid these movies up until the lead up to New Year’s Eve 2012, when I promised my stepsister I would review Marshall’s film named after the holiday. It was as bad as I was expecting, but my expectations were even lower at that time because I had also realized that the movie was an unabashed knock off of Love Actually, a British film that pretty much follows the same concept as Marshall’s later films, including the concept of centering it around a major holiday (Christmas) – only, in this case, the movie actually does some justice to the fluffy, audience-ensnaring concept. Read more…
REVIEW: From Up on Poppy Hill (コクリコ坂から)
Directed by: Goro Miyazaki
Produced by: Toshio Suzuki
Written by: Hayao Miyazaki, Keiko Niwa (screenplay)
Edited by: Takeshi Seyama
Cinematography by: Atsuhi Okui
Music by: Satoshi Takebe
Starring: Masami Nagasawa, Sarah Bolger, Junichi Okada, Anton Yelchin, Keiko Takeshita, Christina Hendricks, Jun Fubuki, Jamie Lee Curtis, Yuriko Ishida, Gillian Anderson, Takashi Naito, Bruce Dern, Shunsuke Kazama, Charlie Saxton, Teruyuki Kagawa, Beau Bridges, Rumi HIiragi, Aubrey Plaza, Emily Osment, Goro Miyazaki, Ronan Farrow, Ron Howard
Based on the manga by Tetsuro Sayama and Chiziru Takahasi
Year: 2011 (Japan), 2013 (US)
A friend of mine pointed out soon after he read this review that it’s important that I specify that I watched the English dub — not due to the dub’s inherent inferiority (it is very good), but due to a stylistic choice in the English dub’s voice casting of a character during a pivotal dream sequence. I will not spoil it here, but after having this brought to light, I feel it is necessary that I point this out. I actually really like the thematic depth the English dub adds, whereas he did not. Either way, my rating stands.
I’m normally an admirer of his reviews, but I must say that it’s a shame that Roger Ebert regarded From Up on Poppy Hill as a disappointment, especially as he was such a notable fan of Studio Ghibli’s, and this would, sadly, be the last film of theirs that he would ever review. While it may not reach the same sort of visual spectacle of the studio’s more fantastic and popular films – Spirited Away, My Neighbor Totoro, and Nausicaä of the Valley of the Wind among the studio’s most notable – From Up on Poppy Hill is no less a visual masterpiece and is one of the more touching, quieter films that have come out of the studio. It may not go on to be their most memorable or most favorited film among the studio’s throngs of fans, but as director Goro Miyazaki’s second film after the disappointing Tales from Earthsea, which actually was more like what you would expect from an anime studio, to criticize this dramatically superior but more intimate film for being something that it never aspired to be in the first place feels like doing the film a disservice. Read more…
Special Review: “The Twilight Saga”
Directed by: Catherine Hardwicke (Twilight), Chris Weitz (New Moon), David Slade (Eclipse), Bill Condon (Breaking Dawn)
Produced by: Wyck Godfrey (The Twilight Saga), Mark Morgan (Twilight), Greg Mooradian (Twilight, Eclipse), Karen Rosenfelt (New Moon – Breaking Dawn), Stephenie Meyer (Breaking Dawn)
Written by: Melissa Rosenberg (screenplay)
Edited by: Nancy Richardson (Twilight, Eclipse), Peter Lambert (New Moon), Art Jones (Eclipse), Virginia Katz (Breaking Dawn)
Cinematography by: Elliot Davis (Twilight), Javier Aguirresarobe (New Moon – Eclipse), Guillermo Navarro (Breaking Dawn)
Music by: Carter Burwell (Twilight, Breaking Dawn), Alexandre Desplat (New Moon), Howard Shore (Eclipse)
Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Peter Facinelli, Elizabeth Reaser, Ashley Greene, Kellan Lutz, Nikki Reed, Jackson Rathbone, Mackenzie Foy, Billy Burke, Cam Gigandet, Rachelle Lefèvre, Bryce Dallas Howard, Edi Gathegi, Sarah Clarke, Christian Serratos, Michael Welch, Anna Kendrick, Gregory Tyree Boyce, Justin Chon, Michael Sheen, Dakota Fanning, Cameron Bright, Xavier Samuel, Julia Jones, Maggie Grace, Casey LaBow, Lee Pace, Jamie Campbell Bower, Christopher Heyerdahl, Chaske Spencer, Christian Camargo, Mía Maestro, Joe Anderson, Booboo Stewart… I give up…
Based on the books by Stephenie Meyer
Year: 2008 (Twilight), 2009 (New Moon), 2010 (Eclipse), 2011 (Breaking Dawn Part 1), 2012 (Breaking Dawn Part 2)
My stepsister is a Twilight fan. I’m honestly not sure what level of crazy she is to really qualify it, but the fact that she owns the books and the fact that she wanted the movies every time a new one came out is enough to at least qualify her as a pretty big fan of Stephenie Meyer’s thinly veiled saga about a young couple’s struggles to remain forever young, be faithful to one another, and practice abstinence until marriage – a struggle that apparently necessitates literal life or death battles that everyone else is willing to endure on their behalf. Twilight is a series that a lot of people hate on, myself included, yet I can’t exactly call myself blameless in enabling my stepsister’s misguided affections. What else would I get her for her birthdays when they were so perfectly in sync with every new DVD release? With Breaking Dawn Part 2 finally ending the saga, I’m kind of hoping that something new and better takes her interests next year. Read more…
Review: “Pitch Perfect”
Directed by: Jason Moore
Produced by: Elizabeth Banks, Paul Brooks, Max Handelman
Written by: Kay Cannon (screenplay)
Edited by: Zach Chemberlene
Cinematography by: Julio Macat
Music by: Christophe Beck, Mark Kilian
Starring: Anna Kendrick, Skylar Astin, Rebel Wilson, Anna Camp, Brittany Snow, Adam DeVine, Ben Platt, Ester Dean, Alexis Knapp, Utkarsh Ambudkar, John Michael Higgins, Elizabeth Banks
Based on the novel Pitch Perfect: The Quest for Collegiate A Cappella Glory by Mickey Rapkin
Year: 2012
Even though this movie is irritatingly responsible for bringing the Ace of Base song “The Sign” into my mind and never letting it get back out, I was surprised when I rented the movie on a whim earlier this year and found something I didn’t totally expect: a movie that I actually enjoyed quite a bit. I mean, I had seen the reviews for it were generally positive, which was a big factor in my curiosity, but I was still skeptical that this movie, which was so obviously, clearly trying to coast on the popularity of Glee in my eyes, was actually worth watching. It’s nice sometimes to be reminded that I can be wrong, however. Read more…
Review: “Point Break”
Directed by: Kathryn Bigelow
Produced by: Peter Abrams, Robert L. Levy
Written by: W. Peter Iliff (screenplay), Rick King, W. Peter Iliff (story)
Edited by: Howard L. Smith
Cinematography by: Donald Peterman
Music by: Mark Isham
Starring: Keanu Reeves, Patrick Swayze, Gary Busey, Lori Petty, John C. McGinley, James LeGros
Year: 1991
I watched this film at the suggestion of Hot Fuzz. Until that movie came out, this movie was never even really on my radar beyond maybe seeing it on rental shelves when I was little kid. Based on that movie, a tribute to ridiculous buddy cop movies and such, I pretty much had my expectations in check when I suddenly realized that this would be perfect for Guy Movie Month. Read more…
Memorial Day Review: “Wings”
Directed by: William A. Wellman
Produced by: Lucien Hubbard, Adolph Zukor, Jesse L. Lasky, B.P. Schulberg, Otto Hermann Kahn
Written by: Julian Johnson
Edited by: E. Lloyd Sheldon, Lucien Hubbard (uncredited)
Cinematography by: Harry Perry
Music by: J.S. Zamecnik
Starring: Charles “Buddy” Rogers, Richard Arlen, Clara Bow, El Brendel, Jobyna Ralston, Gary Cooper
Year: 1927
It might be hard to believe for many modern audiences, but there was a time when films had to go without dialogue. Strange, I know! “Silent films,” as we’ve come to all them (as I assume they weren’t called that when they were still the norm), weren’t necessarily all silent – they still had a musical recording or live performance to accompany them, and some, such as this one, even had sound effects synced up with the film, albeit usually more for ambiance than anything. By the time that Wings had been released, the more accurately named “talkies” were already in production, with the first feature length film with synchronized dialogue, The Jazz Singer, was released just months after Wings’ theatrical debut. If you’ve at the very least seen Singin’ in the Rain, you know what kind of impact The Jazz Singer had on filmmaking. Read more…
Review: “Titanic” (1997)
Directed by: James Cameron
Produced by: James Cameron, Jon Landau
Written by: James Cameron
Edited by: Conrad Buff, James Cameron, Richard A. Harris
Cinematography by: Russell Carpenter
Music by: James Horner
Starring: Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates, Frances Fisher, Bernard Hill, Jonathan Hyde, David Warner, Victor Garber, Bill Paxton, Gloria Stuart, Danny Nucci, Jason Barry, Suzy Amis, Ioan Gruffudd
Year: 1997
Titanic is responsible for exposing me to what is very likely my first experience with the phenomena of backlash toward something popular. Though I was just 11 when the film first released back in 1997 and had very little interest in actually seeing this 3-hour epic romance, I distinctly remember getting caught up with the other guys in my class who took great joy in teasing the girls who had begun bragging that they had seen the movie multiple times and memorized every moment. I even remember writing a sort of anti-fanfic of the film that I read in front of my 5th grade class for an English writing assignment wherein I was transported into the setting of the film and took the place of Jack and Rose at the end of the ship as it was sinking, thus dooming them both to a watery grave. There was also probably some destruction of a certain famous drawing from the film and the theft of the giant blue diamond. I hadn’t even seen the film at that point, but I had heard so much about it, I basically knew all the plot points and buttons to press that would set off the girls’ tempers and win the favor of the guys. Read more…
Review: “Dirty Dancing”
Directed by: Emile Ardolino
Produced by: Linda Gottlieb
Written by: Eleanor Bergstein
Edited by: Peter C. Frank
Cinematography by: Jeffrey Jur
Music by: John Morris, Erich Bulling
Starring: Patrick Swayze, Jennifer Grey, Jerry Orbach, Cynthia Rhodes, Kelly Bishop, Jane Brucker, Jack Weston, Max Cantor, Lonny Price
Year: 1987
It speaks to a film’s popularity when a single song can instantly remind you of the film, even if you haven’t seen it. For this movie, the song that most people think of is the Bill Medley and Jennifer Warnes duet “(I’ve Had) The Time of My Life,” the declaration of love in the form of a cheesy 80s pop ballad that inexplicably serves as the catalyst for the film’s final dance number, despite the film being set in the early 1960s. Oddly enough, this wasn’t the song that reminded me of this film’s existence and necessitated its inclusion into Girly Movie Month. The credit for that goes to yet another 80s pop song, “Hungry Eyes,” which similarly finds its way into the film as one of many anachronisms that likely served to make the film more palatable to the 80s teen audience the film was aiming for at the time of its release. Read more…
Review: “The Notebook”
Directed by: Nick Cassavetes
Produced by: Lynn Harris, Mark Johnson; Toby Emmerich, Avram Butch Kaplan (executive)
Written by: Jeremy Leven (screenplay); Jan Sardi (adaptation)
Edited by: Alan Heim
Cinematography by: Robert Fraisse
Music by: Aaron Zigman
Starring: Ryan Gosling, Rachel McAdams, James Garner, Gena Rowlands, Joan Allen, James Marsden, Jamie Brown, Sam Shepard, David Thornton, Kevin Connolly
Based on the novel by Nicholas Sparks
Year: 2001
Nicholas Sparks adaptations have become something like an annual event, it seems. Sure, it’s not actually true, but it feels true, what with all the films attempting to cash in on this film’s success as a tear-jerking romance novel adaptation. It all started with Message in a Bottle in 1999, and then there was the Mandy Moore film A Walk to Remember in 2002. The biggest film in this series of cloying romantic fantasies, though, seems to be The Notebook, a film that even romantic movie haters had at one point or another assured me is actually “a pretty decent movie.”
Now, I admit that I had basically pecked out portions of story from this film based on scenes I had caught glimpses of while on various trips back home, mostly when my oldest stepsister was still living at home. There were probably two or three good efforts thrown in there, too, of me actually trying to honestly follow the film with them before something else caught my attention and I wound up not following through with it. When I started Girly Movie Month this month, however, I knew that this would ultimately have to be reviewed, being basically the girly movie that comes to my mind when I think of the term “girly movie.”
Having finally seen the film all the way through in one sitting, I feel as though I can honestly sit down with anyone who may have told me in the past that this was actually a “decent” film and tell them to their faces: “You are so full of it.” Read more…
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