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The Ultimate Evolving Superhero Movie List – Part 3
It can be hard to discern which films are worth your time. Now, I’m no expert on comic books, having primarily grown up getting to know most of these characters from films, TV shows, and video games, but I do have a love for superheroes just the same, and I do consider these mediums to be a part of the ever expanding reach of these characters beyond their comic book origins. As I write this, I also admit I’m running on a superhero high these days, as I just came off a string of reviews for The Dark Knight Trilogy. Also of note is that The Viewer’s Commentary not only reached its 100th post with the first portion of this list, but it is also coming upon its first anniversary, and I figured that I would do something grand to celebrate!
Initially, I was thinking, “Why not do an updated Top 10 Superhero Films list?” but that just came off as being not grand enough, and doubling that number still didn’t feel ambitious enough. So I set myself on a much grander mission: To make an ever-evolving list of not just the best or worst superhero films, but of ALL the superhero films I had ever seen, leading to the creation of this list you see before you.
Currently, I am limiting this list to just theatrically-released films, as that still provides me with a lot of ground to cover, though it will definitely begin to include exceptions for non-theatrical features such as Batman Beyond: Return of the Joker and Dr. Horrible’s Sing-Along Blog. Furthermore, I am abstaining from listing films that I have yet to see or have not seen in quite some time and, thus, do not feel comfortable passing judgment on. As such, there will be omissions, some of them obvious, some of them not so much, but that’s the beauty of the idea behind this project: It’s an evolving list.
So, as I see newer movies, re-watch forgotten ones, and also discover the ones that have somehow gone unseen by me, I will continue to add them to this list, which is also being given its own all-encompassing page here on The Viewers Commentary. Films will be neatly separated into the five easy categories – The Awful, The Bad, The Average, The Good, and The Excellent – and each film within each category ranked from least to greatest in quality (all my opinion of course). Do not consider this list or the commentary to be definitive reviews, but if I do have a review for the movie, rest assured that it will be linked to.
In this, the third and final incremental portion of this list before it goes into periodic updates, I present to you the current films in the latter half of “The Good” films section and, finally, “The Excellent” films, as well. Read more…
The Ultimate Evolving Superhero Movie List – Part 2
It can be hard to discern which films are worth your time. Now, I’m no expert on comic books, having primarily grown up getting to know most of these characters from films, TV shows, and video games, but I do have a love for superheroes just the same, and I do consider these mediums to be a part of the ever expanding reach of these characters beyond their comic book origins. As I write this, I also admit I’m running on a superhero high these days, as I just came off a string of reviews for The Dark Knight Trilogy. Also of note is that The Viewer’s Commentary not only reached its 100th post with the first portion of this list, but it is also coming upon its first anniversary, and I figured that I would do something grand to celebrate!
Initially, I was thinking, “Why not do an updated Top 10 Superhero Films list?” but that just came off as being not grand enough, and doubling that number still didn’t feel ambitious enough. So I set myself on a much grander mission: To make an ever-evolving list of not just the best or worst superhero films, but of ALL the superhero films I had ever seen, leading to the creation of this list you see before you.
Currently, I am limiting this list to just theatrically-released films, as that still provides me with a lot of ground to cover, though it will definitely begin to include exceptions for non-theatrical features such as Batman Beyond: Return of the Joker and Dr. Horrible’s Sing-Along Blog. Furthermore, I am abstaining from listing films that I have yet to see or have not seen in quite some time and, thus, do not feel comfortable passing judgment on. As such, there will be omissions, some of them obvious, some of them not so much, but that’s the beauty of the idea behind this project: It’s an evolving list.
So, as I see newer movies, re-watch forgotten ones, and also discover the ones that have somehow gone unseen by me, I will continue to add them to this list, which is also being given its own all-encompassing page here on The Viewers Commentary. Films will be neatly separated into the five easy categories – The Awful, The Bad, The Average, The Good, and The Excellent – and each film within each category ranked from least to greatest in quality (all my opinion of course). Do not consider this list or the commentary to be definitive reviews, but if I do have a review for the movie, rest assured that it will be linked to.
In part two of the initial form of this list, I present to you the current films in the Average section and the first half of the Good section. (Look out for the rest of the Good films to be included with the Excellent films in the last third of this list!) Read more…
The Ultimate Evolving Superhero Movie List – Part 1
It’s funny to think that there ever was a time when superhero movies weren’t really the cash grabs that they seem to be these days. Even after the 1978 release of the first theatrical Superman film brought along with it higher production values and a certain level of seriousness to the material, superhero films continued to largely be considered high-risk material and no one was really able to capture that same level of respect and anticipation as 1989’s Batman. Despite going through another slump in the 90s, these days, it’s hard to imagine a year going by without a few studios trying to cash in on the superhero craze.
With 2012 seeing the successful release of two especially remarkable achievements in the realm of superhero films, The Avengers and The Dark Knight Rises, and with original properties like Chronicle and The Incredibles already proving that superhero films don’t have to be adaptations of pre-existing comic book properties to be successful, it’s very clear that this trend isn’t going to die down any time soon. Heck, regardless of quality, even films like My Super Ex-Girlfriend illustrate that the “superhero genre” isn’t really a “genre” at all, but rather an easily malleable plot device.
All that being said, it can be hard to discern which films are worth your time. Now, I’m no expert on comic books, having primarily grown up getting to know most of these characters from films, TV shows, and video games, but I do have a love for superheroes just the same, and I do consider these mediums to be a part of the ever expanding reach of these characters beyond their comic book origins. As I write this, I also admit I’m running on a superhero high these days, as I just came off a string of reviews for The Dark Knight Trilogy. Also of note is that The Viewer’s Commentary is not only now on its 100th post, but is also coming upon its first anniversary, and I figured that I would do something grand to celebrate.
Initially, I was thinking, “Why not do an updated Top 10 Superhero Films list?” but that just came off as being not grand enough, and doubling that number still didn’t feel ambitious enough. So I set myself on a much grander mission: To make an ever-evolving list of not just the best or worst superhero films, but of ALL the superhero films I had ever seen, leading to the creation of this list you see before you.
Currently, I am limiting this list to just theatrically-released films, as that still provides me with a lot of ground to cover, though it will definitely begin to include exceptions for non-theatrical features such as Batman Beyond: Return of the Joker and Dr. Horrible’s Sing-Along Blog. Furthermore, I am abstaining from listing films that I have yet to see or have not seen in quite some time and, thus, do not feel comfortable passing judgment on. As such, there will be omissions, some of them obvious, some of them not so much, but that’s the beauty of the idea behind this project: It’s an evolving list.
So, as I see newer movies, re-watch forgotten ones, and also discover the ones that have somehow gone unseen by me, I will continue to add them to this list, which is also being given its own all-encompassing page here on The Viewers Commentary. Films will be neatly separated into the five easy categories – The Awful, The Bad, The Average, The Good, and The Excellent – and each film within each category ranked from least to greatest in quality (all my opinion of course). Do not consider this list or the commentary to be definitive reviews, but if I do have a review for the movie, rest assured that it will be linked to.
And so, I present to you the first part of this list for your reading pleasure, coming from the bottom of the barrel, the current inductees to The Awful and The Bad lists! Read more…
Review: “Batman Begins”
Directed by: Christopher Nolan
Produced by: Emma Thomas, Larry J. Franco, Charles Roven
Written by: Christopher Nolan, David S. Goyer (screenplay), David S. Goyer (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer, James Newton Howard
Starring: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, Morgan Freeman, Tom Wilkinson, Rutger Hauer, Mark Boone Junior, Ken Watanabe, Colin McFarlane, Linus Roache, Sara Stewart
Year: 2005
I was planning on going through the whole story about how much the Batman franchise was in dire need of a reboot, but I quickly found that I was going on about so many things that didn’t need repeating. The basic and short version of the story is that, after two rather strong films (Batman and Batman Returns), Warner Bros. and DC Comics shot themselves in the foot by allowing, nay demanding, for the rather awful Batman Forever and Batman & Robin to be unleashed upon the tortured fans in the name of making more money off of merchandising, only for critical reaction to slam the films and tickets sales to drop. Instead of going forward with what was in hindsight the rather ironically named fifth film, Batman Triumphant, both companies decided to take a break from the superhero films business and think about where they’d gone wrong.
Of course, in that time, their rivals over at Marvel were apparently seeing this as a window of opportunity, and they began production on and even released several rather strong films over the following years, namely the two first films in each of the Blade, X-Men, and Spider-Man trilogies, each with increasingly better reception from audiences and critics. At that point, it was clear that after years of being in the shadows, it was time for Batman to emerge once again. Read more…
Theatrical Review: “The Amazing Spider-Man”
Directed by: Marc Webb
Produced by: Avi Arad, Laura Ziskin, Matt Tolmach
Written by: JamesVanderbilt, Alvin Sargent, Steve Kloves (screenplay); James Vanderbilt (story)
Cinematography by: John Schwartzman
Music by: James Horner
Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, Martin Sheen, Sally Field, Chris Zylka
Year: 2012
A Foreword on the Reboot
Is it just me, or is cynicism the attitude of late with movie going audiences these days? I get that we’re starting to realize, more and more, that Hollywood, as a business, just really doesn’t care about the art, of their industry, or originality, or creativity as much as it does money, but, really, all the cynics should’ve realized this a lot sooner ’cause that’s how it’s always been. The attitude I’ve seen on internet discussions can hardly be called “jaded,” because there’s just too much hostility, less like a cry for higher quality entertainment and more like animosity towards any film that we really will know little about until they actually come out — primarily with films that involve the phrase “reboot.” It’s really all Christopher Nolan’s fault, to be honest. He had the audacity to reboot the Batman film franchise and turn it into gold, which in Hollywoodese means that everything must be given the gritty reboot treatment!
The reaction to his two Batman films has been largely positive, ecstatic, even, but with The Dark Knight Rises coming out soon, it seems like people are already hailing it as an inevitable letdown for some reason. Casino Royale was pretty much the first major franchise to be given the reboot treatment, and that worked out pretty well, too, though even that film had its critics — people who hated the film based on the blonde-and-blue-eyed Daniel Craig or its turn towards the gritty and serious, people who apparently longed for the days of gadgetry, Denise Richards, and James Bond in space, I suspect. Like with Batman, I’m already seeing people ready to see them crash and burn. People are apparently tired of revisiting old franchises and their stories all over again, despite the fact that they keep turning up for these films and convincing the studios otherwise. Perhaps the greatest affront to reboot-haters out there these days is the latest Spider-Man film.
Though they had their flaws, the Sam Raimi films created a largely appealing world for the Webslinger and had a largely fantastic cast in place. Scenes from the series — from the upside down kiss in the first film, the terrifying awakening of Doc Ock and the moving train sequence in the second, or even the overacted silliness of pretty much everything in the third (Peter strutting, emo Peter, James Franco’s hilarious delivery of the line “So good”) — all became iconic moments in superhero cinema. With this reboot, all that has seemingly been painted over, replaced with something new and unfamiliar masquerading as the old. I’d be lying if I said I wasn’t among them for a while, but after the disastrous Spider-Man 3, I was willing to give it a chance, which is more than some were willing to give — there were actually those out there who were hoping that this would actually fail and teach Sony a lesson, largely due to the even more worrisome fact that Sony was more concerned about losing their hold on the Spider-Man license and allowing them to revert back to the now-Disney-owned Marvel.
Review
Despite being a reboot and, therefore, another origin story, The Amazing Spider-Man manages to cover enough new ground and present a familiar character and his world in new ways that it never feels like the film is aping the Raimi films while capturing that Spider-Man spirit. The continuity between the two franchises is non-existent — the stories of Peter’s spider bite and the death of Uncle Ben both get retold, as expected, but other than that, the new film is completely different in tone, style, and personality. The previous films took on a largely soap opera-like sensibility and a cartoon style for their action scenes and characterizations which emphasized their comic book origins, but director Marc Webb took this new series (and it will be a series, I assure you) in a more down-to-earth direction that manages to still be lively, retaining the heart and fun nature of the character and his world intact, though, as with the Raimi films, there are a few elements sacrificed along the way. Read more…
The Dark Knight Rises – Trailer #3
I kinda missed updating last week. I promise to you and myself that I will have a new review up this week, but I kinda needed a mental break and had a lot going on. To ease back into things, how about a new trailer for The Dark Knight Rises, eh?
So, what do you think? Like the new Batwing (or whatever its equivalent is in this film)? Like the eerie No Man’s Land vibe of the trailer? This its definitely more of a larger scale movie than the first two films, that’s for sure!
The new glimpses of Catwoman are pretty interesting. I’d previously thought that they had possibly made her it to be a reluctant(?) henchwoman for Bane, but it looks like they’re going with the antihero after all, though she definitely still has tires to Bane in some way, since you hear Bruce asking her questions about him.
Bane looks pretty fierce himself and is also notably more intelligible than previous audio from him showed. Dare I say it, but it does sound a bit… off, but we all hour through The Dark Knight despite Christian Bale’s apparently chronic throat condition and it was still a brilliant film.
Notably, we also get way more footage of Joseph Gordon-Levitt’s cop character, albeit in silent clips of his reactions to the happenings in Gotham. He’s still fairly shrouded in mystery, and, to be honest, I’m kinda glad since I’ve pretty much a given that so many other spoilers are likely to reveal themselves as truth. It’s nice having one original character who can be dealt with in so many ways and who brings up so many questions, isn’t it? Like, why do we see him kneeling as if in the presence of… something? I don’t know if it’s malevolent or not, and that is probably going to help bring a great deal of tension to the role.
I’m obviously a Batman fan, as the past few weeks have proven (I promise my next review will be of a very different type of film), so to say that I’m extremely excited for this film is an understatement…
Special Review: “Batman & Robin” – Joel Schumacher and the Inevitable Taco Bell Analogy
Directed by: Joel Schumacher
Produced by: Peter MacGregor-Scott
Written by: Akiva Goldsman
Starring: Arnold Schwarzenegger, George Clooney, Chris O’Donnell, Uma Therman, Alicia Silverstone, Michael Gough, Jeep Swensen, Pat Hingle, Elle Macpherson
Music by: Elliot Goldenthal
Year: 1997
Let’s get one thing out of the way, right off the bat (so to speak): There was no way that Joel Schumacher was aiming to be anywhere near a serious tone for Batman & Robin. If you’re one of those people who constantly complains that Batman & Robin wasn’t serious enough, then, well, I’m just going to have to roll my eyes at you and unleash a really loud “Duuuuuh!” straight into your face.
With Batman Forever, Schumacher seemed to be experimenting with placing style over substance, something he did the opposite of with the absolutely mind-numbing A Time to Kill, but he achieved less than admirable results. With Batman & Robin, however, Schumacher didn’t even have a chance, as he found himself at the mercy of the studio, and he was clearly aiming to act out in his lack of say in the film’s production. Read more…
Awful Movie Review: “Batman Forever”
Directed by: Joel Schumacher
Produced by: Tim Burton, Peter MacGregor-Scott, Benjamin Melniker, Michael Uslan
Written by: Lee Batchler, Janet Scott-Batchler, Akiva Goldsman (screenplay), Lee Batchler, Janet Scott-Batchler (story)
Starring: Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman, Chris O’Donnell, Michael Gough, Pat Hingle, Drew Barrymore, Debi Mazar
Music by: Elliot Goldenthal
Year: 1995
You know what? This movie gets too much of a free pass. I get that, compared to its sequel, it’s almost competently plotted out, but this in no way implies that this is a good movie. Make no mistake about this: Batman Forever is one of the worst superhero films out there, and it even lacks much of the so-bad-it’s-good qualities that its more ridiculous sequel possesses, making this almost more unbearable than that infamous stain of a film. To say that Batman Forever fails where its predecessors succeeded is to undermine the severity of the film’s existence. To put it simply, Batman Forever not only undid much of the goodwill gained by critics and audiences with the releases of Batman and Batman Returns, it very nearly laid the groundwork for the death of the genre as we know it. Read more…
Special Review: “Batman Returns” – Villainy of Biblical Proportion
Directed by: Tim Burton
Produced by: Tim Burton, Denise Di Novi, Benjamin Melniker, Michael Uslan, Peter Guber, John Peters
Written by: Daniel Waters (screenplay), Sam Hamm, Daniel Waters (story)
Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Pat Hingle, Michael Murphy, Cristi Conaway
Music by: Danny Elfman
Year: 1992
Introduction
Continuing down my recent penchant for Batman media, I come to what is, in fact, the film that forms the basis of my earliest memories of going to the theatre, Batman Returns. In rewatching the film for this review, I can honestly say… I don’t know what my mom was thinking when she took me to see this when I was just six, but I’m so glad she did, as I’m thrilled that my earliest cinematic experience that I have vivid memories of is a Batman film! I remember that she had me wait and hold our seats as she went and got our snacks, coming back, and giving me an awesome color-changing Batman Returns cup that I had for quite some time — the kind of cup that was one color when warm and then revealed more colors and details when cold items were put inside it. It was like magic! And of course, as for the film itself, Batman Returns didn’t traumatize me one bit. At least, I think it didn’t. Read more…
Review: “Batman” (1989)
Directed by: Tim Burton
Produced by: Peter Guber, Jon Peters, Benjamin Melniker, Michael Uslan
Written by: Sam Hamm (screenplay, story), Warren Skarren (screenplay)
Starring: Michael Keaton, Jack Nicholson, Kim Basinger, Michael Gough, Robert Wuhl, Pat Hingle, Billy Dee Williams, Tracey Walter, Jack Palance
Music by: Danny Elfman, Prince (songs)
Year: 1989
Many may be aware of the fact that Batman hasn’t always been the Dark Knight we know and love today. The Adam West portrayal of the character is quite well known to even younger fans who may not have even seen an episode of the show. But what many may not know about this incarnation of the character was just how pervasive it was in the public’s eye well into the 1980s, and unless you were a fan of comic books, the general public didn’t catch on to the character’s grimmer revamps that started in the 70s thanks to the show’s continuation in TV syndication. Read more…
The Viewer's Commentary 