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REVIEW: From Up on Poppy Hill (コクリコ坂から)
Directed by: Goro Miyazaki
Produced by: Toshio Suzuki
Written by: Hayao Miyazaki, Keiko Niwa (screenplay)
Edited by: Takeshi Seyama
Cinematography by: Atsuhi Okui
Music by: Satoshi Takebe
Starring: Masami Nagasawa, Sarah Bolger, Junichi Okada, Anton Yelchin, Keiko Takeshita, Christina Hendricks, Jun Fubuki, Jamie Lee Curtis, Yuriko Ishida, Gillian Anderson, Takashi Naito, Bruce Dern, Shunsuke Kazama, Charlie Saxton, Teruyuki Kagawa, Beau Bridges, Rumi HIiragi, Aubrey Plaza, Emily Osment, Goro Miyazaki, Ronan Farrow, Ron Howard
Based on the manga by Tetsuro Sayama and Chiziru Takahasi
Year: 2011 (Japan), 2013 (US)
A friend of mine pointed out soon after he read this review that it’s important that I specify that I watched the English dub — not due to the dub’s inherent inferiority (it is very good), but due to a stylistic choice in the English dub’s voice casting of a character during a pivotal dream sequence. I will not spoil it here, but after having this brought to light, I feel it is necessary that I point this out. I actually really like the thematic depth the English dub adds, whereas he did not. Either way, my rating stands.
I’m normally an admirer of his reviews, but I must say that it’s a shame that Roger Ebert regarded From Up on Poppy Hill as a disappointment, especially as he was such a notable fan of Studio Ghibli’s, and this would, sadly, be the last film of theirs that he would ever review. While it may not reach the same sort of visual spectacle of the studio’s more fantastic and popular films – Spirited Away, My Neighbor Totoro, and Nausicaä of the Valley of the Wind among the studio’s most notable – From Up on Poppy Hill is no less a visual masterpiece and is one of the more touching, quieter films that have come out of the studio. It may not go on to be their most memorable or most favorited film among the studio’s throngs of fans, but as director Goro Miyazaki’s second film after the disappointing Tales from Earthsea, which actually was more like what you would expect from an anime studio, to criticize this dramatically superior but more intimate film for being something that it never aspired to be in the first place feels like doing the film a disservice. Read more…
Review: “Ballet Shoes” (2007)
Directed by: Sandra Goldbacher
Produced by: Piers Wenger, Michele Buck, Damien Timmer, Patrick Spence, Heidi Thomas
Written by: Heidi Thomas
Edited by: Adam Recht
Cinematography by: Peter Greenhalgh
Music by: Kevin Sargent
Starring: Emma Watson, Yasmin Paige, Lucy Boynton, Richard Griffiths, Emilia Fox, Marc Warren, Victoria Wood, Eileen Atkins, Peter Bowles, Heather Nicol
Based on the novel Ballet Shoes: A Story of Three Children on the Stage by Noel Streatfeild
Year: 2007
Remember that scene in You’ve Got Mail, where Kathleen’s store shuts down and she goes to the Fox Books and tearfully helps out a Fox Books customer desperately looking for “the Shoe books” that the store clerk has no idea about? “I’d start with Ballet Shoes because it’s my favorite, although Skating Shoes is completely wonderful,” she sobs. It’s one of the best scenes in that movie, because it shows how passionate Kathleen was about the job she had just lost and how the books she sold weren’t merely a means to a profit, but a means to make the lives of others better.
When I requested that my friends recommend some movies for me to review on Facebook, feeling rather uncreative and unchallenged in my own choices lately, this was the first of the recommendations that was something I hadn’t ever even considered watching before. (My recent review of Oscar was recommended in person and inspired my Facebook solicitation, which led to my reviewing The Road, as well, though I already owned that.) Read more…
Review: “Stand by Me”
Directed by: Rob Reiner
Produced by: Bruce A. Evans, Andrew Scheinman
Written by: Bruce A. Evans, Raynold Gideon (screenplay)
Edited by: Robert Leighton
Cinematography by: Thomas Del Ruth
Music by: Jack Nitzsche
Starring: Wil Wheaton, River Phoenix, Corey Feldman, Jerry O’Connell, Kiefer Sutherland, Richard Dreyfuss, Bradley Gregg, Casey Siemaszko, Marshall Bell, Frances Lee McCain, John Cusack
Based on the novella The Body by Stephen King
Year: 1986
Based on the Stephen King novella The Body and reportedly being the first film adaptation of King’s work that he fully approved of, Rob Reiner’s adaptation, Stand By Me (renamed due to the producers apparently thinking people would think the novella’s original sounded a little too dark or even perverse) is one of those quintessential “coming of age” films – indeed it may be the coming of age film. So much so that watching it for the first time these days after nearly three decades of imitators may take a little bit of adjusted expectations – you may have seen this done elsewhere. Stand by Me sets itself apart, however, with emotional honesty and engaging performances on the part of its four young leads. Read more…
Review: “The Perks of Being a Wallflower”
Directed by: Stephen Chbosky
Produced by: Russell Smith, Lianne Halfon, John Malkovich
Written by: Stephen Chbosky (screenplay)
Edited by: Yana Gorskaya, Mary Jo Markey
Cinematography by: Andrew Dunn
Music by: Michael Brook
Starring: Logan Lerman, Emma Watson, Ezra Miller, Mae Whitman, Nina Dobrev, Johnny Simmons, Erin Wilhelmi, Kate Walsh, Dylan Mcdermott, Paul Rudd, Melanie Lynskey
Based on the novel by Stephen Chbosky
Year: 2012
I’m not going to lie: Save for the homework that often had me staying up until all hours of the night (my high school was fairly rigorous and involved many all-nighters that were not always the result of procrastination), in the end, I largely enjoyed my high school experience, mostly because I had a pretty awesome and fairly small class of largely awesome people who were willing to set aside most petty differences and coexist with one another. Read more…
Special Review: “Superbad” – A Moving Dedication
Directed by: Greg Mottola
Produced by: Judd Apatow, Evan Goldberg, Seth Rogen, Shauna Robertson
Written by: Evan Goldberg, Seth Rogen
Edited by: William Kerr
Cinematography by: Russ T. Alsobrook
Music by: Lyle Workman
Starring: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Emma Stone, Martha MacIsaac
Year: 2007
I’m baaaaaaack! Sorry I haven’t written in a few weeks. The reason? I moved!
And, as always, moving brought with it a great deal of stress along with a lack of time and, mostly, energy. Then, after spending a week in my new apartment doing – well, admittedly very little, I went on a much needed vacation to visit my grandparents – my first real vacation in quite some time, as I haven’t had the chance to leave the state in many years and haven’t seen my grandparents in almost as much time. So, yeah, things have been busy, and I effectively wound up taking a bit of a hiatus from my writing hobby. But, yes, I am back, and I think I’ve sufficiently stored up enough rest to once again pick up my duties. (Haha! Gross imagery…)
Now, before I begin the official portion of my review, I figure I should give the appropriate introduction as to why I have chosen this to be my first standalone review in quite some time. You see, not only did I move to a new apartment this past month, I also had to say goodbye to my roommate of the past 6 ½ years, who also just happens to be my best friend. Read more…
Theatrical Review: “ParaNorman”
Directed by: Sam Fell, Chris Butler
Produced by: Travis Knight, Arianne Sutner
Written by: Chris Butler (screenplay), Arianne Sutner, Stephen Stone (story)
Cinematography by: Tristan Oliver
Music by: Jon Brion
Starring: Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, John Goodman, Leslie Mann, Jeff Garlin, Jodelle Ferland, Christopher Mintz-Plasse, Elaine Stritch, Bernard Hill, Jodelle Ferland, Tempestt Bledsoe, Hannah Noyes, Ariel Winter
Year: 2012
There are several things that I admire about this movie that I’m just going to highlight from the outset:
- The animation is impressive. I have no idea how they pulled off the visually (not to mention emotionally) charged ending effects, but I would really like to see the featurette on the home release on that.
- Getting back to the emotion, there are moments in the film that feel stunningly authentic, and that ending really does pay off.
- The filmmakers largely stayed away from obvious pop culture horror references that would be so prevalent in so many big studio film efforts. There are some, one of which is revealed in the trailers (“You want to play hockey?”) and another that is a lot more subtle than this (Norman’s ringtone is from The Exorcist), but, for the most part, the film is a much calmer, more self-contained experience than it could have been.
I lead into this review with those points because I don’t want to sound like I didn’t enjoy this film, because that wouldn’t necessarily be true. The fact of the matter, however, is that for all the things this film excels at, there are several things that hold it back for me from being the apparent critical darling that Rotten Tomatoes would suggest that ParaNorman is.
The Viewer's Commentary 