Archive
Special Review: “Batman & Robin” – Joel Schumacher and the Inevitable Taco Bell Analogy
Directed by: Joel Schumacher
Produced by: Peter MacGregor-Scott
Written by: Akiva Goldsman
Starring: Arnold Schwarzenegger, George Clooney, Chris O’Donnell, Uma Therman, Alicia Silverstone, Michael Gough, Jeep Swensen, Pat Hingle, Elle Macpherson
Music by: Elliot Goldenthal
Year: 1997
Let’s get one thing out of the way, right off the bat (so to speak): There was no way that Joel Schumacher was aiming to be anywhere near a serious tone for Batman & Robin. If you’re one of those people who constantly complains that Batman & Robin wasn’t serious enough, then, well, I’m just going to have to roll my eyes at you and unleash a really loud “Duuuuuh!” straight into your face.
With Batman Forever, Schumacher seemed to be experimenting with placing style over substance, something he did the opposite of with the absolutely mind-numbing A Time to Kill, but he achieved less than admirable results. With Batman & Robin, however, Schumacher didn’t even have a chance, as he found himself at the mercy of the studio, and he was clearly aiming to act out in his lack of say in the film’s production. Read more…
Awful Movie Review: “Batman Forever”
Directed by: Joel Schumacher
Produced by: Tim Burton, Peter MacGregor-Scott, Benjamin Melniker, Michael Uslan
Written by: Lee Batchler, Janet Scott-Batchler, Akiva Goldsman (screenplay), Lee Batchler, Janet Scott-Batchler (story)
Starring: Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman, Chris O’Donnell, Michael Gough, Pat Hingle, Drew Barrymore, Debi Mazar
Music by: Elliot Goldenthal
Year: 1995
You know what? This movie gets too much of a free pass. I get that, compared to its sequel, it’s almost competently plotted out, but this in no way implies that this is a good movie. Make no mistake about this: Batman Forever is one of the worst superhero films out there, and it even lacks much of the so-bad-it’s-good qualities that its more ridiculous sequel possesses, making this almost more unbearable than that infamous stain of a film. To say that Batman Forever fails where its predecessors succeeded is to undermine the severity of the film’s existence. To put it simply, Batman Forever not only undid much of the goodwill gained by critics and audiences with the releases of Batman and Batman Returns, it very nearly laid the groundwork for the death of the genre as we know it. Read more…
Special Review: “Batman Returns” – Villainy of Biblical Proportion
Directed by: Tim Burton
Produced by: Tim Burton, Denise Di Novi, Benjamin Melniker, Michael Uslan, Peter Guber, John Peters
Written by: Daniel Waters (screenplay), Sam Hamm, Daniel Waters (story)
Starring: Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken, Michael Gough, Pat Hingle, Michael Murphy, Cristi Conaway
Music by: Danny Elfman
Year: 1992
Introduction
Continuing down my recent penchant for Batman media, I come to what is, in fact, the film that forms the basis of my earliest memories of going to the theatre, Batman Returns. In rewatching the film for this review, I can honestly say… I don’t know what my mom was thinking when she took me to see this when I was just six, but I’m so glad she did, as I’m thrilled that my earliest cinematic experience that I have vivid memories of is a Batman film! I remember that she had me wait and hold our seats as she went and got our snacks, coming back, and giving me an awesome color-changing Batman Returns cup that I had for quite some time — the kind of cup that was one color when warm and then revealed more colors and details when cold items were put inside it. It was like magic! And of course, as for the film itself, Batman Returns didn’t traumatize me one bit. At least, I think it didn’t. Read more…
Review: “Batman” (1989)
Directed by: Tim Burton
Produced by: Peter Guber, Jon Peters, Benjamin Melniker, Michael Uslan
Written by: Sam Hamm (screenplay, story), Warren Skarren (screenplay)
Starring: Michael Keaton, Jack Nicholson, Kim Basinger, Michael Gough, Robert Wuhl, Pat Hingle, Billy Dee Williams, Tracey Walter, Jack Palance
Music by: Danny Elfman, Prince (songs)
Year: 1989
Many may be aware of the fact that Batman hasn’t always been the Dark Knight we know and love today. The Adam West portrayal of the character is quite well known to even younger fans who may not have even seen an episode of the show. But what many may not know about this incarnation of the character was just how pervasive it was in the public’s eye well into the 1980s, and unless you were a fan of comic books, the general public didn’t catch on to the character’s grimmer revamps that started in the 70s thanks to the show’s continuation in TV syndication. Read more…
Review: “Batman Beyond: Return of the Joker” The Original Uncut Version
Directed by: Curt Geda
Produced by: Alan Burnett, Paul Dini, Glen Murakami, Bruce Timm, Benjamin Melniker, Michael Uslan
Written by: Paul Dini (screenplay); Paul Dini, Glen Murakami, Bruce Timm (story)
Starring: Will Friedle, Kevin Conroy, Mark Hamill, Angie Harmon, Dean Stockwell, Teri Garr, Arleen Sorkin, Tara Strong, Mathew Valencia, Melissa Joan Hart, Michael Rosenbaum, Frank Welker
Music By: Kristopher Carter
Year: 2000
Batman: The Animated Series was and remains one of, if not the greatest animated adaptations of a comic book character ever put to screen. Premiering around the same time that Tim Burton’s Batman Returns released in 1992, the series could have easily been an easy cash in on the latest Batman craze, an episodic commercial for a heavily hyped and star-studded sequel to the 1989 film that shoved aside the campy Caped Crusader persona Batman held in the mainstream public’s eye and replaced it with the reinvigorated Dark Knight that had been making a comeback in the comics. Read more…
Awful Movie Review: “Larry Crowne”
Directed by: Tom Hanks
Produced by: Gary Goetzman, Tom Hanks
Written by: Tom Hanks, Nia Vardalos
Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Bryan Cranston, Pam Grier, George Takei
Music by: James Newton Howard
Year: 2011
There was nothing drawing me into this movie. Any affection I may have had towards the film’s star, Tom Hanks, was weighed unfavorably against the fact that the film was co-written by his My Big Fat Greek Wedding muse Nia Vardalos. But I dove in headfirst and nearly blind to Larry Crowne, thanks in large part to the fact that a good friend of mine recommended the film as being “not so bad.” By the time I reached the halfway point, however, I was already checking out and asking her, “Why did you recommend this?” Her answer? She was jet-lagged, awake for 24-hours, and on Vicodin. And suddenly it all came into focus, ’cause no sober, well-rested person would ever recommend Larry Crowne for entertainment purposes.
James Bond: The Theme Songs – Part 1
Hey, did you know that there’s a new James Bond film coming out this year? Yup! After a four year hiatus, thanks in large part to MGM’s troubled financials, Bond will be back on the big screen in the 23rd canonical James Bond film titled Skyfall, directed by Oscar-winning director Sam Mendes.
The film features the return of Daniel Craig to the role for his third time, joined by Oscar-winner Dame Judi Dench as “M,” Oscar-nominee Javier Bardem as the villain, Naomi Harris and Bérénice Marlohe as the Bond girls, Oscar-nominee Ralph Fiennes as a government agent, Ben Whishaw reviving the role of Q, and Albert Finney in an undisclosed role but lends even more credentials to the cast and crew with his five Oscar nominations. That’s a lot of Oscars, and a lot of expectations to live up to!
Of course, with every new Bond film, there comes a new Bond theme song, which carries its own set of high expectations. The themes of the Bond films have themselves become an institution, and, with music proving to be far more divisive in my own experiences than films, the title song for Skyfall, which would traditionally come at the beginning of the film, will arguably influence how audiences connect with the film to follow. The best thing that the filmmakers can do is look back on the previous films’ themes and see what worked and what didn’t.
Now, I’m not at all knowledgeable about music (In fact, music appreciation, which is a lot harder than it sounds, was one of the small number of Cs that I received while in college, so the following article is far more casual and amateur than my more film-centered articles. Please, if you have any experience in musical composition, performance, etc., feel free to tear me apart for saying something stupid.), but, as they say, I do know what I like, and I do have some strong feelings about some of the previous themes. While we look forward to a new Bond film this year, I thought this would be a great opportunity to look back on Bond themes past and give my assessment, first chronologically and then, of course, in rank.
WARNING: Heavy Flash video use ahead! Read more…
“The Avengers” – Theatrical Trailer #2
Wow. If this is somehow not as awesome as it looks, I well be very sad!
Please, Lord, let 2012 be a repeat of the awesome Iron Man / The Dark Knight summer of 2008!
The 84th Annual Academy Awards Ceremony: My Rough Summation
I always call the Oscars “My Super Bowl,” if only because it often comes around the same time every year and roughly has the same amount of buzz surrounding it, though I’m not so sure it has the same number of viewers. (That’s a lie. I know it doesn’t. Didn’t stop me from pigging out on a nice enchilada-style chimichanga like it was the Super Bowl!)
This year saw a decidedly milder ceremony, which some see as a nice turn after the somewhat disastrous choice to have Anne Hathaway and a mannequin host last year. They also brought back Billy Crystal for the hosting gig after Brett Ratner and Eddie Murphy left the production thanks to a disagreement about whether it was okay to call gay names. (It’s not.)
Gone were the musical performances of the nominated songs probably because there were only two, and they were silly songs that would have likely taken away from the retrospective feel of this year’s ceremonies. With 2011 being a relative disappointment for movie fans, there was much uncertainty as to who would be nominated and who would win for many of the categories, though there were a few more obvious than others. (Again with the songs.)
There were some major snubs (all things Drive and Shame) and some very unexpected choices (Extremely Loud & Very Close for Best Picture and Jonah Hill vs. Christopher Plummer). Overall, though, this was a relatively tame and bland ceremony that had me wishing they had at least tried something experimental again. I rather liked Hugh Jackman’s turn at the helm and its “creating a film” theme. This year’s “film nostalgia” experience felt like it was just Hollywood patting itself on the back while foreshadowing of the eventual winners.
Still, it was the Academy Awards, and I watched it all with relative interest. Below, for you, I have given my rough summation of each winner in my own eyes, whether I was familiar with the work (or even the category) or not. Why? Because I can. And frankly, this blog is as much about my growing film knowledge as it is yours, whoever you may be! Read more…
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