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Trailer: “Skyfall” Teaser

Hey, everyone! So I’ve got a new review coming which I will be working on tonight:K-Pax. It’s kind of an odd film starring Kevin Spacey that came out quite a while ago, and, while, it was on my radar at the time, I mostly ignored it when the reviews started coming in denouncing its quality. It currently holds a 41% on Rotten Tomatoes, and, really, since then, I’d kinda forgotten it existed up until I decided to outsource my viewing habits to a friend who doesn’t really watch movies. Oddly enough, that was his suggestion. How did I like it? Well, you’ll just have to read the review. How’s that for a tease?

Anyway, speaking of teasers (How do you like that segue?), Kevin Spacey’s friend Sam Mendes (I assume they’re friends since Spacey was in Mendes’ big break, American Beauty, but that may be me being naive about how Hollywood platonic relationships work) has a new teaser trailer out, and it’s for a film that looks much better than K-Pax — at least from an aesthetic perspective. The teaser trailer, of course, is for the next James Bond film, Skyfall:

So, what does this tell us about the next Bond film? Well… not much, really. Starts out with a few word associations as Bond is debriefed/interrogated(?) as onlookers M (Dame Judi Dench), Agent Mallory (Ralph Fiennes), and I believe MI6 Chief of Staff Bill Tanner (Rory Kinnear, whose work I’m not too familiar with) look on with concern. Bond seems to keep his cool, even sort of reveling in his clever association with the word “murder” and “employment,” but when they come to the word “Skyfall,” it all suddenly turns grim as Bond flashes back to the mission and ends the session.

Obviously, this being a teaser trailer and all, very little plot is given away, but we do know that the plot deals with an attack on MI6 and Bond’s loyalty to M and the agency. This jibes with the images of coffins draped with the Union Jack and Bond stating in the end, “Some men are coming to kill us. We’re going to kill them first.” Much of what comes in between is standard fare for teasers, banging music and all. New locales, a few brief, ambiguous explosions and scenes of Bond either staring intently in exotic locales or engaging in daring acts of violence and destruction, and, of course, a few brief glimpses at the Bond girls, Naomi Harris and Bérénice Marlohe.

That all being said, this does look to be one of the prettiest Bond films. I think the imagery is very strong in this film. It’s dark with accents of neon color, but, at least from what I can tell from the trailer, not in a sense that the film looks tacky like, say, Mission: Impossible II did (and that was an ugly action film). Sam Mendes has an eye for visuals, and so I’m expecting this to at least be a great-looking film.

What don’t we see in this trailer? Aside from more plot, we still don’t have any glimpses of Javier Bardem as the film’s villain, nor do we see the return of the long absent gadget-supplier Q, who is making his re-debut in this film with the much younger Ben Winshaw taking the place once filled by Desmond Llewelyn and briefly by Peter Burton (Dr. No) and John Cleese (Die Another Day).

Altogether, it’s a serviceable teaser, but not much else. It got me excited, however, but then again, that’s what it’s supposed to do and the film could still turn out crap despite any number of trailers. We’ll just have to wait for more meaty trailers to come out in the meantime before we pass judgment on whether this looks worthy enough to satiate our desires for another Casino Royale. In the meantime (shameless plug alert, why not go speculate about who will do the theme song for this film by checking out my overview of all the Bond themes up to this point?

Here are your convenient links:

James Bond: The Themes – Part 1

James Bond: The Themes – Part 2

James Bond: The Theme Songs – Part 2

March 12, 2012 7 comments

<< James Bond: The Theme Songs – Part 1

WARNING: Heavy Flash video use ahead!

“A View to A Kill” performed by Duran Duran, A View to A Kill (1985)

For Roger Moore’s final outing as Bond, new wave band Duran Duran was brought in, largely thanks to one of its band members drunkenly inquiring about the job. John Taylor, bassist, reportedly confronted producer Cubby Broccoli at a party, asking him when they would choose a “decent” band to do one of the themes. From that unseemly beginning came a major hit, and “A View to A Kill” remains the only Bond theme to hit #1 on the Billboard Top 100 to this day. Though it’s not my favorite, it’s definitely a great Bond theme for the 80s and manages to recall Paul McCartney’s action-packed theme, which is welcome after four love ballads – three of them being rather awful. It’s one of the few Bond themes you can dance to, which is only appropriate, since it has the infectious lyric “Dance into the fire” interjecting throughout, making it perfect if you wanted to have a James Bond theme party or something… Overall, an exciting and fun theme song. Read more…

James Bond: The Theme Songs – Part 1

March 8, 2012 3 comments

Hey, did you know that there’s a new James Bond film coming out this year? Yup! After a four year hiatus, thanks in large part to MGM’s troubled financials, Bond will be back on the big screen in the 23rd canonical James Bond film titled Skyfall, directed by Oscar-winning director Sam Mendes.

The film features the return of Daniel Craig to the role for his third time, joined by Oscar-winner Dame Judi Dench as “M,” Oscar-nominee Javier Bardem as the villain, Naomi Harris and Bérénice Marlohe as the Bond girls, Oscar-nominee Ralph Fiennes as a government agent, Ben Whishaw reviving the role of Q, and Albert Finney in an undisclosed role but lends even more credentials to the cast and crew with his five Oscar nominations. That’s a lot of Oscars, and a lot of expectations to live up to!

Of course, with every new Bond film, there comes a new Bond theme song, which carries its own set of high expectations. The themes of the Bond films have themselves become an institution, and, with music proving to be far more divisive in my own experiences than films, the title song for Skyfall, which would traditionally come at the beginning of the film, will arguably influence how audiences connect with the film to follow. The best thing that the filmmakers can do is look back on the previous films’ themes and see what worked and what didn’t.

Now, I’m not at all knowledgeable about music (In fact, music appreciation, which is a lot harder than it sounds, was one of the small number of Cs that I received while in college, so the following article is far more casual and amateur than my more film-centered articles. Please, if you have any experience in musical composition, performance, etc., feel free to tear me apart for saying something stupid.), but, as they say, I do know what I like, and I do have some strong feelings about some of the previous themes. While we look forward to a new Bond film this year, I thought this would be a great opportunity to look back on Bond themes past and give my assessment, first chronologically and then, of course, in rank.

WARNING: Heavy Flash video use ahead! Read more…

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