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2017 IN REVIEW – My Favorite Films of the Year
Alright, so I had intended to get this done a while ago – weeks ago, in fact, but at least before the Oscars. Naturally, life, as it does, gets in the way of ambitions, and so I’m releasing it as soon as I could.
2017 was a terrible year, but it wasn’t all bad in terms of the films that came out. In fact, there were quite a few that I loved this year, and… well, here they are! Below are the films from 2017 that either I personally enjoyed the most or that resonated with me the most. As such, I do not call them “the best,” but I do consider them to be exemplary. Unlike my previous two lists, each film is categorized roughly into the genre I think it (mostly) fits into (there’s always going to be overlap), and then in the usual ascending order of quality within the genre.
Even with all these, I can’t say I’m not relieved this is all over, finally. I kinda want to go back to reviewing films now, and 2018 is already well underway now… Read more…
2017 IN REVIEW – The Worst Films of the Year
They can’t all be winners, and, as with any year, 2017 had some real stinkers. For the most part, I actually tried avoiding a lot of some of the apparent worst, but a few managed to either slip by me or, God help me, I sought them out just out of morbid curiosity.
The movies below are listed according to an admittedly somewhat arbitrary order based on gut instinct and memory, but while some of these may shift around a bit over time and even from day to day, you can bet these are all pretty terrible, with the top contenders being… well, some of the worst movies of 2017.
2017 IN REVIEW – The Films Between Two Extremes
Okay, so I’m very behind. I have decided on dropping the whole review of films I hadn’t seen yet thing with 2017. It took me way too long, and, with this year in particular, I just wasn’t feeling it. December and January were hard months for me – as was most of 2017 – but I also felt as though I’d seen most of the films I wanted to, even while reviewing the ones I had missed. And so, I break with a longstanding tradition and skip straight to talking about the films I have seen, starting with the films that I neither felt were awful nor were among my favorites.
Below you’ll find the 50 films(!) that fell within this category along with a brief-ish summary of how I felt about them – and how critics in general felt about them with the included Rotten Tomatoes score. These are not intended to be reviews, and I also warn you that in the interest of finishing this by Oscars night, I did not double check my writing, so I apologise for the roughness. But then again, nobody’s apologizing to me about the roughness that was 2017, so… screw it. Here we go!
REVIEW – Christmas, Again
Directed by: Charles Poekel
Produced by: Charles Poekel
Written by: Charles Poekel
Edited by: Robert Greene
Cinematography by: Sean Price Williams
Starring: Kentucker Audley, Hannah Gross, Caitlin Mehner, Andrea Suarez Paz, Jason Shelton, Sam Stillman
Year: 2015
Christmas is almost synonymous with happiness in most everyone’s mind. Songs foretell of all the cheer and glad tidings the season will bring the masses as we all presumably dream about gathering together with family and friends and exchanging gifts and gathering by the fireplace and all that. But, man… Christmas can also be kind of a bummer. Should one thing not be perfect, it’s easy to find yourself worrying about whether you’ve ruined the holiday for everyone. Consider also the fact that missing someone on Christmas can be all sorts of depressing, whether it be due to distance, a break-up… or even worse, as my family this year is currently experiencing (which is also the reason for the shortened and belated Christmas reviewing season on this blog). There are countless Christmas films that embrace the joys of the season, of course, but very few that not only acknowledge but embrace exploring the feelings of loneliness and sadness that can come about when you’re surrounded by people who are seemingly way more happy than you are and don’t know why you can’t just support them in their merriment. Christmas, Again, however, is one such rare film, right down to its matter-of-fact title. Read more…
REVIEW – A Girl Walks Home Alone At Night
Directed by: Ana Lily Amirpour
Produced by: Justin Begnaud, Sina Sayyah, Elijah Wood
Written by: Ana Lily Amirpour
Edited by: Alex O’Flinn
Cinematography by: Lyle Vincent
Music by: Johnny Jewel
Starring: Sheila Vand, Arash Marandi, Marshall Manesh, Mozhan Marnò, Dominic Rains, Rome Shadanloo, Milad Eghbali
Based on the short film by Ana Lily Amirpour
Year: 2014
A Girl Walks Home Alone At Night, as a film, is as vague and provocative as its title suggests. Its hero, the titular Girl, is herself a mystery, spending her nights walking down the streets of the ravaged Bad City, Iran, cloaked in the darkness with the help of her pitch black chador. The conservative covering suggests a subservient nature to everyone who encounters her, but it’s more than that – it’s a disguise this unassuming and lonely Girl puts on to conceal her true identity. She’s an empowered, strong woman who will not be taken advantage of, least of all by men who see her and other women as objects to own and use. She is no object. In fact, she isn’t even really human… Read more…
REVIEW – Happy Death Day
Directed by: Christopher B. Landon
Produced by: Jason Blum
Written by: Scott Lobdell
Edited by: Gregory Plotkin
Cinematography by: Toby Oliver
Music by: Bear McCreary
Starring: Jessica Rothe, Israel Broussard, Ruby Modine, Rachel Matthews, Charles Aitken, Rob Mello, Phi Vu
Year: 2017
I originally planned on reviewing far headier stuff this year for Halloween Movie Month, but due to some personal/family circumstances and a general lack of motivation that’s partly resulted from that, I’m choosing instead to focus what little time I have left before the actual day of Halloween with movies that are a bit more lighthearted and easy to digest. At least for now. Considering the fact that the holiday also happens to be my birthday, however, I figured what better time than now to review the recently released and appropriately titled Happy Death Day?
Is the concept of repeating a certain day over and over, Groundhog Day-style, an overused plot contrivance already? I’m sure there are plenty of examples of TV episodes doing it, or at least doing something similar to it, but I’d be hard pressed to find more than a handful of movies that used the time loop device as their primary driving force. There’s Edge of Tomorrow, of course, and then there’s Run Lola Run, Source Code (sorta…), ARQ, and earlier this year we received 2017’s first film about a young woman repeating a traumatic day in her life with the decidedly more serious Before I Fall. While Wikipedia points me towards a few examples of the time loop being used in a few other films, however, I’m pretty certain that this concept being used in such a particular way, complete with characters fixing mistakes and wrongs, is still mostly known from Groundhog Day, a fact that horror comedy offspring Happy Death Day openly acknowledges, thanks largely to the obligatory meta-commentary all horror comedies are apparently required to integrate into their structure these days. Read more…
REVIEW – Eraserhead
Directed by: David Lynch
Produced by: David Lynch
Written by: David Lynch
Edited by: David Lynch
Cinematography by: Frederick Elmes, Herbert Cardwell
Music by: David Lynch, Fats Waller, Peter Ivers
Starring: Jack Nance, Charlotte Stewart, Judith Anna Roberts, Laurel Near, Jeanne Bates, Allen Joseph, Jack Fisk
Year: 1977
Neither having seen The Elephant Man and Dune years prior nor having mere knowledge of just how bizarre David Lynch could get with his body of work could not have prepared me for my first time, firsthand viewing of his debut film Eraserhead this past week. Growing up a budding film fan, this cult classic was always on my radar in some form, whether due to its intriguing title that suggested to my younger self that the film was a dark, artsy slasher film in the tradition of Friday the 13th (I was not aware of the release timeline then) or because of my frequent encounter with that instantly recognizable shot of star Jack Nance staring back at me within a cloud of illuminated dust as I scavenged through movie posters I knew I would never actually end up buying. The movie’s reputation also preceded itself in discussions of film, primarily online, and yet, somehow, I still managed to avoid any spoilers and even major plot details of the film until actually seeing it myself. And, somehow, even afterward, while I know that what I saw was called Eraserhead, I’m still not entirely certain what the hell I saw. Read more…









