Archive
THEATRICAL REVIEW: The Fault in Our Stars
Directed by: Josh Boone
Produced by: Wyck Godfrey, Marty Bowen
Written by: Scott Neustadter, Michael H. Webter (screenplay)
Edited by: Robb Sullivan
Cinematography by: Ben Richardson
Music by: Mike Mogis, Nate Walcott
Starring: Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern, Sam Trammell, Willem Dafoe, Lotte Verbeek, Mike Birbiglia
Based on the novel by John Green
Year: 2014
I hadn’t ever heard of the book this movie is based on before a couple months ago when I had a chance encounter with this film’s trailer in the theatre. Filled with lovely platitudes, cutesy dialogue, attractive teenagers going through extraordinary circumstances guaranteed to wrench away tears from your eyes – in this case, a girl who has been suffering the effects of her cancer diagnosis years prior and yet falling in love with the perfect guy who loves her just the way she is – The Fault in Our Stars looked exactly like the seemingly endless adaptations of Nicholas Sparks dreck Hollywood seems to like to churn out and that audiences eat up. I poked fun at it, made fun of the lead character’s name (Hazel Grace), the ridiculous predictability of the love story, the very punchable-looking romantic boyfriend character, the very casting of Shailene Woodley (who hasn’t ever been bad, but is a bankable big star among teenage girls)… It looked, quite frankly, like exploitative shit, and I wasn’t going to have any of it. And then the reviews came out. Read more…
REVIEW: Star Wars Episode II: Attack of the Clones
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas, Jonathan Hales
Edited by: Ben Burtt
Cinematography by: David Tattersall
Music by: John Williams
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Ian McDiarmid, Christopher Lee, Samuel L. Jackson, Temuera Morrison, Frank Oz, Anthony Daniels, Kenny Baker, Daniel Logan, Silas Carson, Jack Thompson, Joel Edgerton, Bonnie Piesse, Ahmed Best, Rose Byrne, Jay Laga’aia, Pernilla August, Leeanna Walsman
Year: 2002
At some point in my life, I didn’t really know which one was worse: The Phantom Menace or Attack of the Clones. On the one hand, you have one of the dullest, most inconsequential films in the series that also has some of the most childish humor, to top it off, but at least it had some killer music and Darth Maul. On the other, you have George Lucas’ depiction of teenage angst within the Jedi Order and some of the most ridiculous romantic interactions between two characters ever scripted, the likes of which will have your eyes rolling out of your head and having your mind blown from thinking about just how that line about sand ever made it through someone’s mind and into the first draft of the script, let alone the final film. It took a lot of thinking, honestly, but after a while, I did eventually settle on The Phantom Menace being the worst of the two, because it not only had a bad script, but also, overall, it had just very little impact of all the films in the saga in the process. Attack of the Clones at least finally set some things in motion that would have bigger consequences later on in the story. Also, you finally get to see both Yoda and Mace Windu in combat, so… that’s gotta count for something? Read more…
REVIEW: Star Wars Episode I: The Phantom Menace
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas
Edited by: Ben Burtt, Paul Martin Smith
Cinematography by: David Tattersall
Music by: John Williams
Starring: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Ahmed Best, Pernilla August, Keira Knightley, Ray Park, Anthony Daniels, Kenny Baker, Silas Carson, Hugh Quarshie, Andy Secombe, Lewis MacLeod, Frank Oz, Samuel L. Jackson, Terence Stamp, Brian Blessed, Greg Proops, Scott Capurro
Year: 1999
Oh man, here we go… Read more…
REVIEW: Star Wars Episode V: The Empire Strikes Back
Directed by: Irvin Kershner
Produced by: Gary Kurtz
Written by: Leigh Brackett, Lawrence Kasdan (screenplay), George Lucas (story)
Edited by: Paul Hirsch
Cinematography by: Peter Suschitzsky, BSC
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, James Earl Jones, Kenny Baker, Peter Mayhew, Frank Oz, Jeremy Bulloch, Jason Wingreen, Alec Guinness, Denis Lawson, Clive Revill
Review based on the 1980 theatrical version
Year: 1980
It’s all downhill from here, folks. Movie number 2, and I’m already at the best of not just the original trilogy, but the entire saga, and it’s honestly doubtful that even the new sequel trilogy will best the work put forth here. George Lucas still had some say in the story of The Empire Strikes Back, but this is the film that people point to when they want to point out how, even back then, less of Lucas was always a good thing, even if what his diminished presence improves upon is his own creation. Heck, even the subsequent retoolings couldn’t diminish the film’s quality – though sometimes they even improved upon it, as with the enhancements to Cloud City’s ambience and the insertion of Ian McDiarmid’s take on the Emperor in that holoconference scene between him and Darth Vader. Let’s just chalk all that up to the fact that The Empire Strikes Back is just too awesome for its radiance to not influence any such reconfiguring. Read more…
REVIEW: Star Wars Episode IV: A New Hope
Directed by: George Lucas
Produced by: Gary Kurtz
Written by: George Lucas
Edited by: Paul Hirsch, Marcia Lucas, Richard Chew
Cinematography by: Gilbert Taylor
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones, Anthony Daniels, Kenny Baker, Peter Mayhew, Phil Brown, Shelagh Fraser, Denis Lawson, Gerrick Hagon
Review based on the 1977 original theatrical version
Year: 1977
I told myself that I wouldn’t let my reviews of the Star Wars films devolve into insane fandom, and so I will attempt to keep that promise. That being said, let me start you off by letting you in on a secret that not many before now really know about me: A long time ago… I actually absolutely hated sci-fi, fantasy, and everything in between. The object of my particular ire was actually Star Trek, as my friend Tye was actually an insanely fanatical Trekkie, but coming in a close second was, yes, Star Wars. The reasoning? It had the word “star” in it, which obviously meant that it was for nerds, which I did not identify as at the time. (I so was…) Read more…
REVIEW: A Goofy Movie
Directed by: Kevin Lima
Produced by: Dan Rounds
Written by: Jymn Magon, Brian Pimental, Chris Matheson (screenplay), Jymn Magon (story)
Edited by: Gregory Perler
Art Direction by: Larry Leker, Wendell Luebbe
Production Design by: Fred Warter
Music by: Carter Burwell, Don Davis
Starring: Bill Farmer, Jason Marsden, Rob Paulsen, Jim Cummings, Kellie Martin, Pauly Shore, Pat Buttram, Wallace Shawn, Ray Liotta, Jenna von Oÿ, Tevin Campbell, Jo Anne Worley, Joey Lawrence, Frank Welker
Based on the TV series Goof Troop
Year: 1995
Goofy was always one of the most enjoyable characters in Mickey’s group of friends. Anyone who’s seen pretty much any of the “How To” series shorts featuring the clumsy anthropomorphic dog-like creature knows that unquestionable fact. Arguably, he’s second only to Donald – who really stood more on the manic end of the comedy spectrum from Goofy. It’s only fitting that they each got their own domestic family sitcoms – Donald in Quack Pack and Goofy in the earlier Goof Troop, which introduced us to Goofy’s son, Max – while straightman and, honestly, comparatively bland Mickey was stuck playing emcee to all of his own shows. Quack Pack never seemed to resonate with kids from that era, and it didn’t seem to be half as fondly or frequently remembered compared to Goof Troop. (For me, personally, it came a little too late, as its entire one season came out when I lived overseas.) However, Disney seemed to recognize the fondness kids had for Goofy and Max’s domestic lives, so it was only logical that the corporation that would become well known for releasing unnecessary sequels to its classic films over the next decade would capitalize on its success with a theatrical film. Read more…




