Archive
REVIEW: Star Wars Episode II: Attack of the Clones
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas, Jonathan Hales
Edited by: Ben Burtt
Cinematography by: David Tattersall
Music by: John Williams
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Ian McDiarmid, Christopher Lee, Samuel L. Jackson, Temuera Morrison, Frank Oz, Anthony Daniels, Kenny Baker, Daniel Logan, Silas Carson, Jack Thompson, Joel Edgerton, Bonnie Piesse, Ahmed Best, Rose Byrne, Jay Laga’aia, Pernilla August, Leeanna Walsman
Year: 2002
At some point in my life, I didn’t really know which one was worse: The Phantom Menace or Attack of the Clones. On the one hand, you have one of the dullest, most inconsequential films in the series that also has some of the most childish humor, to top it off, but at least it had some killer music and Darth Maul. On the other, you have George Lucas’ depiction of teenage angst within the Jedi Order and some of the most ridiculous romantic interactions between two characters ever scripted, the likes of which will have your eyes rolling out of your head and having your mind blown from thinking about just how that line about sand ever made it through someone’s mind and into the first draft of the script, let alone the final film. It took a lot of thinking, honestly, but after a while, I did eventually settle on The Phantom Menace being the worst of the two, because it not only had a bad script, but also, overall, it had just very little impact of all the films in the saga in the process. Attack of the Clones at least finally set some things in motion that would have bigger consequences later on in the story. Also, you finally get to see both Yoda and Mace Windu in combat, so… that’s gotta count for something? Read more…
REVIEW: Star Wars Episode I: The Phantom Menace
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas
Edited by: Ben Burtt, Paul Martin Smith
Cinematography by: David Tattersall
Music by: John Williams
Starring: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Ahmed Best, Pernilla August, Keira Knightley, Ray Park, Anthony Daniels, Kenny Baker, Silas Carson, Hugh Quarshie, Andy Secombe, Lewis MacLeod, Frank Oz, Samuel L. Jackson, Terence Stamp, Brian Blessed, Greg Proops, Scott Capurro
Year: 1999
Oh man, here we go… Read more…
REVIEW: Star Wars Episode V: The Empire Strikes Back
Directed by: Irvin Kershner
Produced by: Gary Kurtz
Written by: Leigh Brackett, Lawrence Kasdan (screenplay), George Lucas (story)
Edited by: Paul Hirsch
Cinematography by: Peter Suschitzsky, BSC
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, James Earl Jones, Kenny Baker, Peter Mayhew, Frank Oz, Jeremy Bulloch, Jason Wingreen, Alec Guinness, Denis Lawson, Clive Revill
Review based on the 1980 theatrical version
Year: 1980
It’s all downhill from here, folks. Movie number 2, and I’m already at the best of not just the original trilogy, but the entire saga, and it’s honestly doubtful that even the new sequel trilogy will best the work put forth here. George Lucas still had some say in the story of The Empire Strikes Back, but this is the film that people point to when they want to point out how, even back then, less of Lucas was always a good thing, even if what his diminished presence improves upon is his own creation. Heck, even the subsequent retoolings couldn’t diminish the film’s quality – though sometimes they even improved upon it, as with the enhancements to Cloud City’s ambience and the insertion of Ian McDiarmid’s take on the Emperor in that holoconference scene between him and Darth Vader. Let’s just chalk all that up to the fact that The Empire Strikes Back is just too awesome for its radiance to not influence any such reconfiguring. Read more…
REVIEW: Star Wars Episode IV: A New Hope
Directed by: George Lucas
Produced by: Gary Kurtz
Written by: George Lucas
Edited by: Paul Hirsch, Marcia Lucas, Richard Chew
Cinematography by: Gilbert Taylor
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones, Anthony Daniels, Kenny Baker, Peter Mayhew, Phil Brown, Shelagh Fraser, Denis Lawson, Gerrick Hagon
Review based on the 1977 original theatrical version
Year: 1977
I told myself that I wouldn’t let my reviews of the Star Wars films devolve into insane fandom, and so I will attempt to keep that promise. That being said, let me start you off by letting you in on a secret that not many before now really know about me: A long time ago… I actually absolutely hated sci-fi, fantasy, and everything in between. The object of my particular ire was actually Star Trek, as my friend Tye was actually an insanely fanatical Trekkie, but coming in a close second was, yes, Star Wars. The reasoning? It had the word “star” in it, which obviously meant that it was for nerds, which I did not identify as at the time. (I so was…) Read more…
May the Force be with you – at least for about the month of May or so…
Hello, fellow nerds! Did you hear the news? We finally know the lead cast of Star Wars Episode VII! And it is freaking SOLID! Cannot wait! … But we’ll just have to, I guess, because it’s not coming out until December 2015… which is more than a year and a half away. GAH!
So, understandably, as a fan, I’m pretty freaking pumped about this new trilogy, and I need to get this energy out somehow. What better way than to do it publicly? So, even though I just got done doing a month of 90s nostalgia movies, I’m starting another theme month. Only… it might last a bit more than a month since I’m planning on reviewing all seven theatrically released films, and given that I might do a few theatrical films during that time frame, and with my time and energy being what they are these days, it might take longer than the standard month to get the reviews out. Oh, yeah, and that’s right — seven (7) films!
No, I did not time travel into the future to bring you the first exclusive review of Episode VII: Rise of the Gungans, and, no, I’m not reviewing The Star Wars Holiday Special, either (yet…). And, no, I’m not talking about Caravan of Courage, either. I’m including the animated Star Wars: The Clone Wars in the lineup, even if it was just a theatrically released movie edit of the TV series’ first few episodes, as I feel like the series really has become a beacon of hope for what’s to come, even if it was from the pre-Disney era that we’re only just beginning to experience.
I also want you to know that these reviews will not go into esoteric things like “The Hero’s Journey,” Lucas’ personal influences that went into making the film, nor will I go (too much) into the series’ importance in shaping the landscape of Hollywood and blockbusters in general. These reviews will take the films on their own merits and pretty much strictly from my own personal perspective and enthusiasm (or even lack thereof) for each of the films. I feel like this would be the appropriate approach because, frankly, the whole Hero’s Journey thing has been played out — I even wrote my own personal essay about how the posters themselves reflect Lucas’ personal influences when I was in college.
I will also refrain as much as possible about griping about the many changes that have been enacted upon the original trilogy over the years. While I think that many of the changes were either inconsequential for for the better (better Death Star destruction, Hoth cockpit transparencies fixed, the Emperor in Empire being played by Ian McDiarmid, and, yes, even the replacing of “Yub Nub” with a more fitting galaxy-spanning montage at the end of Jedi), I will eliminate these complaints mainly by reviewing strictly the original theatrical versions, which I do, indeed, have on DVD. (If you would like to hear my reactions on the Blu-Ray edition of the first film, please feel free to read them here.) So, yes, each review of the original trilogy films will be based on the versions where Han shoots first, the Emperor is initially portrayed by a woman with chimp eyes, Jabba doesn’t appear until Return of the Jedi, and Anakin Skywalker is strictly portrayed by Sebastian Shaw (which sadly cannot be said for any of the prequels). All that being said, while I will review all the films in the proper theatrically released order, I will still be using the newer naming structure of Star Wars Episode [#: Subtitle] for these reviews, mostly for the sake of order and unity and because of what’s to come…
So, yeah, I think I’ve properly appeased all the fans and clarified my positions on the matter. It’s going to be a long process, but I’m looking forward to it! Wish me luck, and may the Force be with us all!
REVIEW: A Goofy Movie
Directed by: Kevin Lima
Produced by: Dan Rounds
Written by: Jymn Magon, Brian Pimental, Chris Matheson (screenplay), Jymn Magon (story)
Edited by: Gregory Perler
Art Direction by: Larry Leker, Wendell Luebbe
Production Design by: Fred Warter
Music by: Carter Burwell, Don Davis
Starring: Bill Farmer, Jason Marsden, Rob Paulsen, Jim Cummings, Kellie Martin, Pauly Shore, Pat Buttram, Wallace Shawn, Ray Liotta, Jenna von Oÿ, Tevin Campbell, Jo Anne Worley, Joey Lawrence, Frank Welker
Based on the TV series Goof Troop
Year: 1995
Goofy was always one of the most enjoyable characters in Mickey’s group of friends. Anyone who’s seen pretty much any of the “How To” series shorts featuring the clumsy anthropomorphic dog-like creature knows that unquestionable fact. Arguably, he’s second only to Donald – who really stood more on the manic end of the comedy spectrum from Goofy. It’s only fitting that they each got their own domestic family sitcoms – Donald in Quack Pack and Goofy in the earlier Goof Troop, which introduced us to Goofy’s son, Max – while straightman and, honestly, comparatively bland Mickey was stuck playing emcee to all of his own shows. Quack Pack never seemed to resonate with kids from that era, and it didn’t seem to be half as fondly or frequently remembered compared to Goof Troop. (For me, personally, it came a little too late, as its entire one season came out when I lived overseas.) However, Disney seemed to recognize the fondness kids had for Goofy and Max’s domestic lives, so it was only logical that the corporation that would become well known for releasing unnecessary sequels to its classic films over the next decade would capitalize on its success with a theatrical film. Read more…
REVIEW: Free Willy
Directed by: Simon Wincer
Produced by: Lauren Shuler Donner, Jennie Lew Tugend, Richard Donner, Arnon Milchan
Written by: Keith A. Walker, Corey Blechman
Edited by: O. Nicholas Brown
Cinematography by: Robbie Greenberg
Music by: Basil Poledouris; Michael Jackson (theme)
Starring: Jason James Richter, Lori Petty, Jayne Atkinson, August Schellenberg, Michael Madsen, Michael Ironside, Mykelti Williamson, Michael Bacall, Keiko
Year: 1993
Man, I remember a time when I could watch this movie and not think of all the horrors that went on at SeaWorld, don’t you? Thank you, Blackfish, for making the message behind Free Willy so devastatingly real now that I’m a grown man. I hate you.
All kidding aside, however, this was probably one of the first pieces of media with an activist message kids from my era ever watched outside of a “very special episode” of one of their favorite TV shows. (And that was probably the episode of Fresh Prince where Carlton bought the gun after Will was mugged.) Free Willy was the movie that dared us to care about the remarkable relationship between a troubled young boy named Jesse who just desperately needs someone to love him and set a good example for him and his unexpected friendship with a tenacious whale who was taken away from his own family and put on display for a world that doesn’t fully understand him. Read more…






