Archive
Review: “Yellow Submarine”
Directed by: George Dunning
Produced by: Al Brodax, Mary Ellen Stewart
Written by: Lee Minoff (short story), Al Brodax (screenplay), Jack Mendelsohn, Erich Segal
Music by: George Martin, The Beatles (songs, John Lennon, Paul McCartney, George Harrison, Ringo Starr)
Art Direction by: Heinz Edelmann
Starring: Paul Angelis, John Clive, Dick Emery, Geoffrey Hughes, Lance Percival
Year: 1968
I’ve always told people that I was a fan of The Beatles from before birth, with my mother having played music to me since that time. I remember when I was very little about 4 or 5, I had a red Radio Shack-branded kid’s portable cassette player that I would listen to The Beatles’ red and blue greatest hits albums on. I even remember the disappointment in putting these into Teddy Ruxpin, only to discover that, no, he would not sing along with my favorite song at the time, “Ob-La-Di, Ob-La-Da.” And I also remember a long time ago, when I was still quite young and at a party filled with boring adults, the generous host of the party noticed how bored I was, coming up to me, and asking me if I wanted to head into his room and watch this Beatles cartoon he had. “Beatles? Cartoon? Sure!” was likely my thought process at the time. This cartoon, of course, wasn’t the child-centric American TV production, but was, in fact, one of the weirdest but also most fascinating cartoons I had ever seen up to that point (a fact that likely still holds true): Yellow Submarine. Read more…
Review: “Meet Me in St. Louis”
Directed by: Vincente Minnelli
Produced by: Arthur Freed
Written by: Irving Brecher & Fred F. Finklehoffe (screenplay), Sally Benson (story)
Starring: Judy Garland, Margaret O’Brien, Mary Astor, Tom Drake, Marjorie Main
Music by: Roger Edens (score) Hugh Martin, Ralph Blane, Arthur Freed, et al. (songs)
Based on the stories of Sally Benson
Year: 1944
While not strictly a Christmas movie in itself, Meet Me in St. Louis is often cited as one and, nonetheless, definitely teaches us to be in the holiday spirit all year round, as it centers around a lot of the traditional themes of mainstream Christmas: family, friends, love, and togetherness. Of course, despite featuring many other events over the course of a year, the film does ultimately feature its emotional climax around the Christmas season, and it is here that the film earns its status as a true holiday classic, if only because of what is arguably the film’s most lasting and famous contribution to the holiday, the song “Have Yourself a Merry Little Christmas.” Read more…
Great Scenes: “Singin’ in the Rain” – Moses Supposes Tap Dance
Just a quick update today. I’ve been pretty tired with work and other related stuff, and today is my day off and I’m having a friend over whom I haven’t seen in a while, but I wanted to post something since it’s been a while!
So, today, I’m bringing you a video from a movie that made it to my favorites list, Singin’ in the Rain. Now, almost everybody knows the famous song and dance number to the song that gives the film its name, but how many modern movie audiences know some of the other, just as amazing musical numbers in the film?
Today’s video, which I sadly cannot find in an embeddable format, so please follow the deceptive link, shows just how this movie mixes humor, story, and musical numbers all in one. The background of the scene involves silent film star Don Lockwood (Gene Kelly) taking elocution lessons. Thanks to the release of The Jazz Singer, talkies are now all the rage, and the film Don was starring in has suddenly been put on hold to be reworked into a talkie itself. Don’s colleague and best friend Cosmo Brown (Donald O’Connor) comes in to speak to Don mid-lesson, and overhears the ridiculous tongue twisters Don’s being put through. It isn’t long before the two begin goofing off and teasing the instructor. It all culminates into a fantastic tap dance number that basically puts all other methods of procrastination to shame.
I loved this scene as a kid, primarily because of living Looney Tune Donald O’Connor’s hilarious faces, and as an adult, it’s still pretty frickin’ hilarious, with excellent timing on O’Connor’s part (ruined a bit by a bad editing gaffe causing the instructor to react twice to the same face, unfortunately). Then the musical number begins, and while it’s not the best song in the film, it suits the scene just fine. The real highlight is the dancing, however, with Kelly and O’Connor perfectly in tune with each other and really putting out a lot of energy. There’s a mixture of singing, dancing, and goofing around as they begin using every surface and prop in the room, including the poor instructor, who doesn’t quite know what to do with the two clowns.
You also have to appreciate a movie that basically acknowledges, “Yeah, we’re doing a musical.” This is one of the many songs that the characters sing that builds up into their decision to yet again convert their film, The Dancing Cavalier, into a musical called The Dancing Cavalier, and this scene is essentially just foreshadowing on the obvious — when you have actors this talented in song and dance, why not use those talents!?
If you haven’t seen this movie, go do so… NOW!
