Archive
REVIEW: Johnny (2010)
Directed by: D. David Morin
Produced by: Byron Jones, Tom Saab, Michael Scott, David A.R. White, Russell Wolfe
Written by: David Michael Anthony; D. David Morin, Alan Smithee (screenplay)
Edited by: D. David Morin
Cinematography by: Todd Barron
Music by: David Miner
Starring: Jerry Phillips, Mel Fair, Musetta Vander, Aubyn Cole, Lee Majors, Lonnie Colón, Leslie L. Miller, Brandon Klopot
Year: 2010
A couple weekends ago, I had spent a great deal of time watching gritty, dark sci-fi/action movies – Event Horizon, Dredd, the new Riddick – and so, searching for a change of tone, I went searching through my Netflix suggestions and came across the “Sentimental Tearjerker” section. Figuring that was completely opposite of what I had been watching, I decided to peruse the selection and came across this movie called Johnny, which had the goofiest looking artwork, which just screamed “low budget Christian cinema.” The synopsis was even worse: “Still reeling from his 10-year-old son’s tragic accidental death, Dr. Drew Carter attempts to assuage his family’s grief by adopting Johnny Bell, a terminally ill foster child suffering from leukemia.” So, basically, the kid’s being treated like a therapy dog? Read more…
Review: “The Road” (2009)
Directed by: John Hillcoat
Produced by: Nick Wechsler, Steve Schwartz, Paula Mae Schwartz
Written by: Joe Penhall (screenplay)
Edited by: Jon Gregory
Cinematography by: Javier Aguierresarobe
Music by: Nick Cave, Warren Ellis
Starring: Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron, Robert Duvall, Guy Pearce, Molly Parker, Michael Kenneth Williams, Garret Dillahunt
Based on the novel by Cormac McCarthy
Year: 2009
(Portions of this review appeared in one of my previous articles, with thoughts and quotes expanded upon, updated, and edited throughout.)
Based on the Pulitzer Prize-winning novel by Cormac McCarthy, The Road is a depressing, relentless story of this nameless father and son traveling across a desolate, post-apocalyptic wasteland. Here is an apocalypse where any sort of hope at all comes from what remains with you in the present, right in front of you, because tomorrow is no longer a certainty, and people are no longer to be counted on to help. For this father, his son is the only source of hope that he clings to, and it is his sole ambition to keep the boy safe from harm, even if that means the safest route is a quick and painless death. Read more…
Dual Review: “Home Alone” and “Home Alone 2: Lost in New York”
Home Alone
Directed by: Chris Columbus
Produced by: John Hughes
Written by: John Hughes
Edited by: Raja Gosnell
Cinematography by: Julio Macat
Music by: John Williams
Starring: Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O’Hara, John Heard, John Candy, Roberts Blossom, Gerry Bamman
Year: 1990
Home Alone 2: Lost in New York
Directed by: Chris Columbus
Produced by: John Hughes
Written by: John Hughes
Edited by: Raja Gosnell
Cinematography by: Julio Macat
Music by: John Williams
Starring: Macaulay Culkin, Joe Pesci, Daniel Stern, Tim Curry, Rob Schneider, Dana Ivey, Brenda Fricker, Catherine O’Hara, Eddie Bracken, John Heard, Gerry Bamman
Year: 1992
It had been a long time since I had seen any of the Home Alone films when I bought the Blu-Ray set of the first two films that went on sale earlier this month for the lovely price of about $12. Being in a spend-y mood, I bought it happily, having wanted but never owned the first two films since I was a little kid. (Oddly, I did own a VHS of the third film.) And, I gotta say, while I still mostly enjoyed the films, even at age 26, I didn’t find myself laughing at them nearly as much as I had as a little kid. It’s not that I’m above the whole slapstick thing — I just watched Ted for the first time tonight, and one of the funniest parts of that movie was the ridiculously violent beat down the teddy bear gives Mark Wahlberg — but I certainly felt a lot more cynical about it than I had expected.
Perhaps it was the fact that I watched them back-to-back in one night. Perhaps it was because I watched them while cooking a turkey that inadvertently filled my apartment with large plumes of smoke (the turkey turned out fine, but I’m still unsure what caused all that). Or perhaps it’s because I realized that 2 is basically just a remake of 1 with extra ridiculous and a hefty dollop of moralizing. Maybe it was a combination of those factors.
So, rather than review these films separately, as I would with any other franchise, I decided to review them at the same time. Unlike with last year’s Grudge Match Review of adaptations of A Christmas Carol, however, this isn’t really a competition, but rather an efficient way of killing two birds with one stone. After all, take a look at those credits up there. The films are identical in cast and crew, with the second one doing the typical sequel thing by throwing in a few new faces for good measure, and, for the most part, they are the same in story structure, too. Read more…
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