Produced by: David Puttnam
Written by: Colin Welland
Edited by: Terry Rawlings
Cinematography by: David Watkin
Music by: Vangelis
Starring: Ben Cross, Ian Charleson, Nigel Havers, Cheryl Campbell, Alice Krige, Ian Holm, Nicholas Farrell, Henry Stallard
Based on a true story
I have a bit of a weird relationship with Chariots of Fire. The first two times I saw this movie were each divided across multiple classes in two different Christian schools – once in 8th grade, and again in 10th. Each time, I found the movie ridiculously boring and overlong, little more than an excuse to tune out and passively watch the screen as the time ran out, making sure to at least get as much in as possible so that I could turn in a respectable enough paper that was assigned both times. Both times, we were expected to reflect upon the Christian themes, primarily related to Eric Liddell, whose religious beliefs put him at odds with his passion and talent for running at one pivotal point in the film. Read more…
My apologies for the slightly longer delay in getting this part out. I kinda got stricken with the flu for a few days, and didn’t exactly feel like writing. But, here it is, the final third of the films I didn’t see in the year 2012. This is the period of time where the summer movies begin to trickle out before coming to a complete stop and where film studios begin their flood of Oscar-baiting dramas and such.
That’s not to say that there are never any good action films released during this time. That also isn’t to say that none of these Oscar-baiting films are any good, too. Far from it. 2012 saw the release of Oscar-worthy greats as Argo, Lincoln, and Zero Dark Thirty releasing in the same time period as cash-grabbing features like the final Twilight film, The Hobbit, and Wreck-it Ralph, all with varying degrees of success. It’s actually a fairly ripe time to watch all sorts of movies, come to think of it. Possibly better than even summer!
Still, it’s not like I’m going to see every film released during this time. If anything, I ran out of time and risked going out of budget for all the films that I did want to see, but didn’t always have time to. Then there were also films that, quite frankly, I could just do without seeing. But, for the purposes of this article, I’ve gone through and examined all these, both enticing and repugnant, some being granted my attention possibly for the last time ever, and have collected my thoughts and impressions below. As mentioned previously in parts 1 and 2, this isn’t my final say on these films, and some of the commentary below is based pretty much on plot synopses, other reviews, skimmings, and a heavy use of Wikipedia and Rotten Tomatoes. I watched the trailers where I could and didn’t for those films that I just basically didn’t care. Which ones are those? Read, and you may just find out! Read more…
Produced by: Frank Capra, Harry Cohn
Written by: Robert Riskin (screenplay); Samuel Hopkins Adams (story)
Cinematography by: Joseph Walker
Editing by: Gene Havlick
Music by: Howard Jackson, Louis Silvers
Starring: Clark Cable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jamesson Thomas, Alan Hale, Arthur Hoyt, Blanche Friderici, Charles C. Wilson
Based on the short story Night Bus by Samuel Hopkins Adams
The romantic comedy genre has a bad reputation these days, primarily because most modern romantic comedies are insipid, grating experiences that rely primarily (often solely) on star power and easy jokes to fill 90+ minutes. Yet so many of them make such big money, it’s easy to see why studios continue to make them — a sad fact that infuriates those with, in my humble opinion, objectively better taste than those who pretty much throw their money away. Read more…
Produced by: Dean Devlin
Written by: Dean Devlin, Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Music by: David Arnold
Starring: Will Smith, Jeff Goldblum, Bill Pullman, Margaret Colin, Vivica A. Fox, Mary McDonnell, Judd Hirsch, Robert Loggia, Randy Quaid, James Rebhorn, James Duval, Adam Baldwin, Harry Connick, Jr., Mae Whitman, Harvey Fierstein, Brent Spiner, Frank Welker (voice)
There’s an exchange between two characters in this film that I think perfectly sums up the whole attitude one should have when preparing to watch this film: “You really think you can fly this thing?” “You really think you can do all that bullshit you just said?”
The concept of a self-aware film has already become a familiar trope, but Independence Day acknowledges its nature as a big budget B-movie while never truly drawing attention to the fact. It’s all played straight, and yet it’s still hilariously playful, just the same. Here’s a film where you really have to turn off your brain and not really think too much about the action, lest you be driven into madness trying to nitpick all the little details of the plot and pinpoint all the ridiculous things that the characters within are saying and doing. Once you do that, you’ll likely find yourself enjoying it far more than the film probably deserves. Read more…
Since this blog’s inception, I’ve posted 85 times, and while that is not necessarily one of those significantly recognized numbers like, say 25, 50, or 75, I must say, I didn’t know whether or not that I would stick with this blog for as long as I have, and while I’ve at times wondered if I could continue writing for this, 85 seems like a good enough number to definitively say to myself, “Yes, this is what I’m meant to be doing, even if it’s not for a living.”
You see, even though I might not be getting paid for what I’m doing here, there’s still a significant part of me that absolutely loves the cinema, even the crap movies sometimes, and I love discussing them with people when I can. Writing this may be a somewhat of a one-way street, as I’m still not entirely certain how significant my readership is here, but the more I write about it, the more I know that my audience will grow, and even if I’m not getting quite the comments level that I probably naively expected/hoped, hopefullyThe Viewer’s Commentary has at least helped in elevating this art medium that I love so much, if even by a small amount.
Going forward, I hope to have more reviews and commentary up more often. Going through a few sites around the blogosphere, I’m inspired to stop caring so much about the scope of my posts as much as I am posting from both my gut and heart and only worry about the high concept stuff when the mood strikes me just right. This will enable me to not burn out after work in trying to do a ton of research only to decide to abandon all plans to write that night. Less pressure, more pleasure, I guess you could say.
And, so, with this, the 86th published post, I’m going to make good on that promise to myself and my readership with a follow up to my very first article on the site — Here are, in no particular order, five more films that I would consider to be, more or less, my favorites!
Inglourious Basterds – I initially fell asleep during this movie. There. I said it. I blame my friend, who was also present with me during our recent viewing of John Carter — another film I fell asleep during. (Though, with that film, it was likely the fact that it was a midnight showing after a tame hockey-game bachelor’s party — that and it was also kind of a boring flick in general.) That bad luck for me apparently rubbed off once he got married, as he was also present when we went to go see The Avengers, and I was glued for that. (Honestly, Inglourious Basterds was also a late night showing during a very hectic and busy school schedule for me, so it wasn’t great timing.) But I’m digressing. Read more…
Here it is — the final chapter of films I didn’t see in (or from) 2011. This time of year is usually considered the “Oscar season.” This doesn’t necessarily mean that there aren’t some blockbuster hits still spilling out of the summer months, avoiding much bigger blockbuster hits in favor of taking on films more serious and, presumably, meant for a different audience.
After all, October is Halloween month, and so we usually get a spat of horror films which have a reputation, justified or not, for being generally awful but widely seen films. Since the Saw franchise presumably ended last year with Saw 3D: The Final Chapter, making 2011 the first year without a theatrical Saw release since 2003, perhaps many would consider it refreshing that we got two horror film prequels this year with The Thing and Paranormal Activity 3, with The Human Centipede 2 inexplicably filling in the gap for necessary sequels. Strangely enough, no remakes of horror films. Just a remake of Footloose, which, depending on your perspective, might be scary enough. Zing!
Personally, this was also the time of year where I didn’t really go see any films in theatres at all, having to save up to go see family for Christmas and, thus, get by without pay for work by the end of the year. And Mission: Impossible – Ghost Protocol nearly made this list, had I not gone and seen it at a 9AM showing this past Sunday, which, technically was seeing the film in 2012, but it’s still a 2011 film and I wanted to have it on my favorite list, as I was certain it would be on there. I spent most of this time engrossing myself with films rented and streamed, as evidenced by my focus on getting to know more established horror films I hadn’t seen before in October and my Christmas movie reviews in December (with a lone Thanksgiving film, for good measure) as well as getting more familiar with my own personal, neglected movie collection once again. (I forgot how good most of the films I own are!)
Closing out the year, we seemed to have gotten a lot of Oscar bait that wasn’t necessarily as promising as previous years. No Black Swans. No True Grits. Even the usually reliable Clint Eastwood, having directed Oscar gold for so many years, was having a tough time this year. Like a second coming of summer, the films of fall/winter 2011 were largely big name releases seemingly missed the summer window in production. Not all of them were bad, and some were even brilliant, but ultimately this felt like a season where there were very few worthy contenders for Oscar gold. Luckily, this might just mean that the types of films being released are just being spread across the year now instead of being concentrated all at once. Ticket sales are supposedly dropping, and the studios are possibly experimenting with timing, but only time will tell if the coming years prove whether this theory of mine that I admit I just came up with holds any water. Read more…
A lot of people will say that 2011 was a dull year for film. Unlike previous years, there haven’t been very many huge Oscar-worthy films this year that I, personally can think of. Though The King’s Speech saw its wide release in 2011 (and I even saw it in theatres this past year), it was ultimately a film from 2010 and had, by this year’s Oscars, already won several Oscars and other accolades in the year prior, so it was no longer a contender for this spot.
Of course, 2011 had its share of noteworthy films, such as Moneyball and The Tree of Life, both fo which I still have yet to see but hear fantastic things about. And there’s Hugo, which is a wonderful family film from Martin Scorsese and my top pick for the year. But 2011 was largely a year of recycling. Sequels aplenty, some great, some good, and some completely awful, with plenty of expected and unexpected revivals of old franchises, many of which were completely unnecessary and, yes, unwanted. (Yes, I’m thinking of The Smurfs.)
2011 also saw the end of a few eras in film history, as well. The final Harry Potter released this year to high critical acclaim. For the time being, we’ve also gotten what is intended to be the final film in the Transformers trilogy (until Michael Bay decides he wants to have more money and toss in Jason Statham, who has been rumored to be taking over the lead human role for quite a while now). And we also saw Pixar release their first widely derided film ever in the admittedly-watchable-but-ultimately-thoroughly-mediocre Cars 2.
I went to the theaters plenty of times this year. Most of the films I did see were quite good, if at least enjoyable. A couple were quite bad. But there were still plenty of notable films that were released throughout the year that I didn’t see, neither in theatres nor in my own home. Before I tell you what were my least and most favorite of the year, I thought I’d go through the daunting task of a quick rundown of each notable film released in 2011 that I, for one reason or another, for better or for worse, did not see in theatres or get around to watching on home release. Read more…
Produced by: Mel Gibson, Alan Ladd, Jr., Bruce Davey, Stephen McEveety
Written by: Randall Wallace
Starring: Mel Gibson, Sophie Marceau, Patrick McGoohan, Catherine McCormack, Angus Macfadyen
Music by: James Horner
Whenever I ask people what their favorite films are, undoubtedly one out of maybe five people has listed Braveheart in their list. That’s not a 100% scientific assessment, now, but you get my point. People really like this film!
The thing is, I’ve never been able to relate. It wasn’t that I didn’t like the film. It was just that… well, I had never seen it. Much like The Godfather and Casablanca, this was one of those all time classics that, despite being a massive film fan, I had somehow managed to not see.
Eventually, I did see The Godfather and its sequels, and I did see Casablanca, and both sets of films definitely lived up to their reputations (including The Godfather Part III being the most pointless sequel). But I continued to remain uninitiated into the clan of Braveheart fans, and I continued to be gawked at by its respective members as they questioned my validity as not just a film fan, but as a human being – ”You mean, you have never seen Braveheart?” they all gasped! Read more…