Produced by: Frank Darabont, Martin Shafer, Liz Glotzer
Written by: Frank Darabont
Edited by: Hunter M. Via
Cinematography by: Rohn Schmidt
Music by: Mark Isham
Starring: Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, Nathan Gamble, Jeffrey DeMunn, William Sadler, Frances Sternhagen, Samuel Witwer, Alexa Davalos
Based on the novella by Stephen King
Frank Darabont’s third adaptation of a Stephen King novel was, surprisingly, only the first horror film the director tackled from the famed author. Having apparently wanted to adapt the 1980 novella for quite some time, the director instead first tackled The Shawshank Redemption and then The Green Mile before finally getting a chance to direct the smalltown monster movie he had been dreaming of, making small adjustments to the story as he went along – most notably altering the original story’s ending to one that even Stephen King has acknowledged to be superior to the original work. Read more…
Produced by: Michael White
Written by: Jim Sharman, Richard O’Brien (screenplay)
Edited by: Graeme Clifford
Cinematography by: Peter Suschitzky
Music by: Richard O’Brien, Richard Hartley
Starring: Tim Curry, Susan Sarandon, Barry Bostwick, Richard O’Brien, Patricia Quinn, Nell Campbell, Jonathan Adams, Peter Hinwood, Charles Gray, Meat Loaf
Based on the play The Rocky Horror Show by Richard O’Brien
Fans of this cult classic, I’m going to right here and now preemptively keep you from committing some kind of serious crime while also saving my own neck: If you unconditionally, unabashedly love this movie, do not read any further than this paragraph. I know there are fans out there who just absolutely adore this movie, and, to that I say, “Good for you.” I’m not going to begrudge your relationship and affection for the film. That being said, if you’re the kind of person who sends death threats and such to people you disagree with, do us both a favor and please stop reading now. Read more…
Produced by: Tim Bevan, Eric Fellner, Nira Park
Written by: Simon Pegg, Edgar Wright
Edited by: Paul Machliss
Cinematography by: Bill Pope
Music by: Steven Price
Starring: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, David Bradley, Michael Smiley, Pierce Brosnan, Bill Nighy
Well, it’s finally here – the conclusion to the loosely connected, genre-homaging Three Flavours Cornetto Trilogy, the long rumored, long in development film known as The World’s End – not to be confused with This Is the End, the American film released earlier this summer. The conclusion to what accidentally became a trilogy was long in coming, and while I don’t remember exactly when I first heard about it, it was a long time ago, I know that for sure. Director Edgar Wright’s original script, titled Crawl, was written 21 years ago, but the concept of turning Shaun of the Dead and Hot Fuzz into the first 2/3 of a quasi-trilogy never really came into fruition until the filming of Hot Fuzz. People, such as myself, who were eager to see the final entry were tided over with the likes of the unrelated-yet-still-somewhat-similar Paul from Simon Pegg and Nick Frost and Edgar Wright’s brilliant but sadly overlooked adaptation of the comic Scott Pilgrim vs. the World, but when you consider the fact that it’s been six long years since the release of Hot Fuzz, it’s easy to understand why fans were getting a bit restless. But, finally, it’s here, and I’m happy to say that it is every bit as good as its predecessors. Read more…
Produced by: Shinichi Iguchi, Hiroaki Inoue, Hiroshi Kakoi, Hirotake Kanda, Keiji Kusano, Minoru Takanashi
Written by: Sukehiro Tomita
Art Direction by: Hidenori Nakahata
Cinematography by: Kazuhiro Konishi
Music by: Shirô Sagisu
Starring: Tsutomu Takayama, Hiroko Kasahara, Yumi Tôma, Yoshisada Sakaguchi, Bin Shimada, Yukio Satō, Ryūzaburō Ōtomo, Takeshi Kusao, Yoshisada Sakaguchi, Tōru Furuya, Ryōtarō Okiayu, Takeshi Watabe, Aya Hara
This is honestly the first non-Studio Ghibli, non-video-game-related anime movie I’ve ever really sat down to watch with the intention of actually watching the thing all the way through to the end. My friend who had suggested K-PAX a while ago had originally suggested the original Macross movie (actually a TV program edited into a movie which is more accurately named The Super Dimension Fortress Macross, but… well, we’ll just stick to Macross for this review), but, upon browsing Netflix, it looked like all they carried was the series version that spanned 8 discs – and there was no way I was going to watch all that. Hence, the coaxing of his left field suggestion of K-PAX. But, lucky for me, my friend had figured out that, yes, there is actually a Macross movie I could review, and he just so happened to own it: Macross II: The Movie (a.k.a.: The Super Dimension Fortress Macross II: Lovers Again, though, again, we’ll just shorten it to Macross II). Read more…
As you may already know, I’m of the opinion that 2012 was a pretty strong year for films. But even in the best of years there is always a deluge of awful just waiting around the corner to ruin your good time.
Unless you want to actually watch a bad movie (and, let’s face it, sometimes it’s fun to watch bad movies), I strongly advise against watching any of the films below. And even if you are in the mood for a bad movie, I would still recommend never, ever seeing the film that quite literally stole the top spot on my list.
It was honestly so bad, I broke a few rules just to avoid having to write about it again and made my say here my final say on the movie overall. Previous lists never featured a built-in film review for any of the films that didn’t have one previously on The Viewer’s Commentary, but this film was a special kind of awful, and so I decided to treat it thus just for this occasion.
Which film could possibly be so bad to inspire such madness? Well you’ll have to read on to find out. … Or you could just scroll down and spoil the surprise, but… well, that would be kind a mean and hurt my feelings. I already compiled this list for you so that you could avoid them and have a good time, and all, and you’re just going to ignore all my hard work, aren’t you?… Read more…
My apologies for the slightly longer delay in getting this part out. I kinda got stricken with the flu for a few days, and didn’t exactly feel like writing. But, here it is, the final third of the films I didn’t see in the year 2012. This is the period of time where the summer movies begin to trickle out before coming to a complete stop and where film studios begin their flood of Oscar-baiting dramas and such.
That’s not to say that there are never any good action films released during this time. That also isn’t to say that none of these Oscar-baiting films are any good, too. Far from it. 2012 saw the release of Oscar-worthy greats as Argo, Lincoln, and Zero Dark Thirty releasing in the same time period as cash-grabbing features like the final Twilight film, The Hobbit, and Wreck-it Ralph, all with varying degrees of success. It’s actually a fairly ripe time to watch all sorts of movies, come to think of it. Possibly better than even summer!
Still, it’s not like I’m going to see every film released during this time. If anything, I ran out of time and risked going out of budget for all the films that I did want to see, but didn’t always have time to. Then there were also films that, quite frankly, I could just do without seeing. But, for the purposes of this article, I’ve gone through and examined all these, both enticing and repugnant, some being granted my attention possibly for the last time ever, and have collected my thoughts and impressions below. As mentioned previously in parts 1 and 2, this isn’t my final say on these films, and some of the commentary below is based pretty much on plot synopses, other reviews, skimmings, and a heavy use of Wikipedia and Rotten Tomatoes. I watched the trailers where I could and didn’t for those films that I just basically didn’t care. Which ones are those? Read, and you may just find out! Read more…
Produced by: Dean Devlin
Written by: Dean Devlin, Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Music by: David Arnold
Starring: Will Smith, Jeff Goldblum, Bill Pullman, Margaret Colin, Vivica A. Fox, Mary McDonnell, Judd Hirsch, Robert Loggia, Randy Quaid, James Rebhorn, James Duval, Adam Baldwin, Harry Connick, Jr., Mae Whitman, Harvey Fierstein, Brent Spiner, Frank Welker (voice)
There’s an exchange between two characters in this film that I think perfectly sums up the whole attitude one should have when preparing to watch this film: “You really think you can fly this thing?” “You really think you can do all that bullshit you just said?”
The concept of a self-aware film has already become a familiar trope, but Independence Day acknowledges its nature as a big budget B-movie while never truly drawing attention to the fact. It’s all played straight, and yet it’s still hilariously playful, just the same. Here’s a film where you really have to turn off your brain and not really think too much about the action, lest you be driven into madness trying to nitpick all the little details of the plot and pinpoint all the ridiculous things that the characters within are saying and doing. Once you do that, you’ll likely find yourself enjoying it far more than the film probably deserves. Read more…
Produced by: Kevin Feige
Written by: Joss Whedon (screenplay & story), Zak Penn (story)
Music by: Alan Silvestri
Cinematography by: Seamus McGarvey
Starring: Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Samuel L. Jackson, Cobie Smulders, Stellan Skarsgård
I don’t think I need to tell you that you need to go see this movie. If you’re among the several who contributed to this film’s current $641 million intake globally, you’ve likely already seen this film and are, probably, very likely going to go see this again sometime within the next month, if not within the week. While I’ve eagerly awaited the release of The Dark Knight Rises this past month plus, and while I’m fairly certain that it’s easily, very likely going to be among the best of what the superhero genre has to offer, its importance to the genre is fairly minuscule compared to the importance of what Marvel has done with The Avengers. They’ve taken years of development and the creation of five films starring four drastically different heroes and featuring several others and built it up to this one film. And you know what? They absolutely succeeded in this ambitious project of theirs. Bravo, Marvel, you’ve broken box office records!
But you know what? I could go on and on about how revolutionary the film is for you and possibly leave you with that much more knowledge about the inner politics of rights holders and stubborn studios and we’ll all be all the smarter for having taken a closer look, examined the specifics of Hollywood politics, and all that other crap that’s important to know but, good Lord, is usually boring to learn. And I’m not going to do that. You know why? Because when I went to that theatre two days early to buy tickets as soon as they went on sale at my local Harkins, when I went to the theatre about two hours early, by myself like the nutcase that I am, and waited in line in order to grab the good seats for my friends and myself, and when I sat there, watching the trailers and then the movie and then not one but TWO secret endings to the film, and when I left the theatre afterward having seen the film in its entirety, I could only think of one thing: “HOW AWESOME IS THIS!?” Read more…
Wow. If this is somehow not as awesome as it looks, I well be very sad!
Please, Lord, let 2012 be a repeat of the awesome Iron Man / The Dark Knight summer of 2008!